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崔良圭 이화여자대학교 무용학회 1978 무용 Vol.- No.10
미국이 1950년대에 장래에 대한 약속은 결코 망상이 아니었다. 그 당시 George Amberg는 미국에는 반세기동안 여러 형태의 Ballet가 존재해 왔지만, 근본적인 예술의 형태로써의 B allet가 존재한 것은 겨우 16년밖에 안 됐다고 말했다. 그리고 3년후, 안무가인 Agnes de Mille는 미국의 Dance는 마침내 성년이 되었다고 말했다. 결국 이것은 미국에 대하여서는 고무적이고 토착적이며 중요한 사건이었고, 훌륭한 경력이되었다.
한국어 모음의 지각적 차원 : 지각과 산출간의 연동 Alink between Perception and Production
최양규 한국음성과학회 2001 음성과학 Vol.8 No.2
The acoustic quality of a vowel is known to he mostly determined by the frequencies of the first formant(F1) and the second formant(F2). The perceptual(or psychological) dimensions of vowel perception were examined in this study. Also the relationships among perceptual dimensions, acoustical dimensions(F1 F2), and articulatory gestures of vowel were discussed. Using mufti-dimensionall scaling(MI S) technique, the experiment was performed in order to identify the perceptual dimensions of the perception of Korean vowel. In the experiment $ Seoul standard speakers performed the similarity rating task of 10 synthesized Korean vowels. Two-dimensional MISS solution based an the similarity rating scores was obtained. The results showed that two perceptual dimensions, Dl and D were coiTelated strongly with F and Fl (r = -,895 and , 78 respectively), and were so interpreted as 'vowel advancement' and 'vowel height' respectively. The relationship between the perceptual dimensions of vowel and the articulatory positions of tongue suggested that perception may be directly linked to production. Further research problems were discussed in the final section.