완전자동무인운전에 대한 신호제어시스템의 안전성 검토

이재봉(Jae-Bong Lee),정계용(Kye-Yong Jung),이해철(Hae-Cheol Lee),최시행(Si-Haeng Choi) 한국철도학회 2010 한국철도학회 학술발표대회논문집 Vol.2010 No.7

LRT(Light Rail Transit) is currently adopting a more upgraded signal system these days. This latest signal system is a train on-board signal system with moving block based on the realtime bi-directional wireless communications. The system applies RF-CBTC(Radio Frequency - Communication Based Train Control System) in order thexecute fully automated manless operation. This paper reviews the performance requirements and safety of RF-CBTC that will be applied to the fully automated manless operation for LRT.

해방 직후 재일한인 문단과 "일본어" 창작문제 - 『朝鮮文藝』를 중심으로

이재봉(Lee Jae-Bong) 한국문학회 2006 韓國文學論叢 Vol.42 No.-

  It was after Korean Independence that Korean literature in Japan got into stride. The liberation gave the Korean in Japan new self-consciousness, which became the basis of active writings by Korean writers. Even under the poor conditions, the contemporary writers worked actively forming literary coteries and organizing unions like "the Association of Choseon Literary Writers in Japan." One of the results was the publications of literary magazines like "Choseon Literary Art".   In spite of the poor finance and the limited number of writers, "Choseon Literary Art" is the good source that shows the literary aspects of Korean in Japan after liberation. "Choseon Literary Art" whose writers were Kim Dalsoo, Huh NamGee, and Lee Eunjig had relations with Japan left literary organizations and "Association of Choseon Literary Writers" in South Korea. Therefore their ideological orientation was certain. In accordance with the ideological direction, they did literary activity as a cultural movement.   The biggest problem for them to overcome was the Japanese language. They must overcome the logical discrepancy to create national literature with Japanese, the colonizer language. The problem emerged in the form of controversial issue. Two opinions were bitter in tug of war over the issue. One was that the work must be written in Korean, and the other was that Japanese could be a useful tool for the Korean democratical revolution. This dispute has been repeated and it formed the major basis of Korean literature in Japan.   Now on it needs to study on the logic of "Democratic Choseon", which had been continually published since the liberation and on the logic of "Liberal Choseon", which had been published by the right group, the Korean Residents Union in Japan. The understandings for them are necessary to figure out the Korean Literature in Japan that has been continued.

Cu - Au 단결정의 전기 화학적 특성에 관한 연구

이재봉 ( Jae Bong Lee ) 한국부식방식학회 1996 Corrosion Science and Technology Vol.25 No.1

틈부식에서 틈내 전위측정을 통한 양극전류밀도 분산 계산

이재봉 ( Jae Bong Lee ) 한국부식방식학회 1997 Corrosion Science and Technology Vol.26 No.1

치과영역에 있어 경찰관 상해에 관한 연구

이재봉(Jae-Bong Lee),유홍렬(Hong-Ryoul Yu) 대한치과의사협회 1990 대한치과의사협회지 Vol.28 No.8

이라크 전쟁과 한반도 평화

이재봉(Jae Bong Lee) 한국동북아학회 2004 한국동북아논총 Vol.9 No.2

MV 전력케이블의 열화 진단을 위한 VLF Tan δ의 통계적 접근

이재봉(Jae-Bong Lee),김태완(Tae-Wan Kim),이동형(Dong-Hyeong Lee),김용현(Yong-Hyun Kim),박나래(Na-Rae Park),노성호(Sung-Ho Noh),임장섭(Jang-Seob Lim) 대한전기학회 2013 대한전기학회 학술대회 논문집 Vol.2013 No.7

자동운전 도시철도차량의 운전특성을 고려한 절연구분장치 이론적 고찰

이재봉(Jae-Bong Lee),김재문(Jae-Moon Kim) 대한전기학회 2013 전기학회논문지 Vol.62 No.10

In this paper, proper length of neutral section and neutral section system configuration is proposed to minimize accidents if ATO urban railway vehicle stops maintaining the leading vehicles in air section at regular intervals. When considering the minimum voltage sensing of power conversion unit in the urban railway vehicle, the effective length of 14,280[mm] with neutral section can be minimized damage due to high current because the urban railway vehicle is very little present chance compare neutral section with pantograph interval installed on a unit vehicle. In addition, uplift of catenary line and contact wire consider to minimize damage. The result of theoretical review, as the proposed neutral section shorter, isolated neutral section is effective than the integrated neutral section.

바보의 신화화 - 김석범 소설의 바보형 인물

이재봉(Lee Jae-Bong) 한국문학회 2003 韓國文學論叢 Vol.34 No.-

The novels of Kim Seok-bum, who is a Korean-Japanese novelist, have unique characters. They are idiotic characters appearing from his first novel to the latest novel, Hwasando. Continuously appearing with important meanings in novels, they have been attracting many critics's interest. Until now both domestic and foreign critics can be said only to discover the image of the people and its resistant meaning through the idiots. However the important thing is that the time and space is Jeju Island around the 4·3 incident. At that time Kim Seok-bum was not in Jeju Island and the settings of his novels are based on his collection of data and materials in Japan and the witnesses of those who ran away to Japan for survival. The resistance may differ from that on the scene, and thus the idiots are thought to have metaphorical and symbolic meanings. The idiotic character usually gives a laugh to the readers through his or her ridiculous behavior. Undoubtedly the laugh is not simple, but it may be the laugh in tears as in the characters of Kim You-jung or be the laugh commenting and attacking the evil conducts or the distorted views of others in Chae Man-sik's Satires. Or it may be the cannibal laugh pursuing the liveliness of life by overthrowing the formal authority and order. However the idiotic characters of Kim Seok-bum are different from them. Unlike the common idiots who are be laughed by the misjudgement of their false desire or its results, the idiots in the novels of Kim Seok-bum are the characters of the mythic world in which human beings and nature are in unity, no conflict with the world, and no distinction between the seriousness and the absurdity. They cannot help being the idiots in the world of conflicts and contrasts risking their life and in the world filled with extreme killings. Therefore they don't give laughs to readers in the end. Rather, they are the idiots in the Foucault's meaning who place deeply in the reader's mind and stimulate the forgotten truth acutely. They are recognizers and messengers of the truth that common people do not recognize or forget in the everyday life. For example, the readers can't laugh at Mandeok who is dragged to the execution ground denying the policeman's order to kill the spies because they are not human beings. Rather he is the character by whom people cannot help looking back on their life and thinking of the true meaning of 4·3 situations once again. And thus the idiots in the novels of Kim Seokbum do not die. The swelled old man in Kwandeokjung is alive in the form of rumor even if his role in the novel is nearly over. And Yongbaek in The Shit and the Freedom and seizes the consciousness of Sung Tae-il to the end and controls his behavior. Also Mandeok in Mandeok's Ghost Stories becomes a living ghost and appears among people at any time. Like various kinds of ghosts created by Jeju history, Mandeok, as a mythic being, makes himself known incessantly in people's stories or in people's consciousness.

해방직후 재일조선인 문학의 자리 만들기

이재봉(Lee Jae Bong) 한국문학회 2016 韓國文學論叢 Vol.74 No.-

재일조선인 문학은 특정한 국가에 귀속시키려는 근대 국민국가적 욕망에서 벗어나 디아스포라 문학으로 바라볼 때 그 독특한 위치성이 밝혀질 수 있다. 이 논문은 이와 같은 관점에서 1945년 조선의 해방과 일본의 패전이라는 역사적, 정치적 상황 아래서 재일조선인 문학이 어떤 위치를 만들려고 하는지를 살펴보고자 했다. 조선과 일본 그리고 변화하는 국제정세 속에서 재일조선인 문학은 스스로의 위치를 확립하기 위해 끊임없이 조선과 일본에 개입한다. 따라서 재일조선인 문학 역시 조선과 일본을 동시에 지향하고 있었다. 󰡔민주조선󰡕의 필자가 재일조선인, 일본인, 본국의 조선인 등으로 나뉘어 있는 것 등에서 이런 성격을 충분히 짐작할 수 있다. 조선과 일본에 동시에 개입해야 하는 이 독특한 위치성은 재일조선인들이 조선을 적극적으로 번역하는 행위로 나타난다. ‘재일조선문학회’가 ‘조선문학가동맹’의 강령을 거의 그대로 번역한 것이나 조선을 배경으로 삼은 문학작품이 많은 것은 이 때문이다. 그런데 같은 표현이라도 발화 위치와 문맥에 따라 번역의 의미는 달라질 수밖에 없었고 조선은 여전히 식민지적 모순에 가득 찬 공간으로 번역된다. 그래야만 재일조선인은 일본이라는 식민지 종주국 공간에서 일본인들과 공동투쟁 또는 공생의 명분을 마련할 수 있었기 때문이다. 또 재일조선인은 일본인들에게 적극적으로 번역되어야 하는 존재이기도 했다. 󰡔민주조선󰡕의 창간 목적 중의 하나가 조선과 재일조선인에 대한 왜곡된 일본의 시선을 바로잡는 것이었다는 점은 여기서 기인한다. 조선과 일본에 끊임없이 개입하고 번역하는 존재임과 동시에 번역되어야만 하는 존재였던 재일조선인 문학은 바로 이 때문에 이미 세계성을 띠게 되고 그들의 문학은 상호문학적 과정이라는 특성의 세계문학적 특징을 보여준다. The unique positionality of the Korean-Japanese literature can be revealed when it is viewed as a diaspora literature, which gets out of the modern national desire of imputing to a certain nation. This paper, approached in this terms, intended to look into which positionality the Korean-Japanese literature tried to make under the historical, political situation of the Korean liberation and Japan defeat in 1945. In the circumstances between Korea and Japan and international changes, the Korean-Japanese literature continuously intervened in Korea and Japan to establish their own status. Thus the Korean-Japanese literature also had an innate respect for Korea and Japan at once. It is possible to judge from the fact that the authors of 『Minju Chosun』 were composed of the Koreans in Japan, Japanese and inland Koreans etc. The unique positionality, intervening in Korea and Japan at once, is outed as behaviour that the Koreans in Japan translated Korea actively. That is why ‘The Association of Choseon Literary Writers in Japan’ translated the organizational statement of ‘The Union of Chosun Literary Men’ to the letter and there were many literary works with Korea setting. However it has been inevitable that the same expression differed in accordance with utterance places and contexts and Korea is still translated as a space filled with colonial contradiction. Only then could the Koreans in Japan get justification for joint struggles or symbiosis with Japanese in space of Japan, the country from which colony originated. Besides, the Koreans in Japan were beings translated by Japanese positively. That contributes to the point that one of the purposes for 『Minju Chosun』 foundation was to correct distorted views on Korea and the Koreans in Japan. The Korean-Japanese literature was a translated being as well as a continuously intervening in Korea and Japan and translating being, and because of this, it has already taken on globality and their literatures have showed world literary character that is inter-literary process.