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희랍시대부터 19세기 말까지의 主要 音樂文獻에 대한 小考
朴文正 同德女子大學校 1978 同大論叢 Vol.8 No.1
We can possibly trace back music history only after music and musical ideas have been written down with some kind of interpretafive languages. No one can definitely say what kind of music had existed until the third century because there were scarecely any reliable articles written down during that time. Only from the Greek period, valuable materials about music began to be written and had transmitted to the present time. For this reason in this paper, the important musical treatises would be reviewed from the Greek era to the end of the 19th century chronologically in order to help for better understanding of the changing. aspects of the western music. In the Greek era, the philosophers and mathematicians were also musicians, Consequently, it was the music theories rather than practical music which affected the western music. Greek theories could be divdied into two classes: philosophy and patterns of systematic descriptions of the materials and patterns of musical compositions. In the middle Ages, the whole era was affected by the theories of Boethius whose ideas reflected the GreeBi doctrines. On this basis, the western music began to develop slowly during this period. The early polyphony from organum; 8 church modes, definite rhythmic concept, and the musical notation were the devices of this time. Many writers wrote about their masical thought and new interpretations about the Greek theory in the Renaissance Period, It was also in this era that the first music dictionary and encyclopedia which provided valuable sources of music and music aesthetics of the Renaissance era, appeared. Two monumental works were published in the Baroque era, <Gradus ad Parnassum> by J. J. Fux had long been an authoritative text book for vocal polyphony until the latter part of the 19th century. <Traite do 1'harmonie> by J. P. Rameau established the classical concept of harmony and tonality. In the classical era, the distinguished composers and pleayers, Quantz, L.Mozart, C.P.E. Bach published books which dealt with playing particular instruments such as flute, violin, and clavier. These books did not confine themselves to playing instruments but discuss questions of general importance for the musical practice and music aesthetics of the time. In the Romantic era, we can see close link music with other arts, especially literature. Therefore, the famous literary men Jean Paul and E.T.A. Hoffmann were the music critics and the eminent composers such as, Weber, Berlioz, Schumann, and Wagner forte numorous articles. Especially, Wagner whose view of music drama everted enormous influence not only on the musical world but also literature, philosophy, and politics was the giant during the second half of the 19th century and even in the present time.