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류광우 경북대학교 수사과학대학원 2013 국내석사
수중시체를 발견하였을 때 익사로 진단하기가 쉽지 않으며, 아직 확실한 부검소견이나 검사실 검사법이 존재하지 않아 익사 진단의 어려움이 있는 게 현실이다. 이를 위해 익사의 진단에 있어 나비 굴내 액체 확인의 중요성을 알아보고자 본 연구를 시행하였다. 경북대학교 의학전문대학원(의과대학) 법의학교실에서 최근 10년 간의 부검 자료를 이용하여, 총 54건을 대상으로 분석한 결과 구강 및 비강 내 포말은 7건 (13%), 기도 및 기관지 내 포말 15건 (28%), 폐의 과팽창 및 부종은 47건 (87%), 위 및 십이지장내 익수는 28건 (52%), 측두골 암석부위속(추체유돌부) 출혈은 50 건 (93%) 이 관찰 되었다. 나비 굴내 액체는 45건 (83%) 이 관찰 되었다. 플랑크톤 검사에서는 총 33건 (87%) 이 검출되었으며, 이 중에서 폐에서만 나타난 경우는 26건 (68%) 이었다. 나비 굴내 액체 확인은 부검의들이 잘 확인을 하지 않으며, 문헌에서 또한 상세한 기술이 부족하며 국내 연구 또한 미흡한 수준이다. 이러한 현실과 익사의 진단이 쉽지 않음을 고려한다면 본 연구 결과에서 나타난 나비 굴내 액체의 양성률은 상당히 의미 있는 수치이며, 익사의 진단에 유용한 부검 소견으로 판단할 수 있다고 생각한다.
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This thesis started with posing a question to existing views regarding the writer Lee-sang's literature of the 1930s, and, if possible, developed its point of argument with an intention of renewing the essens of its interpretation. The constrants of the times running through our literature in the 1930s emerged in close connection with the political, cultural situations of the times. for example, Enevery possible usurpation onour nation, political repression and subsequent crackdown on cultural and artistic circles, intensified by the aggressive wars of Japaness imperialism extending form the Manchurian Incident(1931) to the Chinese-Japanese War(1937) and the pacific - war, exerted many influence in shaping the anique natnre of our national literature in 1930s. The basic position in this thesis consists in viewing the Lee-sang's wark as implying a close inner coincincident relationship to the situation of the colonial era. Though it is estimated that Korean people had had many difficulties seeking national spirit throghout the whole culture since the colonial era, especially the 1930s, it came from the overcomeing of the strict control of thought and the inspect, censure of speech and publication in parallel with the economic pauperization process of the time. That is to say, literary activily within the range permitted by Japanese imperialism could nat help revealing an aspect not matched with the pursuit of national spirit. Accordingly, In examing the literary warks of the time, we think that the attitude of attitude of attempting to grasping the inherent meaning embedded in the warks is desirable in straightening the value of literature of the age rather then that of defining the substance surfacedin the literary works. This thesis attempted to define the method of embodying the warks and its meaning, focusing it attention on exploring the refracted aspect of the zeitgeist(the spirit of the times)seen in the Lee-sang's works. And this thesis attempted to adhere to the position of seeking to grasp Lee-sang's literature as a structure of symbol, in association with his attitude foward recognizing the actuality. To sum what were above mentioned, there ara point as follow: (1) When we look into Lee-sang's litweture as one structure of symbol, it is seen that his attitude toward the actuality making a difference over the whole of his works lay in his thorough consciousness of and resistance to the prescribed situation of the time and clinged to his correct mode of life. (2) The acwquisition of symbolicity which Lee-sang's text has toward the situation of the reality is achieved through the method of embodiment such as the use of characteristic motif the borrowing of modernistic technique, transcendence of the concepts time and space, and the like. (3) As a consequence of examing the use of charcteristic motifs, it could be made clear that there existed an aspect of set f-disruption and the prohibited actuality in case of the motif of mirror, aspects of prohibited actuality and false pose in case of the motif of wife, an aspect of resistance arising from repression on creative act in case of the motif of body, and an aspect of pursuit for freedom and historic consciousness in case of the motif of signs. (4) As a result of reviewing the correlativity between the prologue of Lee-sang's fiction and contents of its text, it was concluded that the prologue had the close corelativity with the content of the text. And, if it is guessed that the use of the prologue explains the exasiveness of his work or suggests the uniqueness of the method of embodiment(expression) in advance, it can be seen that there is any possibility that the prologue would be used as a means for jumping beyond the prohibited actuality. (5) The transcendence of the concepts of time and space surfaces as laziness 「reversion of daily life」, 「immersion in absolute space」, which mean ①「limitation and resistance of intellectuals in the colonial era」, ②restoration of the lost sense of the father. This thesis, attempting to define the method of characteristic embodiment in Lee-sang's text and its meaning in conjunction with the situation of the times, has a limitation of not taking the problem of evasineness with Lee-sang's literature into full account. In particular, for all that the analysis of the narrative structure developing in his fiction have to be preceded, what this thesis does not mention remain its weakness and great regret.
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