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류기수 ( Gee Soo Ryu ) 한국외국어대학교 중국연구소 2010 中國硏究 Vol.50 No.-
Liu Yong was the best known popular Ci poet of the Song dynasty. He created his own unique style with his outstanding literature knowledge and musical talent. Although there are many famous works on the research of Liu Yong and Yuezhangji, they all did great work on the individual research of the Liu`s life and his skills. But they didn`t pay enough attention to the problems of Yuezhangji`s edition. Concerning these problems, this article will start with criticism of the edition and draw a conclusion on the base of studying various editions of Yuezhangji. First, states naming and the number of volumes of Yuezhangji. Secondly, explores the edition source and errors such as wrong words, derivative words, missing words, punctuations and so on.
조선(朝鮮)의 시사(詩詞)에 나타난 白居易 「억강남(憶江南)」의 수용(受容) 양상
류기수 ( Gee Soo Ryu ) 한국외국어대학교 중국연구소 2014 中國硏究 Vol.61 No.-
Bai Juyi was one of the greatest realistic poets of the Tang Dynasty, his poetry was widely spread to Koryo Dynasty. He also was the earliest Ci writer, his Ci "Memories of the South(Yijiangnan)" was also wellknown in Chosun. "Memories of the South(Yijiangnan)“ was the chapter-after-chapter styled, a sort of scenic poem. So some of the Chosun poet and Ci writer had adopted and imitated Bai Juyi’s Ci, and created their own works. This paper provides a detailed account of the influence of Bai Juyi’s Ci in the poetry and Ci of Chosun Dynasty.
이백(李白)의 사(詞)가 조선사(朝鮮詞)와 한시(漢詩)에 미친 영향(影響)
류기수 ( Gee Soo Ryu ) 한국외국어대학교 중국연구소 2013 中國硏究 Vol.59 No.-
Despite of its complexity of tunes, lines and the restriction of fixed characters per each line, "Ci" had been introduced ceaselessly since the period of Tang and Song to Xixia, and to various oriental countries like Japan, Vietnam as one kind of the oriental literature. Sure, having closer relationship with China, Korea had acquired the Chinese "Ci" during the era of Koryo and Chosun and created their own which eventually became one "Genre" of their classical literature. Li Bai was a genius poet, also was the earliest Ci writer in Tang Dynasty. His "Pusaman" and "Yiqine"are called "the origin of Ci-Qu". He was not only the famous poet in China, was also wellknown in Chosun. So Many of Chosun poet and Ci writer had adopted and imitated Li bai`s Ci, and created their own works. This paper provides a detailed account of the influence of Li Bai`s Ci in the poetry and Ci of Chosun Dynasty.
류기수 ( Ryu Gee Soo ) 한국외국어대학교 중국연구소 2021 中國硏究 Vol.87 No.-
Tang and Song Ci were introduced to the Chosun Peninsula during the Goryeo Dynasty, and was established as the Chinese-language literature of Korea for more than 500 years. To examine how Tang and Song Ci influenced the verse of the Goryeo and Chosun Dynasty, 1,250 works of 171 artists collected over 30 years were compiled and published by book called The General collection of Korean Ci in Korea 2006. And In 2019, a book titled The General collection of Goryeo and Chosun Ci was published in Shanghai, China, with addtional discovery of 2,072 works by 315 artists. During the course of the book's publication, it was carefully examined for missing letters and typos for about two years, but errors were still found in the published book. In addition, more than 200 new works have been found until recent after the book was published, so the revised version should be published, but since the date of publication cannot be promised, I intend to correct the errors and make up for the omission through this research essay.
조선사(朝鮮詞) 「억진아(憶秦娥)」의 사률(詞律)을 통해 본 당송사(唐宋詞)의 수용(受容) 양태(樣態)
류기수 ( Ryu Gee Soo ) 한국외국어대학교 중국연구소 2019 中國硏究 Vol.81 No.-
Koryo and Chosun had acquired the Tangsongci and created their own which eventually became one "Genre" of their classical literature.The standardized form of Yiqin’e, Double tones, 46 characters in total, has the entering tone of rhyme and five sentences in the upper and lower sections respectively, with overlap of three word sentences. It is said that Li Bai, the great poet of Tang Dynasty, first coined this tune.The Ci writers of Chosun composed on Li Bai, Zhu Xi & Lee Huang's Yiqin’e. It shows respect and a kind of spiritual communication between the participants and their predecessors. In the same era, singing harmony of Yiqin’e with the same rhyme sequence was not only communicative, sportive and competitive, but also had the complementarity and the profound cultural connotation.This paper provides a detailed account of the acceptation of the Tangsongci by Yiqin’e of Chosun Ci.