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온실에서 자라는 낙엽송의 접목묘와 야외에서 자라는 실생묘로부터 (實生苗) 개화의 (開花) 유도
신동일 ( Dong Ill Shin ) 한국산림과학회 1996 한국산림과학회지 Vol.85 No.3
GA4/7 spray, injection and several cultural treatments were applied to the greenhouse-grown potted hybrid larch(Larix decidua × leptolepis) grafts and field-grown European larch seedlings to induce early flowering. A treatment consisting of repeat-ed GA4/7 sprays, alone, was the most effective flower induction treatment for greenhouse-grown, potted larch grafts. Root pruning as a adjunct treatment did not show synergistic effects. Injection for potted grafts with GA4/7 was not useful approach in this study and it resulted in increased mortality. In the field experiment with 10-Year-old larch seedlings, repeated GA4/7 sprays in combination with root pruning or with plastic mulching appears to be useful and practical means for inducing larch flowers:
신동일(Shin, Dong-il),박성원(Park, Sung-won) 한국사회언어학회 2013 사회언어학 Vol.21 No.1
The purpose of this study is to explore a research trend of academic research papers published in Korea on the topic of language education and identity. A total number of 40 papers were collected, classified and coded into 1) research subjects, sub-categorized into language learners and language (native and non-native) teachers and 2) the type of language use, sub-categorized into English (ESL, EFL), Korean (KHL) and Bilingual. A majority of the research papers was carried out on English language education in terms of language learners' identity construction. It showed that these studies contribute to better understanding of the complex relations between language education and identity formation. Most of the research findings revealed that language learner's identity is dynamic, contradictory and multiple over time and space in sociocultural context all of which is based on post-structuralistic theory of identity. It was confirmed that the understanding of social identity in language learning and teaching could play a crucial role in helping learners and teachers in diverse educational contexts.
논문 : 정신장애인을 위한 연극치료 집단프로그램의 개발 및 효과성에 관한 연구
신동인 ( Dong In Shin ),조연호 ( Youn Ho Cho ) 한국연극교육학회 2010 연극교육연구 Vol.17 No.-
The purpose of this study is to develop and examine the effectiveness of the dramatherapy group program for people with psychiatric disabilities. Major findings were as follows: First, In order to develop the dramatherapy group program for people with psychiatric disabilities, the documentary literatures and previous studies were reviewed. The basic theory of this dramatherapy group program was the Robert Landy`s Role Model and mask techniques. Second, this dramatherapy group program was applied to people with psychiatric disabilities for 12 sessions. A total of 20 people with psychiatric disabilities were recruited. This study were carried out in the context of a quasi-experimental study on the impact of drama therapy group program on the emotion management and emotion expression ability of the people with psychiatric disabilities. The result of this analysis were as follows: Statistically significant differences were found which support the research hypothesis, the experimental group showed a great increase on the emotion management and emotion expression ability. According to the results, implications for research and practice were discussed.
신동옥 ( Shin Dong-ok ) 현대문학이론학회 2020 現代文學理論硏究 Vol.0 No.80
김종삼의 시세계는 비시적인 영역과 시적인 영역의 간극에 걸쳐 있다. 전후 현대시는 현전의 참화와 실존의 당위의 문제를 동시에 껴안기 때문이다. 김종삼은 ‘정념’을 강력한 시적 동인으로 꼽았다. 김종삼의 시는 여백과 균제의 형식미를 특징으로 한다. 이것은 ‘이성이나 직접적인 관찰로는 알 수 없는 모호한 절반의 세계를 표현한 것’이라는 앵포르멜의 정의와 맞닿는다. 아우슈비츠 계열의 참화, 드빗시 계열의 순수 이미지, 세자르 프랑크 계열의 심연 표상은 김종삼이 형상화한 ‘모호한 절반의 세계’일 것이다. 본고에서는 이러한 시인 김종삼의 영향이 당대의 시인들에게 습합되는 양상을 ‘평균율’ 동인들의 변모를 통해 확인해보았다. 황동규, 마종기, 김영태는 동인 시집 『平均律』을 1968년, 1972년 두 차례에 걸쳐 간행한다. ‘平均律’은 나직하게 건너편까지 에워싸는 음역(音域)을 가리키며, 모호한 절반의 세계를 에워싸는 절대음의 높낮이가 바로 ‘平均律’의 근음으로 해석된다. 기억과 회상의 문법을 관장하는 ‘음역의 시적 균제’의 원리가 바로 평균율일 것이다. 이들의 시를 통해서 몇몇 주제적인 어소는 물론 음악과 미학이라는 취향(taste)을 넘어서는 영향사의 증례를 확인할 수 있었다. 주제 및 표현적인 인유는 물론, 대위적인 메아리가 교차적으로 녹아드는 구성 및 형식적인 특성에서 김종삼과의 당대적인 영향관계를 살필 수 있었다. The poetic world of Kim Jong-sam is divided into the non-poetic and poetic areas because the post-war modern poetry embraces the problems of the devastation of the present and the justification of existence at the same time. Kim Jong-sam cited ‘passion’ as a powerful poetic driver; Kim Jong-sam's poems feature the formal beauty of margin and homogeneity. This is in line with the definition of Informel, ‘a representation of an ambiguous half of the world that can not be known by reason or direct observation’. Auschwitz's devastation, Devitsy's pure image, and Cesar Frank's abyss representation would be the ‘ambiguity half world’ shaped by Kim Jong-sam. In this study, the aspect of the influence of Kim Jong-sam, the poets of the time, was confirmed through the transformation of the ‘Pyeong-Gyun-Yul’ poet group. In addition to Hwang Dong-gyu, Ma Jong-ki and Kim Young-tae, the poetry book of ‘Pyeong-Gyun-Yul’ poet group is published twice in 1968 and 1972. ‘Pyeong-Gyun-Yul’ refers to a range, which surrounds the other side of the scale area, and the height of absolute sound that surrounds the ambiguous half of the world is interpreted as the perseverance of ‘mean rate’. The principle of ‘poetic homogeneity of sound range’, which controls the grammar of memory and recall, is the average rate. Through these poems, I could confirm the cases of influence history beyond the taste of music and aesthetics as well as some thematic factors. In addition to the theme and expressive reasoning, the relationship between the subrogation echoes and the contemporary influence with Kim Jong-sam was examined the composition and formal characteristics of the cross-melting.