디지털 전환 시대의 미술사와 문화유산의 재발견: 우피치의 영토들과 제도적 전략

최병진 한국미술이론학회 2025 미술이론과 현장 Vol.0 No.39

본 연구는 이탈리아 미술사 방법론과 문화유산 제도의 변화가 디지털 기술과 어떻게 교차했는지를 분석하며, 우피치 미술관이 주도한 ‘우피치 디푸시’와 ‘우피치 디지털레’ 두 프로젝트를 중심으로 살펴본다. 연구는 1970년대 이후 전통적인 연대기적 미술사에서 장소 기반 접근으로의 전환 과정을 엔리코 카스텔노보와 카를로 진즈버그가 제안했던 중심–주변 모델이 분산된 박물관(musei diffusi)로 알려진 안드레아 에밀리아니의 ‘영토의 박물관들’개념으로 이어지며, 우피치의 두 프로젝트의 이론적 실천적 토대라는 사실을 다루었다. 이런 점은 상호 보완적인 두 프로젝트가 디지털 거버넌스, 지역 간 연계성, 참여적 전략을 통해 디지털 시대 박물관의 사회적 역할을 재정의하는 방식을 보여준다. This study analyzes how transformations in Italian art historical methodologies and cultural heritage institutions have been facilitated by digital technologies, focusing on the two interrelated initiatives undertaken by the Uffizi Galleries: Uffizi Diffusi and Uffizi Digitale. It examines the shift, since the 1970s, from traditional, chronologically-oriented art history to place-based approaches, highlighting how the center-periphery model proposed by Enrico Castelnouvo and Carlo Ginzburg evolved into Andrea Emiliani’s concept of museums of the territory, also known as the diffused museum or musei diffusi. This conceptual trajectory provides the theoretical and practical foundation for the two Uffizi projects. These two complementary initiatives demonstrate that digital governance, interregional connectivity, and participatory strategies contribute to the redefinition of the social roles of museums in the digital age.

Luigi Pirandello의 예술개념과 적용의 방식

최병진 한국외국어대학교 대학원 학술연구연합 2000 외학연논문집 Vol.2000 No.1

울리세 알드로반디(Ulisse Aldrovandi) 컬렉션의 원본과 자전(自傳): 컬렉터의 의도와 백과사전적 박물관에 끼친 문화적 영향

최병진 중앙대학교 외국학연구소 2016 외국학연구 Vol.- No.37

Ulisse Aldrovandi, one of the leading collectors and intellectuals of the Renaissance, played an important role in the progress and diffusion of knowledge in the cultural atmosphere between the late seventeenth and the early eighteenth century. He was also the protagonist who made the transition from the collection’s private dimension to the public, one of the highest enterprises on modernity. Aldrovandi’s idea came at a critical point of scientific thought and influenced the fantasy and illusion of the Baroque visual culture. Although it was maintained after his death by the terms of his will, relatively little remained of Aldrovandi’s collection by the nineteenth century. Nonetheless, it is important material for the study of the cultural paradigm shift in Early Modern Europe. In this testament, at 1603, Aldrovandi tends to avoid dispersion and encourages any possible interference among the elements of the system creating the museographic disposition of the encyclopedic syntaxes. In this manner, the Renaissance notion of museum defined imaginary space that codifies the intellectual experience of the self-proclaimed collector became the explicit identification of a museum with encyclopedic paradigms. For Aldrovandi, the encyclopedia was located neither in the text nor in the objects; instead, it was the dialectic between the educational models and the text of the research that defined the universality of this project.

Stochastic Integral of Processes Taking Values of Generalized Operators

최병진,최진필,지운식 한국전산응용수학회 2016 Journal of applied mathematics & informatics Vol.34 No.1

In this paper, we study the stochastic integral of processes taking values of generalized operators based on a triple $E \subset H \subset E^*$, where $H$ is a Hilbert space, $E$ is a countable Hilbert space and $E^*$ is the strong dual space of $E$. For our purpose, we study $E$-valued Wiener processes and then introduce the stochastic integral of $\mathcal{L}(E,F^*)$-valued process with respect to an $E$-valued Wiener process, where $F^*$ is the strong dual space of another countable Hilbert space $F$.

WEAK LAW OF LARGE NUMBERS FOR WEIGHTED SUMS IN NONCOMMUTATIVE LORENTZ SPACE

최병진,지운식 충청수학회 2013 충청수학회지 Vol.26 No.3

In this paper, we prove the weak law of large numbers for weighted sums of noncommutative random variables in noncommutative Lorentz space under weaker conditions than the conditions in [7].

오마이(Omai)의 초상 : 공간적 타자와 역사적 상상력

최병진 한국미술이론학회 2016 미술이론과 현장 Vol.0 No.22

본 논문은 1776년 5월 8번째 왕립 아카데미 전시회에 출품되었으며 18세기 식민지와 연관된타자의 관점을 보여주는 <오마이의 초상>을 다루고 있다. ‘고귀한 야만’이라는 개념과 연관해서 유럽의 역사에 대한 인식을 바탕으로 타자를 그리스 시대의 인물처럼 표현하고 있는 이 작품은 영국왕립 아카데미의 예술에 대한 양식과 결합해서 보편적 시민처럼 타히티의 원주민인 오마이를 묘사하고 있다. 그리고 이후 오마이는 영국에서 타자의 문화적 상징처럼 다뤄지고 이후 오키프의 『오마이: 혹은 세계 일주』에서 관찰할 수 있는 것처럼 민속지학적 관점에서 분석되었다. 본 논문은 이러한 전개와 이후 영국과 식민지의 관계를 둘러싼 사회적 담론으로 확장되는 과정들을 분석한다. This paper analyses Sir Joshua Reynolds’ Portrait of Omai, one of the most important paintings of the eighteenth century that deal with concerns of imperialism and its view of cultural otherness (Polynesian subject). This portrait was first displayed in May 1776, at the Royal Academy‘s eighth exhibition, and soon became accepted by the public as an iconic image of what they saw as culturally alien. Such a public reception was gained largely by the way in which the artist deploys for his model the concept or image of Nobel Savage, a Romanticized stereotype of otherness as projected by European imagination. The paper argues that the European perception staged in the painting plays a critical role in occasioning and disseminating discourses of imperialism. Seen in this perspective, John Okeeffe’s pantomime Omai: the travel around the worlds (1785) can be seen as a particular locale in the expansion of imperialist hegemony, in which the same orientalist image evolves into a kind of cultural folklore, further strengthening the distinction between Europe and its colonial other.

<오마이의 초상> : 공간적 타자와 역사적 상상력

최병진 한국미술이론학회 2016 한국미술이론학회 학술대회 Vol.2016 No.10

The Effects of Floral Arrangement on the Stress Index of the Elderly with Chronic Diseases and Its Correlation with Cognition

최병진,김연희,윤숙영 인간식물환경학회 2019 인간식물환경학회지 Vol.22 No.3

This study aims to see what changes flower arrangement programs bring to the stress index of elderly people with chronic diseases and its correlation with cognition. Furthermore, seniors from a day care center and a nursing home were compared for the purpose of identifying the effectiveness of flower arrangement activities as a supplementary remedy designed to relieve the symptoms and improve the quality of life of patients with chronic diseases. In this study, 24 seniors with chronic diseases were divided into two groups: Group A consists of 15 seniors from a day care center and Group B consists of nine seniors from a nursing home. Both groups participated in simple flower arrangement activities in 10 sessions. In each session, red and green cut flowers that were preferred by the elderly were provided to elicit and develop their thoughts and behaviors. The results showed that the overall average stress index was significantly reduced from 58.0±11.6 before the program to 50.6±17.1 after the program (p = .037). This study examined that the program was more effective for Group A (p = .021) than for Group B (p = .678). Results of the correlation analysis showed that there was no correlation between cognitive function and stress index (p = .569), but that the activity was more effective for Group A. This study shows that arranging flowers effectively lowers the stress index of elderly people with chronic diseases. Also, sharing the outcomes of such activities with others or continuously caring for the flowers even after the activity can maximize the effectiveness of the therapy and rehabilitation. Thus, the study concluded that the program needs to be applied continuously, not in the short-term, in order to relieve or treat the symptoms of elderly patients with chronic diseases.

바로크와 로코코 사이: 공간과 양식의 상호 연관성을 중심으로

최병진 한국바로크학회 2024 바로크연구 Vol.7 No.1

본 연구에서는 바로크와 로코코 양식의 특성이 공간을 중심으로 다뤄지는 과정에서 유사성을 가지고 있다는 점을 공간 유형의 분화 과정과 미술품, 혹은 사물에 적용된 장식의 사례들을 토대로 상호 비교하며 검토했다. 이 같은 관점에서 보면 공간의 사회적 기능, 즉 공적 영역과 사적 영역의 공간에서 비롯되는 메시지의 강도와 서사의 위계는 기능에 따라 차이점을 지니고 있다. 하지만 두 양식은 모두 미술품이나 사물이 공간과 상호 작용을 통해 이용자의 경험을 확장하고, 공간감을 확장하는 과정에서 분화된 표현이라는 점에서 유사성을 지닌다. 즉, 17세기 말 이후 공간의 경계를 넘어 이용자에게 장소의 경험을 확장하기 위한 새로운 시도는 끊임없이 분화되는 바로크와 로코코 양식의 공간적 특성에 적용할 수 있다. This study examines the similarity between Baroque and Rococo styles Interrelationship of their treatment of space, based on comparisons of spatial typologies and decorative applications in artworks or objects. From this perspective, differences in the intensity of messages and narrative hierarchy, originating from the social functions of space— public and private domains — are noted. However, both styles exhibit similarity in their ability to extend user experiences and expand spatial perception through the interaction of artworks or objects with space. Thus, post-late 17th-century attempts to expand user experiences beyond spatial boundaries can be applied to the evolving spatial characteristics of Baroque and Rococo styles.

한국어 문장분석의 생성 어휘론적 접근

최병진 한국언어정보학회 2000 하계학술대회 발표 논문집 Vol.2000 No.-

본 논문에서는 컴퓨터를 이용하여 문장을 분석하기 위해 통합기반문법이 구현된 PATR라는 문법형식을 살펴보고, 국어문장분석을 지원해 주는 사전을 계승메카니즘이 가능한 형태로 구축하여 사전의 효율적인 구성을 제시하고, 사전과 구문분석기사이의 인터페이스가 어떻게 가능할 수 있는 지를 보여주고자 한다.