연구발표논문초록 ( 이동현상 (Ⅰ) ) : 누벽탑에서 LiBr 수용액에 의한 저압수증기 흡수

이종일,최병혁 (정),김지동 (정) ( J . I . Rhee,B . H . Choi,J . D . Kim ) 한국화학공학회 1986 추계학술발표회 Vol.- No.-

네트워크 관리ㆍ분석 S/W-Mona Lisa

이종일 한국컴퓨터통신연구회 1999 OSIA Standards & Technology Review Vol.12 No.4

남한지역 한약자원식물의 수집분류와 이용체계에 관한 연구 1. 남한지역 한약자원 식물의 수집분류

이종일 한국자원식물학회 1992 한국자원식물학회지 Vol.5 No.2

The plants medicinal resources of southern area(Soraksan, Bughansan, Odesan, Gwanagsan, Sollaegsan, Gyeryongsan, Sogrisan, Deogyusan, Chinsan, Jogyesan, Mudeungsan, Hallasan) ofkorea were investigated 10 times from May 1,1992 to November 30,1992In order to analyze the vegetation of southem area, medical wild plants structure and distr:~bution.Medical wild plants of southern area consisted of 94 familis,284 specis in all. The resources of impor-tant herb drugs were Polypodiaceae, Graminea, Liliaceae, polygonaceae, Ranunculaceae,Brassicaceae, Rosaceae, Favaceae, Apiaceae, Ldbiatae, Solanaceae, Companulaceae, Compositae.The herb drygs were comparatively more thanin other mounteins in our country.

Licence and Control in Ulysses: Verbal Play and Sentimentality

이종일 한국제임스조이스학회 2011 제임스조이스저널 Vol.17 No.2

Joyce’s vision of the dynamic tension between static and kinetic impulses that informs Ulysses is faithfully embodied in its aesthetic aspects. On the one hand, the novel, built upon structuring frames of varied levels and patterns, is polished to the utmost by the author’s supreme artistic sense. On the other hand, it is filled with formal excrescences and coarse materials. This conflicting, but interrelated, mode might be discussed in the antithetical terms of licence and control, focusing on two concepts of verbal play and sentimentality. Ulysses never loses control entirely even when indulging in transgressions of normal syntax. For one thing, the dislocation of words is carried out within the limit of the minimal syntactic order needed to convey the meaning of the sentences. That is, the licence of local disordering is under the control of the general order, which, though transgressed superficially or partially, remains intact on the fundamental and potential level. For another, basic sense is never lost in breaking normal linguistic patterns. The changing of ordinary word order, far from a gratuitous caprice, often contributes to effectively convey the relevant thematic meaning or the narrative context. In this way, the kinetic aspects on the formal level suit the main action and theme, which play the role of static factor in the complicated and digressive text. Ulysses contains a lot of sentimental subjects, but it presents them in an unsentimentalised manner. Joyce rarely gives a direct presentation of Bloom’s distracted and sentimental state of mind resulting from Molly’s presumed adultery. By making the scene of adultery take place utterly offstage and just suggesting the effect the adultery has on Bloom’s mind he avoids sentimentality. By the similar token, unlike Bloom who is immersed in the sentimental mood incurred by his dead son’s appearance at the end of Circe, the author distances himself from the scene and provides himself with a broader vision, thereby catching and embedding varied levels of significance. Furthermore, the presentation of the scene is complicated by inversions which imbue it with ironical overtones, a restraining counterpart to the released sentimentality in the situation. Joyce’s vision of the dynamic tension between static and kinetic impulses that informs Ulysses is faithfully embodied in its aesthetic aspects. On the one hand, the novel, built upon structuring frames of varied levels and patterns, is polished to the utmost by the author’s supreme artistic sense. On the other hand, it is filled with formal excrescences and coarse materials. This conflicting, but interrelated, mode might be discussed in the antithetical terms of licence and control, focusing on two concepts of verbal play and sentimentality. Ulysses never loses control entirely even when indulging in transgressions of normal syntax. For one thing, the dislocation of words is carried out within the limit of the minimal syntactic order needed to convey the meaning of the sentences. That is, the licence of local disordering is under the control of the general order, which, though transgressed superficially or partially, remains intact on the fundamental and potential level. For another, basic sense is never lost in breaking normal linguistic patterns. The changing of ordinary word order, far from a gratuitous caprice, often contributes to effectively convey the relevant thematic meaning or the narrative context. In this way, the kinetic aspects on the formal level suit the main action and theme, which play the role of static factor in the complicated and digressive text. Ulysses contains a lot of sentimental subjects, but it presents them in an unsentimentalised manner. Joyce rarely gives a direct presentation of Bloom’s distracted and sentimental state of mind resulting from Molly’s presumed adultery. By making the scene of adultery take place utterly offstage and just suggesting the effect the adultery has on Bloom’s mind he avoids sentimentality. By the similar token, unlike Bloom who is immersed in the sentimental mood incurred by his dead son’s appearance at the end of Circe, the author distances himself from the scene and provides himself with a broader vision, thereby catching and embedding varied levels of significance. Furthermore, the presentation of the scene is complicated by inversions which imbue it with ironical overtones, a restraining counterpart to the released sentimentality in the situation.

문화유적으로 본 광주의 역사

이종일 향토문화개발협의회 2001 향토문화 Vol.21 No.-

「다문화교육에서 계급 문제」 토론문

이종일 한국사회교과교육학회 2013 한국사회교과교육학회 학술대회지 Vol.2013 No.-

이 시대 민주시민성을 말하다 : 과거, 현재, 그리고 미래

이종일 한국사회교과교육학회 2018 한국사회교과교육학회 학술대회지 Vol.2018 No.-

트랜스내셔널 사회의 시민성 교육

이종일 한국사회교과교육학회 2014 한국사회교과교육학회 한일국제학술교류대회 발표집 Vol.2014 No.0

한국산 개자(Brassica juncea)의 재배학적 특성연구 1 : 수집품종의 특성 및 파종기 차이에 따른 주요형질의 변이

李鐘一,李相來,崔炯局,權炳善 韓國作物學會 1985 한국작물학회지 Vol.30 No.2

개자의 육종적 개량 가능성과 재배적 개선 가능성을 검토하기 위하여 수집된 5개품종들을 파종기를 달리하여 1980~82년 까지 3 개년에 걸쳐 시험한 결과는 다음과 같다. 1. 공시품종간에 추태기는 제주종, 서울종, 일본종이 빠르고 영산포종과 수원종은 늦은 편이었으며 성숙기는 수원종이 가장 늦었다. 2 . 초장은 수원종이 가장 짧았으나 협당종실수는 가장 많았으며 분지수는 서울종, 영산포종이 많은 반면 입중, 협장 및 중에 있어서는 품종간 차이가 인정되지 않았으며 종실수량은 서울종이 248kg/10a로 높았다. 3. 유분함량은 품종간 28.8 ~32.1%의 변이를 보였으며 황갈색종피인 서울종. 영산포종. 제주종이 높은 경향이었고 탈지박중의 Glucosinolate 함량은 전체적으로 높은 경향이었다. 4. 파종기가 지연됨에 따라 추태, 개화가 지연되며 초장, 총 분지수, 수당협수가 감소하는 경향인데 추태는 수원종, 제주종, 일본종이 개화기는 제주종이 초장은 서울종, 제주종이 수당협수에서는 서울종, 수원종. 일본종이 그리고 협당입수에서는 제주종이 민감한 반응을 나타냈다. 5. 파종기 지연에 따른 입중, 중. 협장 및 유분함량이나 지방산조성 변이는 인정되지 않았다. 6 경노계수 분석 결과 수량에 대한 직접효과가 큰 형질은 총 분지수, 개화기, 수장이었고 간접효과가 큰 형질은 수장을 통한 초장이었던 반면 파종기가 지연됨에 따라 초장이나 수장 보다 개화기나 결실비율의 직접효과가 뚜렷해지는 경향이었다. To investigate the possibility of improvement of seed mustard varieties, these experiments were conducted at Muan in Chonranamdo for three years with five local seed mustard varieties and seeding dates. Local varieties collected from Seoul, Cheju and introduced from Japan showed earlier bolting date while Yungsanpo and Suweon varieties bolted later and Suweon variety exhibited the latest maturity. Suweon variety had the shortest plant height with higher number of grains per pod. Seoul and Yungsanpo varieties had more total branch numbers than others. There was no varietal difference in grain weight, pod length and one liter weight. Grain yield per 10a was highest in Seoul variety by 247.5kg. Late seeding date delayed the bolting and flowering date while plant height, total branch numbers, pod numbers per ear and grain number per pod were decreased. The magnitude of varietal response to seeding date was varied greatly with traits. Grain weights per liter, 1,000 grain weight, pod lengths, oil contents, and fatty acid compositions were not affected by the different seeding dates.

타자인식 변화에 따른 다문화 준거의 변화

이종일 한국사회교과교육학회 2008 사회과교육연구 Vol.15 No.2

We have recently witnessed an expansion of research interest by social studies educators around the pedagogical issues of multicultural education in Korea. But changing conceptions of "the other" and their social causes have attracted little attention of researchers, in relation to multicultural education. This paper aims at a richer understanding of multicultural education based on the socio-historical understanding of "the other." In the traditional society people seldom made contact with outsiders beyond their group boundary. The outsiders were hostile entities to be distanced from, and conquered if necessary. The concept of "the other" was born, however, when, with the advent of Great Navigation age, people made frequent contacts with outsiders of different racial and cultural traditions. The other was no longer something to be approached solely from insider-centered perspective; other peoples were partners of cultural as well as commercial transactions. This paper has roughly two parts. First, the changing conceptions of "the other" from internationalism, multiculturalism, to globalism will be traced, along with the expansion of life-space from the traditional society to the society of Great Navigation age. And next, an understanding of "the other" most appropriate to our social studies education will be search for, by way of examining four models of understanding of "the other" in American social studies curriculum, reflecting 20th century changing American society. 최근 들어 사회과 연구자들에 의해 다문화 교육과 관련한 수업방법과 그 실천에 관한 연구는 어느 정도 축적되고 있지만, 다문화 교육의 핵심이 되는 ‘타자’에 대한 인식변화의 원인이나, 앞선 시기 미국 사회과 교육과정에 나타난 다문화 준거기준 변화에 대한 연구는 등한시 되어 왔다. 필자는 타자 인식변화의 원인을 사회사적 접근에서 찾음으로써 다문화 교육의 준거를 구체화하였다. 전통사회에서 사람이 살아가는 공간은 자신이 일상 속에 만나는 내집단과 일치하였고, 그 결과 내집단을 벗어난 지역에 사는 외집단 문화를 이해하지 않아도 살아가는 데 아무런 지장이 없었다. 그래서 전통사회 사람들은 자신이 속한 내집단 문화를 준거로 하여 ‘타자’에 대한 이해를 하였다. 그러나 대항해 시대의 시작은 서구인들에게 자신이 속한 내집단 문화와 전혀 다른 다수 사람들을 만나게 하였다. 그 결과 서구인들은 ‘타자’를 내집단 문화를 준거로 하여 인식하던 전통사회 인식방식을 더 이상 유지할 수 없게 되었다. 또한 사람들은 인종간·국가간 문제해결 과정에 내집단 문화를 준거로 한 이해방식이 갈등만 키운다는 사실을 알게 되었다. 본 논문에서 필자는 먼저 타자 인식방법의 변화의 원인을 전통사회에서 대항해 시대로의 변화에 따른 인간의 주관적 공간 확대의 결과에서 찾고자 하였다. 다음으로 미국 사회과에 나타난 타자 인식변화 4단계 모형 변화를 20세기 미국 사회사 변화와 관련하여 분석하고, 이 4단계 모형 변화를 원용하여 우리나라 사회과 교육(국제이해·다문화·세계시민)에 적합한 타자 이해방식의 수준을 밝히고자 하였다.