4. 고비승분야

임동권 한국문화인류학회 1973 韓國文化人類學 Vol.6 No.1

妾과 靑孀에 관한 婦謠 : 結婚生活을 노래한 內房民謠論 3

任東權 淑明女子大學校 亞細亞女性問題硏究所 1966 아시아여성연구 Vol.5 No.-

The theme lamenting the loss of a husband's affection, through death or to another woman, recurs in some of the folksongs of Yi Korea. Concubinage was condoned by custom and to keep up the system the wife was expected to be tolerant both of the husband for getting another woman and of the new rival for gaining the husband's. favors. The wife was held to the feminine virtue of submissiveness in all things so that her husband might undertake not only flirtations with another woman but also, possibly, cohabitation; an open protest would have brought the swift penalty of divorce on the wife for lack of this virtue. A young widow too had to stay single for the rest of her life, another practice ostensibly in line with the feminine virtue of serving only one husband even after his death. A re-married widow would face the prospect of the children by her second marriage being disinherited as $quot;illegitimate.$quot; In either case the hapless woman had to suffer, and her feeling of sorrow and impotent chagrin seems to have found outlet in folk singing.

사랑과 기쁨을 노래한 婦謠 : 結婚生活을 노래한 內房民謠論

任東權 淑明女子大學校 亞細亞女性問題硏究所 1965 아시아여성연구 Vol.4 No.-

A folksong is the reflection of the popular feeling prevailing in a society and especially in Korea without the study of folksong we can not catch the true attitude of the literature of common peaple. Because in the former days it was only possible for Korean women to find the expression -of her joy, complain or sorrow in the folksong under the large family system. For a long time, a woman ought never to govern herself according to her own will. Woman, during her infarct' accord n; to her own will. Woman, during her infancy, depends upon her father during her youth, upon her husband : when her husband is dead, upon her sons. There were more than seven cases that divorce was an obligations too. In such situation woman was not allowed to express her own will but forced to remain alone in the shade. She was only requested the feminine modesty and restraction as the highest woman virtue. In this thesis woman sang the love and other bright side of her married life, among the ;many songs of mysterious, inscrutability and unfathomable agony of woman.

시집살이 謠考 : 結婚生活을 노래한 內房民謠論

任東權 淑明女子大學校 亞細亞女性問題硏究所 1963 아시아여성연구 Vol.2 No.-

$quot;The songs of married life under the strict family$quot; is one of the most representative folksong of Korean female. Even though the song has unskilled versification and technique the song is highly handled in the study of history of female literature due to the facts of its simple versing and frank appealing of the feeling of the life was also clearly reflected. Since Confucianism was introduced into Korea the position of female at home and in society was falsefully placed and treated for long time until modern age. Under three principles of female life (① o follow her parents before marriage, ② to follow her husband, ③ to follow her son after death of husband) and the seven causes of divorce (① not obeying parents ② no birth of son, ③ obscenity, ④ Jealousy, ⑤ disease, ⑥ talkativeness, ⑦ stealing), female had to follow and obey male, and the married life under strict family was always conducted in the uneasiness of expulsion. For ceaseless interference of their strict parents and family, the married life lostits ability, moreover owing to the facts of poor home economy, with milling grain and weaving which was one of domestic industry, female was completely tired. But they had to conduct their life in such system and circumstance without saying complain. As a commandment $quot;There should be no complain$quot; was taught, however the life was hardly conducted without saying something in such circumstance. $quot;The song of married life under strict family$quot; is a female folksong chanted in such reality. The wife conducting married life under strict family was longing for her native house as a reaction of dissatisfaction with the reality. From time to time, escape from such reality was intended, but the escaping was hardly conducted because of string of the long tradition and custom. Female established their morality of endurance and tolerance as a result of overcoming such hard toil by selfdevotion and selfrespecting. Beyond maltreatment and neglect of surrounding, female had to conduct their life and maintain the posture by endurance arid compression of their feeling. Therefore the morality and the view of life of Korean female were formed in such circumstance, and $quot;the song of married life under strict family$quot; is a common song of young wives, expressing such agony in the process.

勞動을 노래한 婦謠 : 結婚生活을 노래한 內房民謠論 Women's Quarter' folk songs at the marriage life

任東權 淑明女子大學校 亞細亞女性問題硏究所 1969 아시아여성연구 Vol.8 No.-

There are such women's folk songs at work, called as $quot;loom$quot; $quot;weaving$quot; $quot;water-mill$quot; $quot;washing$quot; $quot;sewing$quot; $quot;farming$quot; $quot;hand-mill$quot; $quot;horse-hair made hat$quot; $quot;woman diver$quot; and etc. Males mainly did the hard works in the field, whereas females did the comparatively soft domestic works. However, females also did some farming works like the field furrows cultivation that could be accomplished by steadfast endurance. In other words, it was the hardly endurable works under the terrestrial and solar heat weather without any real determination. Nevertheless, females took part in these kinds of work as a member of the family. Originally the Korean people enjoyed singing and dancing, by which their hard labored physical fatigue was comforted. In the past, Korean social system restricted our women's free behavior in the various ways so much that they often expressed their bitter sense of restriction and displeasure through singing. The subjects of the women's songs at work are as follows. 1. Romantic love 2. Hardship of the marriage life. 3. A sigh of the life hardship. 4. Never disappointed in ill-luck but be ambitious. Although women's freedom of words and behavior were inconvenient, their heart was always filled with romance and love of the sweetheart. They longed for their lovers night and day and expressed their virtue through their really devoted heart to the lovers, who might betray them under the circumtance. But we can find out in the commoner's literature about what they showed up their bold defiance to. Generally, most of the married women maintained their life with a complaint and tears under the illtreatment of the husband's family. High class people never did any bit of the hard work, that, they thought, definitely belonged to the commoners, who often expressed their lamentation of the bitter life through the folk songs. Korean people are characteristic of steadfastness and durability, surmounting all kinds of bad condition for the fruitful tomorrow. Therefore, it is the value of the folk songs that they inspire these kinds of pitiful women with hope and bright future.

원로에게 듣는다(Ⅱ) : 나와 민속학

임동권 한국민속학회 2004 韓國民俗學 Vol.39 No.1

아리랑의 起源에 對하여

任東權 한국민속학회 1969 韓國民俗學 Vol.1 No.1

헤릭 눈물점 마개에 의한 만성 육아종성 눈물소관염 1예

임동권,주명진,김재호,Dong Kwon Lim,Myung Jin Joo,Jae Ho Kim 대한안과학회 2005 대한안과학회지 Vol.46 No.2

Purpose: To report the experience of treating chronic granulomatous canaliculitis induced by permanent silicone punctal plugs used for dry eye syndrome treatment. Methods: The transformation of puncta below both eyes and secretions in the lacrimal duct were observed for a 56-year-old female patient who had attended hospital for 4 months due to epiphora and secretions. Under the diagnosis of lacrimal duct inflammation for the lower lacrimal duct of both eyes, three-snip punctoplasty, curettage in the lacrimal duct, and pathological examination on the part of the lacrimal duct obtained from the three-snip punctoplasty were carried out. Results: The lacrimal silicone plugs were removed from the lacrimal duct at the time of the lacrimal duct curettage, and a diagnosis was made based on tissue biopsy of chronic granulomatous canaliculitis induced by permanent silicone punctal plugs. After the above surgical operations, the epiphora and the anterior eye segment symptom both disappeared. Conclusions: The permanent silicone punctal plug used to permanently close the lacrimal punctum scarcely causes disorder in the lacrimal drainage system with epiphora and inflammation by acting as a foreign substance. It therefore should only be used when essential.

중요무형문화재 지정에 따른 연구성과와 과제 : 연극, 놀이와 의식, 무예분야

임동권,Im, Dong-Gwon 국립문화재연구원 1999 헤리티지:역사와 과학 Vol.32 No.-

朝鮮總督府의 1912년年에 實施한 「俚謠·俚言及 通俗的 讀物等 調査」에 대하여

任東權 국어국문학회 1964 국어국문학 Vol.- No.27