2-Pyridone을 이용한 Nucleic Acid Bases간의 Multiple Hydrogen Bonding에 관한 연구

황정숙 대전대학교 기초과학연구소 2000 自然科學 Vol.11 No.2

핵산 염기간의 multiple hydrogen bonding model로서 2-pyridone의 N-methyl-2-pyrrolidone 에 대한 hydrogen bonding association을 25℃ 사염화 탄소 용액에서 측정하여 94 M^(?)의 값을 얻었다. Complexation constant 값을 고정한 후, pK_(a) of N-H acids와 bases의 log K 간의 Bronsted relationship을 이용하여, 2-Pyridone의 dimerization constant 값 k_(d)를 계산한 결과 1.2×10^(5) M^(-1)로 나왔다. 2-pyridone의 oxygen bases에 대한 hydrogen bonding equilbrium constant는 다른 N-H acid의 같은 bases에 대한 예상처보다 큰 것으로 보였다. Hydrogen bonding association of 2-pyridone to N-methyl-2-pyrrolidone in carbon tetrachloride at 25° was measured( 94N^(-l)). After fixing the complaxation constant, the dunerization constant of 2-pyridone was also calculated from the relationship between the pK_(a), of N-H acids and log K for bases and got the value of kd as 12x10^(5) with the standard deviation of 0.002. it seems that the hydrogen bonding equilibrium constant for 2-pyridone to the oxygen bases is larger than the expected from the other N-H acid to the same base.

유아기 수학 교수-학습 방법에 대한 연구

황정숙 한국수학교육학회 2002 수학교육논문집 Vol.13 No.1

본 연구는 유아기 교수-학습 방법에 대한 기초 이론과 수학교육에서의 교수-학습 방법에 대한 제안들을 근거로 유아에게 적절하고도 효과적인 수학 교수-학습 방법은 무엇인지를 알아보는 것이다. 이를 구성주의에 근거한 상호적 접근과 교수-학습을 위한 기타 제안들 그리고 활동중심의 통합적 접근으로 나누어 그 이론적 기초와 구체적인 적용방법에 대해 자세히 살펴보았다. 구성주의에 근거한 상호적 접근은 Piaget와 Vygotsky의 견해와 인지적 도제모형, 상황적 교수 모형, 그리고 인지적 유연성 이론의 세가지를 포함하였고, 기타 제안들에는 NCTM, NAEYC, Schweinhart Perlmutter, Bloom & Burrell, 그리고 Althouse의 견해를 포함하였다. 그리고 활동중심의 통합적 접근은 수학적 개념 중심의 활동 통합교육과 활동 중심의 수학 통합교육으로 나누어 Web을 구성하고 적용하는 과정을 알아보았다.

미국에서의 한국어 교육 현황과 과제 제시 - 한국어 교재 개발, 교육과정 개발, 교육 단체의 협업을 중심으로 -

황정숙 국제한국언어문화학회 2022 국제한국언어문화학회 학술대회 Vol.2022 No.05

The Game Samuel Beckett Plays in Endgame

황정숙 한국현대영미드라마학회 2022 현대영미드라마 Vol.35 No.1

Samuel Beckett’s Endgame (1957) was originally published and performed in French, entitled Fin de Partie, and translated to English by Beckett himself. It is a one-act play with four characters: Hamm, Clov, Nagg, and Nell confined to a shelter, where there is nothing to eat except the last few biscuits in the cupboard in the off-stage kitchen. “Endgame” is a term in chess that refers to the final stages of the game where only a few pieces remain on the board, and Beckett himself stated that he entitled his play “Endgame as in chess” and Hamm is like a king who desperately delays the end. Naturally, the analogy of the play with chess has dominated the reading of the play. Identifying Hamm as king, Clov as knight or pawn, and Negg and Nell as either rooks or pawns, many critics have examined metaphors of chess or a game in the play. Focusing on the link between Endgame and chess game, the current readings, however, have overlooked how Beckett breaks the rules of a game in the play. Applying Johan Huizinga’s theory of the game, I reveal the neglected aspect, re-examine the play’s characteristics of the Theater of the Absurd concerning game theory, and examine what outcomes Beckett intends. I further examine what underlies Beckett’s legal scuffles with directors and theater companies that staged his play.

건설현장에서 발생되는 산화규소분진의 유해성 및 작업환경 개선대책에 관한 연구

황정숙 한국재난정보학회 2022 한국재난정보학회 논문집 Vol.18 No.3

Although the working environment is measured at the construction site, only a few noise and vibration that are typically exposed for each process are performed without measuring the working environment by segmenting the exposed harmful factors. Therefore, it is intended to find the harmfulness of silicon oxide dust, which is most exposed at construction sites, and the complementary points of improvement measures currently being implemented at construction sites. The status was analyzed using the actual condition survey report issued by the Korea Occupational Health Corporation and the Korea Occupational Health Association and data from the work environment measurement institution, and compared and analyzed with the rules on work environment measurement of the Occupational Safety and Health Act. The harmfulness of silicon oxide dust was identified and improvement measures were derived. It is expected that occupational diseases against silicon dust can be reduced if the harmfulness of silicon oxide dust at construction sites is derived and improvement measures are actively applied at the site. 건설현장에서 작업환경측정을 하고 있으나 노출되고 있는 유해인자를 세분화하여 작업환경측정을 하지 않고 공정별 대표적으로 노출되는 소음, 진동 등 몇 가지만 실시하고 있다. 이에 건설현장에서 가장 많이 노출되는 산화규소분진의 유해성과 현재 건설현장에서 하고있는 개선대책의 보완점을 찾고자 한다. 안전보건공단과 산업보건협회에서 발행하는 실태조사 보고서 및 작업환경측정 기관의 자료를 활용하여 현황을 분석하였고 산업안전보건법의 작업환경측정에 관한 규칙과 비교분석 하였다. 산화규소분진의 유해성을 파악하고 개선책을 보완도출하였다. 건설현장의 산화규소분진의 유해성을 도출하고 이에 따른 개선대책을 제시함으로써 현장에서 적극적으로 적용한다면 산화규소분진에 대한 직업병을 줄일 수 있을 것으로 기대된다.

“Yanki Occupation” of Haiti in Edwidge Danticat’s The Farming of Bones

황정숙 한국영어영문학회 2022 영어 영문학 Vol.68 No.3

Edwidge Danticat’s The Farming of Bones (1998) depicts a tragic history of the 1937 massacre of Haitians by Dominican military troops, particularly migrant workers, under the dictator Rafael Trujillo’s orders, with the participation of Dominican civilians. Critics have examined the novel’s representation of the traumatic event that has been silenced and omitted from the official narratives. Despite different approaches, the current readings have commonly re-circulated the binary between Haiti/Haitian/victim and Dominican Republic/Trujillo/persecutor and reproduced a popular perception of the massacre as a conflict between the two Caribbean nations, while highlighting the long legacy of French and Spanish colonization on Hispaniola as its root cause. These readings tend to overlook one of the most crucial histories of the 1937 massacre referenced in Danticat’s novel—the US occupation of Haiti from 1915 to 1934. Danticat harshly criticizes the United States in her article, “The Long Legacy of Occupation in Haiti,” published in 2015 on the hundred-year-anniversary of the US invasion of Haiti. Explaining how America affected and propelled the development of sugar plantations in the Dominican Republic, the Haitian eastward movement, and exploitation of Haitian migrant workers as cheap labor force, this article sheds new light on important aspects of the 1937 massacre that have been relatively neglected in discussions of The Farming of Bones. Based on Danticat’s article, I examine how she represents the history of the US occupation of Haiti as an underlying cause of the 1937 massacre and portrays its continuing effects on Hispaniola in the novel.

Place and Displacement in A Portrait of the Artist as a Young Man

황정숙 한국제임스조이스학회 2008 제임스조이스저널 Vol.14 No.2

Young Stephen identifies himself with a list of signifiers given to him by his Irish geographical and social space. Yet, thinking about something beyond the listed signifiers, he feels a headache, which can be read as a symptom of the reality omitted from the list, the reality of Ireland’s colonization. His headache ensues as a response to the discordance between his list and his geography lesson, and above all, to the dissonance between the political and social reality of Ireland and the ‘Ireland’ on his flyleaf list. He turns over the flyleaf, but later, realizes his displacement and his colonial otherness through his engagement with the Irish English language, which dissolves his previous sense of a unified identity. He inevitably feels anxiety about the space of colonized Ireland and his identity as an Irishman. However, such uneasiness doesn’t lead him to join the contemporary rebellion against colonialism. He resists the insidious reproduction of the colonial situation by intentionally refusing to be categorized or established as an Irish subject who unknowingly and unconsciously colludes with the British colonization of Ireland. Searching for the possibility of and space for resistance, Stephen defines his race’s consciousness as “uncreated” and through exile, attempts to differentiate himself from the traditional net which compels him to fix his identity to a social or national space. Offering an anti-Bildung narrative, an account of anxiety caused by place and displacement, and the suggestion of an undiscovered Irish consciousness and identity, A Portrait draws attention to the reality of the displacement of the Ireland that exists beyond the text and demands that readers react. Young Stephen identifies himself with a list of signifiers given to him by his Irish geographical and social space. Yet, thinking about something beyond the listed signifiers, he feels a headache, which can be read as a symptom of the reality omitted from the list, the reality of Ireland’s colonization. His headache ensues as a response to the discordance between his list and his geography lesson, and above all, to the dissonance between the political and social reality of Ireland and the ‘Ireland’ on his flyleaf list. He turns over the flyleaf, but later, realizes his displacement and his colonial otherness through his engagement with the Irish English language, which dissolves his previous sense of a unified identity. He inevitably feels anxiety about the space of colonized Ireland and his identity as an Irishman. However, such uneasiness doesn’t lead him to join the contemporary rebellion against colonialism. He resists the insidious reproduction of the colonial situation by intentionally refusing to be categorized or established as an Irish subject who unknowingly and unconsciously colludes with the British colonization of Ireland. Searching for the possibility of and space for resistance, Stephen defines his race’s consciousness as “uncreated” and through exile, attempts to differentiate himself from the traditional net which compels him to fix his identity to a social or national space. Offering an anti-Bildung narrative, an account of anxiety caused by place and displacement, and the suggestion of an undiscovered Irish consciousness and identity, A Portrait draws attention to the reality of the displacement of the Ireland that exists beyond the text and demands that readers react.

불임 상담

황정숙,황정혜,Hwang, Jung Sook,Hwang, Jung Hye 대한생식의학회 2006 Clinical and Experimental Reproductive Medicine Vol.33 No.4

방탄소년단의 휴먼브랜드화 : 크로스미디어 전략과 정보관리

황정숙 한국지역언론학회 2020 언론과학연구 Vol.20 No.3

Folowing its suces in the U. S. music market that has so far ben unfulfiled by Korean idols, BTS syndrome has won positive reviews worldwide. This study analyzed how idol groups, enter�tainment companies, and fandoms interacted and used cros-me�dia strategies from the perspective of information management until BTS became a globaly influential human brand. BTS' suces was posible because of the strong global fandom and cros-media strategy of entertainment companies that ac�tively utilized not only excelent musical elements but also the rapidly changing media environment. BTS's record-breaking news from abroad, including Bilboard, was reported through domestic media, which in turn formed a mechanism for the continued spread of isues through online por�tals and strengthening of awarenes. Also, the BTS Worldview, organicaly conected to various me�dia, has built up the image of young people as an idol group with god influence, and fandom ARMY has created a strategic human brand as an information watcher who manages the star crisis while showing loyalty to reproduce and share more content in var�ious media spaces based on content provided by entertainment companies. As such, the cros-media strategy of utilizing traditional media and social media in the entertainment industry, partnership com�munication with fandom has become a model for K-pop, which has shown the potential of a global human brand. K-pop, the wel-known music brand of the Korean Wave, has now become an actively managed information industry and a genre of entertainment culture. In result, BTS as the human brand wil play significant roles in the global cultural environment. 방탄소년단은 지금까지 국내 아이돌이 보여주지 못한 미국시장에서의 성공을 바탕으로 전 세계 극찬을 받으며 BTS신드롬을 불러왔다. 이 연구는 방탄소년단이 세계적인 영향력을 미치는 휴먼브랜드가 되기까지 아이돌그룹과 엔터테인먼트사, 팬덤이 어떻게 상호작용하며 크로스미디어전략을 구사하였는지를 정보관리측면에서 분석하였다. 방탄소년단의 성공은 뛰어난 음악적 요소뿐만 아니라 급변하는 미디어환경을 적극 활용한 엔터테인먼트사의 크로스미디어 전략과 강력한 글로벌 팬덤이 있었기에 가능했다. 방탄소년단이 빌보드 등 해외에서 이루어낸 기록적인 뉴스들은 국내언론매체를 통해 전달되고, 이는 다시 온라인 포털 등을 통해 이슈가 지속적으로 확산되며 인지도를 강화시키는 메커니즘을 형성하였다. 또한 다양한 매체에 유기적으로 연결된 방탄세계관은 젊은이들에게 주체적 삶을 이끌어내며 선한 영향력을 행사하는 아이돌 그룹이라는 이미지를 구축하고, 팬덤 아미는 엔터테인먼트사가 제공한 콘텐츠를 기반으로 다양한 미디어공간에서 더 많은 콘텐츠를 재생산하고 공유하는 충성도를 보여줌과 동시에 스타의 위기를 관리하는 정보감시자로서 전략적 휴먼브랜드를 만들어냈다. 이처럼 기존 매체와유튜브, SNS를 활용한 엔터테인먼트사의 크로스미디어 전략과 팬덤의 동반자적 정보관리 방식은 방탄소년단이 세계적 휴먼브랜드로서 자리매김하는 데 기여하였다. 방탄소년단을 통해 케이팝은 적극적으로 관리되어야 하는 정보산업이자 놀이문화의 형성자가 되었으며, 전 세계 문화공동체의 구심점 역할을 하는 휴먼브랜드로서의 가능성을 보여주고 있다

Writing about the Holocaust Using Deliberate Obscurity in W. G. Sebald's Austerlitz

황정숙 연세대학교 인문학연구원 2018 人文科學 Vol.113 No.-

Realistic representation has been regarded as the most adequate and valid approach in Holocaust literature, however, its problems have been also fiercely debated and criticized. Written in a mix of various genres, German writer W. G. Sebald’s Austerlitz (2001) rejects realistic representation. In the novel, an anonymous German narrator tells the story of Jacques Austerlitz, who tries to trace his forgotten memory of his parents, victims of the Holocaust. Despite the extensive inclusion of memoirs, historical documents, and photographs, the novel only offers an abstract, obscure, and incomplete view of Austerlitz’s past and the Holocaust in a non-linear narrative. This unique representation of the Holocaust is, however, largely neglected in current scholarship that has focused on the novel’s hybrid form and Sebald’s use of photography. Examining how Sebald intentionally creates and increases the uncertainty of the narrator’s and protagonist’s accounts, I explore how his synoptic representation reflects changing shapes and paradigms of Holocaust literature.