의미 합성성과 관용어

윤희수 금오공과대학교 선주문화연구소 2007 선주논총 Vol.15 No.-

인지모형

윤희수 金烏工科大學校 1998 論文集 Vol.19 No.-

The purpose of this thesis is to study on the relationship between contexts and cognitive models, and the relationship between semantic fields and cognitive models, and three prominent cognitive model theories, and meaning cognition through cognitive models. It is true that a cognitive model works in the process of meaning cognition in our mind in one way or another. This study is summed up as follows : First, a context is a cognitive representation of the interaction among concepts, and a cognitive model is all the stored cognitive representations belonging to a field. The difference between a semantic field and a cognitive model is as follows : The meaning of each word is determined by the relationship of individual words according to the semantic theories, the meaning of each word depends on a packet of knowledge according to the cognitive model theories. Second, a cognitive model is a mental model which man has shared. organized and idealized in his mind, and through which hs gains the meanings of words. Third congnitive model threories encompass both the linguistic knowledg and the knowledge of the world. Fourth, there are several cognitive model theorie worth exploring, among which are the fram theory by langacker and the ICM theory by Lakoff. Finally, it is very hard for a man to live a strange and heterogeneous culture. He is like a fish out of water. Language and cultute are inseparable. We must understand cultural cognitive models to correctly get the connotative meaning of a word.

관용어의 고정된 어순 분석

尹熙洙 金烏工科大學校 1989 論文集 Vol.10 No.-

The purpose of this thesis is to analyze the aspects of fixed word order in the seven categories of idioms, on the bases of psycholinguistics and Greenberg's marked theory. And the scope of idioms examined in the study is from the level of complex words to that of phrases, not including that of sentences such as proverbs. The results are as follows: (1) The Chronologically preceding term is followed by the later one: (2) In general, the male term precedes the female one, but in undesirable cases or in animals the ordering of sex is reversed. (3) Small numbers precede large numbers. (4) The term nearter to the speaker is followed by the term farther from the speaker. (5) In the case of directions, the term easier to percieve appears at the first pleace. (6) The term stronger, further, and more useful appears at the first place. (7) The positive term in evaluation precedes the neagtive one. In conclusion, the above results can be explained by the Greenberg's marked theory that the unmarked term precedes the marked term.

경부 종물을 주소로 내원한 Rosai-Dorfman Disease 1예

윤희수,김동환,김민송,지용배 대한이비인후과학회 2019 대한이비인후과학회지 두경부외과학 Vol.62 No.6

Rosai-Dorfman disease, also known as the sinus histiocytosis with massive lymphadenopathy,is a rare and benign histioproliferative disease in which lymphadenopathy results from infiltrationand dilatation of lymph node sinuses by large histiocytes. We experienced a case of a59-year-old man, presenting bilateral cervical masses with pain since one month ago. Radiologically,there were multiple enlarged lymph nodes with homogenous contrast enhancementat both cervical areas. Excisional biopsy revealed that the tumor was consistent with the Rosai-Dorfman disease. The patient was treated successfully with corticosteroid. Herein, we reportour experiences with literature reviews.

시론으로서의 시 : 월러스 스티븐즈의 「푸른색 기티를 든 남자」 Wallace Stevens's "The Man with the Blue Guitar"

윤희수 釜慶大學校 1999 釜慶大學校 論文集 Vol.4 No.1

This paper aims to examine Stevens's reflections on the relationship between reality and imagination which is the persistent theme of his poetry, based on one of his major poems as poetic theory. "The Man with the Blue Guitar." Critics on Stevens's poetry are roughly divided into two groups: one who views him as the poet of reality searching for things as they are or pure reality, and the other who labels him as the poet of imagination in pursuit of the supreme fiction without which men are unable to conceive of life and reality. In this regard, this poem which contains the poet's desire to gaim access to things as they are and his will to create believable fictions through imagination at the same time could be a good example which supports the grounds of each critical pole simultaneously. In this set of thirty-three variations as if plated on the guitar as a symbol of the imagination, through the arrangement of audience's requests and speaker's replies. Stevens dramatizes the tension between his desire to reveal things as they are and his will to transform reality through imagination and create the supreme fiction. Although he does not liberate himself from the awareness that his imagination can not represent reality as it is due to the will to change, the shows a dim vision that he can create more credible fictions based on the interdependence of reality and imagination which will be more clarified in one of his canonized pieces. Notes toward a Supreme Fiction."

단절에서 통합으로: 리영 리 시의 정체성 탐구에관한 연구

윤희수 한국외국어대학교 영미연구소 2014 영미연구 Vol.32 No.-

This study aims to explore the identity quest of Li-Young Lee as aChinese-American poet by analyzing his poems “Persimmons” and “TheCleaving.” Born of Chinese parents in Jakarta, Indonesia, he underwent aprocess of continuous dislocation until he finally settled down in the UnitedStates in 1964. Therefore, one can readily anticipate that his poetry willshow “a feeling of disconnection and dislocation” on the part of animmigrant who is required to assimilate into unfamiliar surroundings. However, Li-Young Lee also reveals a longing to escape from his narrowethnic boundary as a Chinese-American and arrive at “nobodyhood” orparadoxically “everybodyhood,” which is tantamount to a truly essentialself beyond “cultural existence.”One of his best-known poems, “Persimmons” starts with an episode inwhich the poet is “slapped” by his sixth-grade teacher because he couldnot distinguish the phonetic difference between persimmon and precision. Even though he seems to succeed in assimilating into American society ashe grows up, he has been gradually losing his connection to his culturalorigin. His father's adherence to his cultural legacy shown in paintingpersimmons blind forces him to feel ashamed because of the separation hemaintains from his ethnic heritage. In “The Cleaving,” Li-Young Lee shows a daring attempt to get beyonda feeling of disconnection and dislocation to strengthen his ties with hisethnicity and finally incorporate himself into the shared humanity ofdifferent races. The poet focuses on a butcher in Chinatown and feels asense of solidarity with him “with my own face.” This sense ofcongeniality leads him to find faces of diverse races in the butcher andembrace them, regardless of their racial and ethnic differences. The poetalso embraces Emerson's idea of the interconnectedness of all existencesin spite of his prejudice against Chinese people. This inclusion andtolerance in turn shows the longing of the poet to pursue his true identityas a universal self beyond race and ethnicity. Ultimately, he is ready totake the next step into another journey to reach his foundational placethrough religious reflections.

생태주의적 사고의 두 가지 유형 : 스나이더와 올리버의 시

윤희수 새한영어영문학회 2010 새한영어영문학회 학술발표회 논문집 Vol.2010 No.5

Cr 도금 층의 RF 플라즈마를 활용한 CrN 형성 시 Cr 도금 인자의 영향

윤희수,여승환,김준환,이영국 한국표면공학회 2020 한국표면공학회 학술발표회 초록집 Vol.2020 No.6

신념과 자의식 : Wallace Stevens 초기시의 풍경

尹熙洙 한국영어영문학회 1992 영어 영문학 Vol.38 No.1

초월성의 부재와 그 극복의 한 방법:스티븐즈의「일요일 아침」

윤희수 釜慶大學校 1997 釜慶大學校 論文集 Vol.2 No.1

This paper aims to examine a mode of response to the age of religious skepticism based on one of Stevens's major poems. "Sunday Morning." In this poem, by using a woman protagonist as a spokeswoman for post-Christian mind. Stevens raises successive questions about the presence of divinity and heavenly paradise. And he cautiously explores the possibility of a mancertered,earthly paradise which can be substituded for the abstract and impalpable Christian paradise. As a mode of existence in this human world deprived of transcendence. Stevens suggests that we should cherish our vivid feelings evoked by our contacts with physical and concrete world instead of adhering to abstract religious experience. Of course, he acknowledges our experience of physical reality is so fluctuating that it is does not guarantee "imperishable bliss." However, if we accept our fate which is inescapably free from and "unsponsored" by any transcendental presence, and if we are bound together by the awareness of the very mortality, human world can be another kind of paradise, a substitute for an abstract paradise far beyond our reach. Stevens once remarked the role of poetry in the age of disbelief as life's redemption. In this sense, "Sunday Morning" can be regarded as a starting point of this quest for the life-redeeming "poetry of the earth." In addition, when we pay attention to his incessant effort to solve man's problem within man's capability, without any recourse to transcendental presence, this poem can be an example which distinguishes his poetry from Eliot's theocentric, that is, God-centered poetic world.