공간의 개념정의에 관한 온라인 토론

김창현 한국공간환경학회 2011 공간과 사회 Vol.21 No.2

본 특별세션은 한국공간환경학회 페이스북 커뮤니티에서 공간의 속성에 대해서 자율적으로 토론한 내용을 담았다. 2011년 2월 8일, 김한준이 ‘소셜미디어와 공간’의 관계에 대하여 논의해보자는 취지의 글을 시작으로 하여, 토론자들은 공간의 속성, 절대공간의 존재, 사이버 공간의 개념실체, 마르크스의 공간개념 등에 관하여 다채로운 토론을 진행하였다. 토론은 2월 초부터 3월 중순까지 한 달에 걸쳐서 진행되었으며, 주로 글쓰기와 댓글 등의 형식으로 진행되었다. 토론자는 권오혁, 김남주, 김두환, 김창현, 김한준, 손정원 등 6명 정도로 한 달 동안 약 20여 편의 글과 댓글이 오고 갔으며, 총 분량은 약 52,000자 분량이다. 가독성을 확보하기 위하여 편집자는 각 토론자의 글을 주제별로 재구성하였으며, 문장의 형식을 일정하게 통일하였으며 중복되거나 불필요한 내용을 편집하였다. 논의의 출발은 “사이버공간을 공간으로 볼 것인가”라는 문제제기였다. 이에 대해서 권오혁은 공간 개념을 보수적으로 정의해야 한다고 주장하였고, 김한준, 김창현 등은 공간 개념을 열어두어야 한다고 주장하면서 논의가 본격화되었다. 논의가 진행되면서 권오혁은 공간에 대한 분류를 제안하였고, 그 분류의 적실성과 정합성에 대한 논의가 이어졌다. 특히 이슈가 되었던 부분은 절대공간의 개념을 어떻게 설정할 것인지의 문제였다. 논의의 마무리 단계에서는 위에서 토론했던 논의의 복잡성이 다소 해소되고 결국 어떻게 실천적 공간개념을 창출해 낼 것인지에 대한 제안과 문제제기가 있었다. 편집자는 시간의 순서를 거스르지 않는 선에서 논의를 주제별로 재구성하였다.

實驗室 內에서의 펄닭새우 phyllosoma幼生의 初期 發生 : 실험실 내에서의 펄닭새우 phyllosoma유생의 초기 발생

김창현 부산대학교 1978 論文集: 自然科學篇 Vol.26 No.-

환경 변화에 강인한 영상 항법 기술 동향

김창현,장영석,김준하,한영수,김현진 제어로봇시스템학회 2022 제어로봇시스템학회지 Vol.28 No.1

가정용 유기농 식물재배기 자동화를 위한 사용자 인터페이스 요소에 관한 연구

김창현,백혜숙 서울産業大學校 2005 논문집 Vol.54 No.4

Before paying attention to the international trend of the lifestyles of Health and sustainability (LOHAS), it should be obviously studied that what sorts of vital factors of both the human life interface and technological aspects are mutually involved for designing a water supplier of cultivating the LOHAS vegetables in home automation. Relating to the study of the new item, the methods of the research being are that 1) the current items in the world market have been identified in order to find out some new demands of it, 2) few problems identified have been attempted to solve and maximize the resources of implementing its own performance, 3) many technological elements have been studied to solve the problems found in previous stage in 1) and 2), 4) the vital design factors have also been surveyed to improve the selected item in users friendly and 5) in conclusion, the important factors of user interface for developing a water supplier of cultivating the LOHAS vegetables are going to be suggested and formulated as the following study model based on this paper in below.

고온 PEMFC용 수소제조를 위한 팔라듐 기반 분리막 개질기에 관한 연구

김창현,한재윤,이관영,이신근 한국에너지학회 2018 한국에너지공학회 학술발표회 Vol.2018 No.04

고등학교의 체육수업 개선방안 연구: 탁구경기프로그램을 중심으로

김창현 한국체육정책학회 2019 한국체육정책학회지 Vol.17 No.3

The purpose of this study is to investigate a study on the improvement of physical education in high school : focusing on table tennis program. In order to achieve the purpose of the study, 226 8th grade students in Grade 2 U class in Gyeonggi - do were compared with experimental group (4 classes, 2 hours of physical education per week, N = 117) and 4 groups, And N = 109), respectively. We have developed a program that can create an environment for effective operation of table tennis competition and increase participation. After applying these programs to the experimental group and the comparative group, we investigated the physical education class alienation and school violence through the questionnaire of the open question, and analyzed the difference of the questionnaire responses of the experimental group and the comparative group using the t-test and the frequency factor analysis respectively. Physical education class alienation is advance. The results of the post - test showed that there was a significant difference in all the factors except the physical education teacher neglect factor.

가정집 시 분석을 통한 이곡의 인생여정 탐색

김창현 (사)한국인물사연구회 2014 한국인물사연구 Vol.22 No.-

This study is to illuminate Lee Gok's life journey through surveying the poems of the Collection of Gajeong's Works. The first half of ‘Goshi(古詩)’ was arranged in order of writing time and the latter half had common theme of a travel record. ‘Yulshi(律詩)’ was arranged into writing time except the end of 17 volumes. By analyzing Lee Gok's poems, we could illuminate the time of writing that looked uncertain. Though Lee Gok lived in Yuan for long time, he rarely left Dado(大都) area except touring Shangdu(上都) and travelling back and forth between Koryeo and Yuan. He lived in a rent house in the southwest of Dadu Castle. He often journeyed inside and outside Dadu Castle, Especially buddhist temples. He who stayed in Yuan often kept in touch with his acquaintances in Koryeo and exchanged poems. Lee Gok came back from Yuan at the age of fifty-one in 1348, but he lost his position in the reign of King Chungjeong. He left Gaegyeong to take a trip to Gwandong and other country sides. As a result of analyzing his poems, his life could be vividly restored.

제4장르 설정의 문제점 고찰 (Ⅱ) : 분류학을 넘어 열린 장르론으로

김창현 한국비교문학회 2004 比較文學 Vol.32 No.-

The purpose of this study is to consider whether it is proper that the fourth genre called didacticism(敎述), transtatives(傳述) or thematic modes can have a position equal to those of lyric, epic and drama. The proponents of genre theories have long believed that the trichotomy originated from 'Poetica.' It was revealed, however, by G. Genette that lyric was excluded from the then trichotomy; instead of lyric had been presented something of 'a purely descriptive mode,' which, however, was recognized as being not sustainable in terms of art, so lyric came to substitute the mode. Now, today's quartering method also is explained, with emphasis on works that seem closer to the 'purely descriptive mode' than lyric; essays and Gasa (an old form of Korean verse) are examples of such works. However, they have not yet revealed their clear self-identity that can match the existing three genres. The problem is that a new alternative beyond the existing trichotomy is demanded so as to explain the phenomenon of interrelations between genres as well as the essay literature that has grown rapidly since the modern age. And such a demand was stronger in East Asia, particularly in Korea. Patriotic intellectuals needed to establish 'the 4th genre' on an equal footing with epic or drama, so as to intentionally put higher evaluation to the Korean medieval literature that has an insignificant tradition of epic or drama. In addition to this, the characteristics of Korean structuralism that stuck to the holistic grand theory made genre theories in Korea more abstract and schematic. Reflecting on such a process, the present writer proposes in this paper that instead of a new category should be created, the thinking on genres itself should be changed. It is aimed at explaining, by means of the genre theory, the present and medieval Korean literary situation. In our times, essays and experimental works are produced abundantly and in medieval Korea, literal literature centers around literary works that cannot easily fall under either lyric or epic. The genre system should be a classification system to explain the root and characteristics of historic genres, not one to put literary works into fixed categories. For this, major upper genres should have actual bases, not set up abstractly. Also, 'flexibility' in a true sense should be secured through demolishing walls for classification assumed between genres. In this context, I would like to propose the plan of a new genre system that has no such wall and is based on 'Presentation Form' mentioned as the basis of genre theories by many researchers including Frye and Hemadi.

제4장르 설정의 문제점 고찰 (1) : 4분법의 전개과정과 영역확장 및 체계화에의 욕망-

김창현 한국비교문학회 2003 比較文學 Vol.30 No.-

The purpose of this study is to consider whether it is proper that the fourth genre called didacticism(敎述), transtatives(傳述) or thematic modes can have a position equal to those of lyric, epic, drama. The proponents of genre theories have long believed that the trichotomy originated form 'Poetica'. But it was revealed by G.Genette that lyric was excluded from the then trichotomy; instead of lyric had been presented something of 'a purely descriptive mode', which, however, was recognized as being not sustainable in terms of art, so lyric came to substitute it. Now, the today's quartering method also is explained, with emphasis on works that seem closer to the 'purely descriptive mode' than lyric; essays and Gasa (an ole form of Korean verse) are such ones. However, these have not yet revealed their clear self-identity that can match the existing three genres. The problem is that a new alternative beyond the existing trichotomy is demanded as to explain the phenomenon of interrelations between genders and the essay literature that has grown rapidly since the modern age. And such a demand was urgent in East Asia, particularly in Korea. The upper-class intellectuals needed to establish 'the 4th genre' on an equal footing with epic or drama, so as to highly evaluate the Korean Medieval literature that has an insignificant tradition of epic or drama. In addition to this, the characteristics of Korean structuralism that stuck to the grand theory made genre theories in Korea more abstract and schematic. Reflecting on such a process, the present writer insists in this paper that the thinking on genres itself should be changed, not a new category should be created, So as to explain by means of the genre theory the present Korean situation where essays and experimental works are produced abundantly and medieval Korean literal literature centers around literary works that cannot easily fall under either lyric or epic. The genre system should be a classification system to explain the root and characteristics of historic genres' not one to explain the root and characteristics of historic genres, not one to put literary works into fixed categories. To do so, major upper genres also should have actual bases, not set up abstractly. Also, 'flexibility' in a true sense should be secured through demolishing walls for classification assumed between genres. In this context, I have got in my mind the plan of a new genre system that has no wall and is based on 'Presentation Form' mentioned as the basis of genre theories by many researchers including Frye and Hernadi.

高麗時代 日官에 관한 一考察 : 日官의 役割과 그 地位를 중심으로

김창현 한국사학회 1992 史學硏究 Vol.- No.45