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고소아,백준기,GAO, XIAOYA,Paik, Joonki Korea Convergence Society 2021 한국융합학회논문지 Vol.12 No.10
다이나믹 이미지 예술은 실험 영화, 비디오 아트, 뉴미디어 아트라는 세 가지 주요 유형이 있다. 모든 새로운 재료와 미디어를 예술에 도입하여 예술 창작에 더 큰 자유를 가져왔다. 디지털 정보기술의 발달로 다이나믹 영상 이미지 제작에 있어 고도의 시각 예술적 요구가 증가하고 있다. 다이나믹 이미지와 착시 현상의 조합에서 파생될 수 있는 다양한 형태와 표현 방법은 예술 작품을 더욱 생생하게 만든다. 본 논문에서는 멀티미디어 디지털 다이나믹 영상 기술과 착시현상의 결합을 중심으로 한 공간의 재구성에 초점을 두고 있다. 또한 다이나믹 이미지 개발 맥락에서 시각과 착시의 관계를 살펴보고자 한다. 끝으로 폴 셔면의 <Telematic Vision> 작품 분석을 통해 그 합리적인 결합을 찾아볼 수 있다. 적절한 기술적 구현 수단으로 디지털 멀티미디어 기술을 사용하여 공간의 착시 현상을 표현하여 디자인이 더 새롭고 영향력이 있도록 하였다. The art of dynamic images has experienced three development stages, including experimental films, recording art, and new media image. By introducing all kinds of new materials, new media to the art, and the art of dynamic images has created more freedom for art creation. With the development of digital information technology, dynamic image works have put forward an increasingly high requirement of visual art. The combination of dynamic images and visual illusion can give rise to different forms and expression methods, thus endowing artworks with more vigor. This paper provides an overview by sorting out the lineage and development of dynamic images in the background, as well as understanding the application and performance of contrasted visual illusion. Based on the understanding of the characteristics of visual illusion, we discuss the new characteristics of applying the theory of visual illusion to new media dynamic images in relation to the technical approach of dynamic images. Through the analysis of specific works of Telematic Vision, we search for its reasonable combination and find the appropriate technical means of implementation. We discuss how to use digital multimedia technology and spatial optical illusion to make the design more novel and impactful, and consider how the combination of digital dynamic image technology and visual illusion should be interpreted and applied.
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모바일 게임 <왕자영요> 나타난 동양 미학적 요소에 관한 연구
고소아 ( Gao Xiao Ya ),백준기 ( Joonki Paik ) 동양철학연구회 2021 東洋哲學硏究 Vol.107 No.-
China's leading companies have dominated the online mobile game market. Various contents are being developed by excavating contents from traditional culture and transplanting cultural and artistic elements. In particular, online games that connect history, culture, art, and all festivals are very popular among the new generations called post 70, post 80, post 90, and post 00 in China, especially the MZ generation. It can be seen that the game is enjoyed by people of all ages. So, why is < Honor of The King > so popular? There are various reasons, but first of all, in the case of online games, user activity is very important to whether or not to survive in the fiercely competitive market. It is also necessary to build a social network to maintain user participation. < Honor of The King > supports Tencent's social networks QQ and WeChat, so there is no shortage of user sources. Various methods such as game friends, intimacy, relationship selection, match results, likes, etc. are set in the game to effectively improve communication between players, increase intimacy between users, and increase players' mutual support, game immersion, collaboration, and social interaction behavior. improve Second, the game time can be controlled within 10 to 20 minutes, so most office workers, student parties, and migrant workers, etc., have the advantage of being satisfied with games and entertainment anytime, anywhere. Finally, if we analyze the game's popularity behind the scenes, we can see a humanistic character concept and oriental aesthetic elements in it. In other words, he admires the design of groups, groups, society and culture, and communicates in a popular way by adding elements of oriental aesthetics. In this study, the elements of oriental aesthetics appearing in < Honor of The King > are analyzed by classifying them into fields such as painting, landscape, literature, and music.
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