해체주의적 소설 읽기를 통한 해체주의에 대한 이해와 그 교육적 기능에 대한 고찰 : 호손의 『주홍글자』와 제임스의 『대리인들』을 중심으로

황재광 한국영미문학교육학회 2002 영미문학교육 Vol.6 No.2

Willa Cather’s Godfrey St. Peter: Idealist or Materialist?

황재광 한국영미어문학회 2012 영미어문학 Vol.- No.103

Most critics of The Professor’s House have tended to oversimplify the novel as being structured around a clear-cut opposition between St. Peter’s idealism and Marsellus’s materialism or as being a bitter record of the author’s personal anxiety imbued with her anti-Semitism. To some extent, I also share such critical view that the novel is centered upon a clash between idealism and materialism. I contend, however, that the conflict between these two opposites is dramatized less in terms of St. Peter against Marsellus than as a matter of St. Peter being divided against himself. To put it differently, the fundamental source of St. Peter’s despair and anxiety, which at the novel's end drives him to feel indifferent to his own life and death, resides not so much in Marsellus’s materialism as in St. Peter’s own aesthetic and Romantic idealism, which confronts a subversive, materialistic force from within. His aesthetic idealism is imbued with such an oppositional element largely because it cannot dispense with material support. Thus, St. Peter’s despair and frustration are consequences of the nature of his idealism. The Professor’s House is more a critique of the self-dividing nature of St. Peter’s idealism than a direct indictment of materialism and commercialism. While St. Peter is not an adequate proponent of idealism, Marsellus, the professor's Jewish son-in-law, transcends a mere stereotype as a materialistic villain. Indeed, this flamboyant figure shows some qualities of Tom Outland's idealism, generosity and adventurous sprit that St. Peter admires, and makes untenable a simple dichotomous approach to the novel as a site of two competing forces of idealism and materialism.

Melville’s “foundling, a presumable by-blow”: A Reading of the Acts of Open Form in Billy Budd, Sailor

황재광 한국영미어문학회 2013 영미어문학 Vol.- No.108

This paper examines multiple implications of the acts of the open form in Billy Budd with attention to the author’s preference for open ended process of inquiry and non-foundational impulse toward his own art. Melville’s open form is equivalent to non-formist organic form and therefore antithetical to the New Critical concept of organic unity, in that the former emphasizes the multiple endings and the fragmented nature of the text created by growing processes of the narrative while the latter underscores the finalized form in literary texts. For this reason, the open ended form engenders multiple perspectives, and renders the novel functional and performative rather than foundational. Like Billy Budd whose origin is unknown, the text of Billy Budd acts like a literary foundling or by-blow of its author whose self-subverting rhetoric allows the story about the protean character to grow further in the mids and hearts of its readers. Rather than conveying the last word of its author, the novel offers its readers interpretive freedom and interpretive conundrum as well.

판매 프랜차이즈 가맹본부의 관계지향적 노력이 가맹점의 관계품질과 재계약의도에 미치는 영향

황재광,양인석,이윤복 한국프랜차이즈경영학회 2014 프랜차이즈경영연구 Vol.5 No.2

This study is to examine the impact of sales franchisor’s relationship-oriented efforts(flexibility, problem solving support, customization, information exchange, and supervisor characteristics) on relationship quality(satisfaction, trust, and commitment) and recontract intentions. In order to analyze proposed model, this study collected the 233 franchisees with owner or hired manager. The data were analyzed with SPSS/PC 18.0 and AMOS 18.0. First, to test unidimensionality and nomological validity of the measures of each construct we employed a scale refinement procedure. The result of reliability test with confirmatory factor analysis warranted unidimensionality of the measures for each construct. The findings are as follows: First, relationship-oriented efforts had positive effects on relationship quality (satisfaction, trust, and commitment) of franchisee. Second, satisfaction had positive effect on trust, but did not on recontract intentions. Third, trust had positive effects on commitment and recontract intentions, respectively. Finally, commitment had a positive effect on recontract intentions. At the end of this paper, managerial implications and limitations and future research directions were suggested.

Form Without Boundaries: An Interpretation of the Structure in Herman Melville's The Confidence-Man: His Masquerade

황재광 한국영미어문학회 2007 영미어문학 Vol.- No.83

Melville's The Confidence-Man, His Masquerade has generally been regarded as a failure of form. It has also been read as a satire against American culture. Critics prone to read The Confidence- Man with such a disapproving eye tend to see those unlikely aspects of the novel as symptomatic of a failed author. Against these dis-commendable views of the work, this essay argues that the form of The Confidence-Man is not a "failure of form ; it is simply dictated by the fiction's material rather than by the troubled mind of the author. The primary determinant of the novel's form is the shifting actions and ideas of the multi-formed confidence man. Thus, The Confidence-Man is another variation in terms of the forms of Melville's novels, which assume an organic aesthetic as its form corresponds with the multiple implications of the fiction's material. In addition to, or because of the continuity between material and form in The Confidence-Man, there is the tendency to openendedness and ambiguity in the structure of the novel. However, this seemingly disturbing quality of the form is not to be interpreted as a manifestation of the author's frustrated psyche or his lack of narrative techniques. Instead, it should be taken as an outcome of the author's own predilection for the organic aesthetic derived from his anti-essentialist vision of art and literature. This essay also contends that The Confidence-Man is by no means a satirical work against American culture by pointing out that it provides no possible criteria for moral judgment. Nor is the novel a display of the author's pessimistic view of humanity, considering that Melville chose to set the novel on April Fool's Day.

해체주의적 소설 읽기를 통한 해체주의에 대한 이해와 그것이 가진 교육적 기능에 대한 고찰: 호손의 『주홍글자』와 제임스의 『대리인들』을 중심으로

황재광 한국영미문학교육학회 2002 영미문학교육 Vol.6 No.2

호손의 『주홍글자』 읽기를 통한 분석적 사고, 비평적 독서, 학술적 논문 작성 능력 배양 지도 사례

황재광 한국영미문학교육학회 2013 영미문학교육 Vol.17 No.1

The purpose of this paper is to share a teaching experience of a course, the introduction to British and American fiction to 1900. It should first be stated, however, that what took place in the course does not exactly reflect what the course’s title suggests, for it was modified to meet students’ needs and desire to appropriate their close reading experience with Hawthorne’s The Scarlet Letter as means not only to acquire the knowledge of British and American fiction to 1900 but also to improve their skills for reading, thinking and writing analytically and critically. Thus, rather than surveying the expanding canon of British and American novels belonging to the period, this course sought to help students to achieve such objectives through a variety of activities and assignments conducted outside and inside classroom. The activities and assignments include an in-class presentation, 10 weekly quiz, and 5 biweekly reviews on the assigned pages of The Scarlet Letter, and a 5-6 page term paper. Much of this paper is devoted to explain how those classroom and non-classroom activities of students were executed and interwoven with the instructor’s lectures about critical approaches to the novel in a way that they meet the aforesaid goals of the course. This paper is concluded with the instructor’s evaluation of his and the students’ performance based on the students’ semester-end comments upon the course.

호손의 주홍글자 : 프래그마티즘과 탈구조주의적 글 읽기

황재광 신영어영문학회 2001 신영어영문학회 학술발표회 자료집 Vol.2001 No.8

Flawed Identity and the Desire for Power in Flannery O'Conner's Short Stories

황재광 한국현대영어영문학회 2006 현대영어영문학 Vol.50 No.4

In many of Flannery O’Connor’s short stories, pride makes people self-deceiving about their own identities and desirous to control others by choosing to align themselves with anything that they think will make them powerful. Thus, Pride is not the product of the lack of self-knowledge inherent in most protagonists in O‘Connor’s stories. It is the primary source of the flawed identity of her characters as well as the perversity in their actions; it is what keeps them from examining their own identities objectively or from putting it into perspective. O’Connor informs us that there is something innate about human pride. In her stories, pride coupled with the desire for power governs the minds of almost all of her characters regardless of their age, gender, socio- economic status and religious orientations. Yet, for the characters of a mature age, their pride has become a more self-deceptive and incorrigible part of their identity because they see themselves as part of classes in power.

경피적 추체 성형술을 이용한 추체 압박 골절의 치료

황재광,박경준,김정환,최영준,백승기,안형선,최수정,조재우,안현태 대한골절학회 2002 대한골절학회지 Vol.15 No.2

목적 : 경피적 추체 성형술은 골다공증에 의한 압박 골절이나 혈관종 등에 의한 추체의 병변시 추체내로 골대체물질인 골시멘트나 동종골 등을 주입 혹은 이식함으로서 척추체를 보강하여 추체를 안정화시키고 통증을 감소시키는 수술적 치료이다. 최근 노령인구의 증가로 인해 골다공증에 의한 척추 압박 골절이 증가하고 있으며 이에 저자들은 골시멘트를 이용한 경피적 추체 성형술을 시행하였으며 수술 후 임상 및 방사선적 결과에 대해 분석 하였다.대상 및 방법 : 2000년1월부터 2 0 0 1 년 4월까지 흉, 요추부의 압박골절로 본원에서 경피적 추체 성형술을 시행받은 5 9명, 111추체를 대상으로 하였으며 이중 남자가 1 0명, 여자는 4 9명이었고 평균연령은6 6 . 0 세(45 ∼ 8 5세)였다. 시술전 단순 방사선 검사 및 골밀도 검사와 컴퓨터 단층촬영을 시행하였고, 골주사 검사를 이용해서 병소를 확인하였으며, 시술시 환자를 복와위 상태에서 극돌기에 압통이 있는지확인하고 시술 부위에 대한 국소마취를 시행하였다. 방사선 조영장치 하에서 t r o c a r 가 추체 내에 정확히 삽입되었는지 확인 후 t r o c h a r 를 추체의 전방 1 / 3 까지 삽입하였으며 이를 통해 조영제( b a r i u m ) 와 혼합한 골시멘트를 추체내로 주입하였다.시술부위는 제 11, 12 흉추 및 제 1, 2 요추부의 흉요추부가 81 례로 대상 추체의 대부분을 차지하였으며 대상환자 중 1척추체만 시술받은 경우가 2 6명이었으며 2척추체가 2 0명, 3척추체 1 0명, 4척추체 2명, 7척추체 1명이었다. 골시멘트 평균 주입량은 4.7ml 였으며 시술후 1일째, 2주째, 2개월째에 추시 방사선검사를 통해 추체 높이의 변화를 측정하였고 환자의 증상 호전 정도 및 술 후 합병증 등을 파악하였다.결과 : 술 후 증상 호전 시기는 시술 후 2일 이내에 4 8명에서 통증의 호전이 있었으며 2주째 3명에서,2개월째 4명에서 통증의 호전이 있었으나 4명에서는 호전이 없었다. 술 후 증상의 호전 정도는 우수2 0명, 양호 2 4명, 보통 1 0명이었으며 불량 5명으로 전체 대상 환자의 7 5 % 에서 양호 이상의 호전을 보였다. 추체 높이는 술 전 55.5% 에서 술 후 70.3% 로 추체 높이의 증가가 있었으며 이는 통계학적으로 유의하였다( p<0.02 ). 술후 단순 방사선 검사상 경막외 혈관으로의 시멘트 누출이 1 3례, 추체 전방및 측방 누출이 9례 였으며 추간판 간격으로 누출된 경우가 5례 있었으며 1례에서는 후방 척추관내로 골시멘트가 누출되어 추가적인 후방 감압술을 시행하였다. 4명에서는 술전에 없었던 늑간방사통이발생하였으나 모무 늑간신경 차단술 후 증상호전을 보였다.