창간 15주년 기념 특집호 : 특집 ; 제4회 학술심포지엄 : 한국음악사학의 연구성과와 과제 ; 고려시대 음악사 연구의 회고와 전망

송혜진 ( Hye Jin Song ) 한국음악사학회 2003 한국음악사학보 Vol.30 No.-

세종의 음악 정치 목적과 방법 고찰

송혜진 ( Hye Jin Song ) 한국동양예술학회 2012 동양예술 Vol.20 No.-

In politics, music has been exploited as one method used to govern a country. In the ancient document, Akki, Ye-ak (the formal practice of human ethics and music) is defined as the root ideology used to govern the country, and politics can be comprehended by the understanding of music. Based on various examples related to the exploitation of music in politics in the history of Western society, the notion that music is political whether fair or foul has been current for a long time in western society as well. Therefore, the relation between music and politics is surely very close. If we look at aspects of music based on a political view, some music takes on the role of propaganda while other music is prohibited. Also, some musicians use their music to praise somebody or something while others use their music to oppose. Music is a language of emotion. It induces and releases the emotion of human beings. At the same time, it also purifies and encourages people``s emotion, and delivers a message. The characteristics of music as a language of emotion have been recognized from ancient times. Therefore, during the Joseon dynasty, the state assorted music into several various kinds such as music that should be promulgated and distributed, and music that should be rejected. It was regarded as an important matter that the leader of the state understood ``healthy music``, ``music that is suitable for education``, and ``correct music``, and thus guided the people to the realm of ``correct music``. From the early Joseon dynasty, Ye-ak (thought based on Confucianism) was regarded as the basic ideology of society. The realization of politics with human ethics and music was a significant issue since the early years of the dynasty. Therefore, in this period, the organizing and institutionalization of the state``s ceremonial music based on this ideology was a matter of great concern. In particular, during the reign of King Sejong, the degree and extent of effort aimed at achieving this end reached a high point. In this paper, I have re-examined various achievements related to music during the reign of King Sejong based on a political point of view. Sejong was well equipped in this regard, since he had learned about the theory of music and was able to enjoy music in his daily life. With this background, he organized court music, created new musical pieces, and used these pieces in various court ceremonies and parties. There were three purposes for this. First, it was to maintain the Ye-ak concept that is possible to distinguish between the high and the low but at the same time to create harmony between them. The second purpose was to promote accord and good rapport between the high and the low people throughout times of prosperity. The third was to clearly define the justification and legitimacy of the state``s foundation. Numerous songs were created, and performance forms mixing song and dance were selected to express ``stories`` of the songs`` texts in synesthetic metaphor. Such presentations were stylized, and high levels of performances were accomplished with appropriate costumes, accessories and movements. Although Aak, which had been introduced from China and influenced by its music, was used in court music during his time, several elements from native Korean traditional music were also adopted based on Sejong``s understanding that the language and music must be different according to people, geography, tendencies, and natural characteristics. A new system of dissemination was established, and several new score books were published to promulgate achievements. However, no enforced propaganda was carried out. Music and dance related to Buddhism and Shamanism were restricted, and this was justified on the grounds that the state``s custom had to be guided in a correct direction. Also, entertainment merely for pleasure and enjoyment was prohibited. However, enforcement progressed gradually, and several regulations were postponed, and so national control never reached a level of oppression or dictatorship. Such achievements related to the exploitation of music in politics were well evaluated during this time. It was also deemed that the Korean Ye-ak culture was well established, and conducted just as well in Korea as in China, such that it was often compared to the ideal level of the Chu state of China when the Ye-ak ideology had reached its climax. In addition, Sejong has been recognized, even up to now, as a good and wise king who governed the people very well using Ye-ak thought and culture.

입상의 이산화티타늄 박막을 이용한 수소센서

송혜진,오동훈,정진연,웬득화,조유석,김도진,Song, Hye-Jin,Oh, Dong-Hoon,Jung, Jin-Yeun,Nguyen, Duc Hoa,Cho, You-Suk,Kim, Do-Jin 한국재료학회 2009 한국재료학회지 Vol.19 No.6

Titanium dioxide thin films were fabricated as hydrogen sensors and its sensing properties were tested. The titanium was deposited on a $SiO_2$/Si substrate by the DC magnetron sputtering method and was oxidized at an optimized temperature of $850^{\circ}C$ in air. The titanium film originally had smooth surface morphology, but the film agglomerated to nano-size grains when the temperature reached oxidation temperature where it formed titanium oxide with a rutile structure. The oxide thin film formed by grains of tens of nanometers size also showed many short cracks and voids between the grains. The response to 1% hydrogen gas was ${\sim}2{\times}10^6$ at the optimum sensing temperature of $200^{\circ}C$, and ${\sim}10^3$ at room temperature. This extremely high sensitivity of the thin film to hydrogen was due partly to the porous structure of the nano-sized sensing particles. Other sensor properties were also examined.

가상화폐를 이용한 자금세탁 도구화에 관한 연구

송혜진,Song, Hye Jin 한국재난정보학회 2021 한국재난정보학회 논문집 Vol.17 No.3

Purpose: The purpose of this study is to examine the path of money laundering of criminal proceeds through cryptocurrency using criminal script analysis and to devise measures to prevent and prevent criminal justice agencies from doing so. Method: Based on the results of a prior study on the profit path of cryptocurrency through money laundering and criminal cases in Korea, the path of money laundering was analyzed using criminal script techniques. Result: Most of the cryptocurrencies that have been launched are converted into criminal proceeds, which are re-launched and cashed or have a vicious cycle of being used as criminal funds are used. According to the script, the route of money laundering is mainly converted to criminal proceeds from cryptocurrency exchanges using anonymity, which is repeated several times, making it very difficult to find the money using cryptocurrency in criminal justice institutions. Conclusion: As the method of money laundering using cryptocurrency is becoming more sophisticated, legal sanctions and preventive institutionalization should be prepared for the prohibition or confiscation of cryptocurrency transactions for money laundering after understanding the flow.

가야금 기초연습 체계와 연습곡 연구

송혜진 ( Hye Jin Song ) 한국동양예술학회 2011 동양예술 Vol.16 No.-

This study is on the methodology for developing rational and basic disciplinary system and etudes for the gayageum, which enables students to comprehensively learn the educational contents essentially required for all beginners in the instrument. In 2002, in another paper entitled, Basic research for establishing theoretical system for teaching and learning gayageum, I have already suggested various issues that spring from teaching gayageum, strongly advocating for sequential research on the topic. Ever since, I have continued pursuing this issue with students of gayageum, through questionnaires and interviews focusing on their learning experience, to learn if they need a special course according to individual performance level, and whether developing creative teaching methodology based on step-by-step learning and systematic etudes is necessary for their learning. Therefore, in this study, I have suggested learning system and methods for developing etudes for the 12 and 25-stringed gayageum, based on the result of my compiling of basic disciplinary works for the gayageum and its application on the students for 12 weeks. This paper first looks at what is considered important in most textbooks for teaching he piano, violin, and guitar, followed by an intensive analysis of the teaching manuals for gayageum currently used in both North and South Koreas. Then it suggests 4 types of systems as methodology for establishing systematic teaching for the basic disciplinary etudes for the 12 and 25 stringed gayageums respectively. First, the essential constructive elements necessary for basic disciplinary system of gayageum is categorized into basic learning process and its application. Based on the premises that creative and multiple application system and related etudes must be developed, I have suggested, for the 12 stringed gayageum, ``disciplinary system and etudes for learning program note forms`` and, for the 25-stringed gayageum, ``disciplinary system and etudes for learning to play chords.`` I have decided also that it is more efficient to presuppose different learning levels for teaching gayageum, for each of which various systems for learning are provided with appropriate musical examples accordingly; ``simple melodic forms for learning different techniques,`` ``training your fingers`` ``etudes`` and ``stage pieces.`` In ``Simple melodic forms for learning different techniques, special care is given to learning to read scores and symbols, as well as training to make sound and different tone colors. This is supported with tips for learning lower and higher technical levels, as well as practice methods for correcting your techniques and for learning various musical expressions. Etudes are partial arrangements of established musical pieces to suit gayageum performance. The subjects for the pieces were chosen based in the consideration that this is for basic learning and that it should promote the deepening of musical abilities required for playing traditional pieces. Therefore, the etudes include mostly folk songs, but for the 25 stringed gayageum, I have included newly composed children``s songs for the basic level and folk songs of other culture and popular tunes for the application level. The resulting 30-70 etudes, categorized into different practice levels, were tested through actual application, which yielded the following conclusions. 1) It allows a step-by-step learning, by altering the level of etudes according to one``s present abilities. 2) For each technique, four levels of difficulty are provided; ①basic melodic forms ② its application ③ etude ④ musical piece. Such format allows a more efficient learning compared to other currently practiced textbooks. 3) Experiencing and learning various musical pieces and rhythmic forms through etudes and musical pieces, learning musical features of local folk songs and their unique musical expressions, and playing with a special attention to expressive symbols. 4) Each section is not too extensive, designed in order to motivated students to keep going without slackening their energy. I have no doubt that such study as this, of the disciplinary system and etude for the instrument, has already been formulated in the minds of most textbook designers and teachers of gayageum. However, there was no sufficient discussions on what kind of system would be most appropriate, which leads to mere duplication of current teaching materials. Therefore, it is required a more logical approach and open discussions on the disciplinary system and methodology for teaching and learning gayageum.

신문기사를 통해 본 조현병의 의미연결망 분석

송혜진(Hye-Jin Song),김석선(Suk-Sun Kim) 한국산학기술학회 2021 한국산학기술학회논문지 Vol.22 No.6

본 연구는 조현병 관련 기사에 나타난 키워드와 주요 주제의 변화를 파악하는 의미연결망 분석, 계량적 내용분석 연구이다. 연구대상은 강남역 살인사건 전후 5년간 보도된 조현병 관련 신문기사이다. 수집된 자료는 NetMiner 프로그램 4.4.1을 이용하여 네트워크 통계분석을 시행하였다. 2013년부터 2018년까지 8개 중앙지에서 610개의 신문기사가 검색되었다. 출현빈도가 가장 높은 주요 키워드는 강남역 살인사건 이전에는 ‘치료’, 사건 이후에는 ‘사건’으로 나타났다. 사건 이전에는 ‘편견으로 치료시기를 놓치면 만성화 됨’, ‘조기 치료하면 치료가 가능함’, ‘약물치료로 정상적인 생활이 가능함’, ‘심신미약 상태에서 살인 혐의로 기소됨’이라는 네 가지 주제가 도출되었다. 반면, 사건 이후 ‘여성혐오주의자가 아니라 피해망상이 심해져 살인을 저지름’, ‘약물치료 중단으로 충동적인 행동이 유발됨’, ‘범행 후 심신미약으로 인한 감형을 주장함’, ‘흉기 난동에 출동한 경찰을 살해함’이라는 네 가지 주제가 도출되었다. 이러한 결과는 신문기사가 조현병 및 기타 정신질환자에 대한 편견과 낙인을 줄이기 위해 조현병에 대한 정확한 정보를 제공해야 함을 시사한다. This study explored the change in keywords and topics in newspaper articles related to schizophrenia after the Gangnam murder case. The study examined newspaper articles related to schizophrenia for five years before and after the Gangnam murder case. A semantic network analysis was conducted using the NetMiner 4.4.1 program. 610 articles between 2013 and 2018 were retrieved from 8 national newsletters. The most frequent core keyword was ‘treatment’ before the murder case, but ‘incidents’ after the case. Four topics were identified: ‘becoming chronic if missing the time of treatment due to prejudice’, ‘being curable with early treatment’, ‘living an ordinary life with medication’, ‘being indicted as a murderer while impaired by a mental disorder’ before the murder case. After the case, four topics were identified: ‘committing murder for delusions, not misogyny’, ‘medication non-adherence leads to more impulsive behavior’, ‘claiming leniency for criminals due to the mental impairment’, ‘killing the police who were mobilized to stop stabbing rampage’. These findings suggest that newspaper articles should provide accurate information about schizophrenia to reduce prejudice and stigma toward patients with schizophrenia and other forms of mental illness.

세종대 동아시아 예악론의 인식 양상과 의례음악 정비

송혜진(Song, Hye-jin) 고려대학교세종캠퍼스 한국학연구소 2014 한국학연구 Vol.51 No.-

본 연구에서는 세종대의 국가 음악 정비 과정에서 노정된 동아시아 예악에 대한 인식을 주요 쟁점별로 정리하고 이를 세종대에 간행된 악보를 통해 재검토하였다. 세종대에는 국가 의례음악 정비과정에서 예악의 불균형, 예악 전거(典據)의 선별과 습용(襲用) 범위, 아악전용과 향악겸용 문제, 조종의 공덕을 기리는 악무 제정의 필요성이 제기되었다. 예에 비해 소홀히 취급된 악을 바로잡아야 한다는 현실 인식에서 촉발된 예악정비는 고제(古制)를 전형으로 삼고 경전과 역대의 주요 역사서와 사전류를 참고하되, 중국의 예악 전승도 ‘순정’하지 않으므로 ‘고례(古禮)’와 ‘시의(時宜)’가 적절히 조화를 이루는 방향으로 귀결되었다. 아울러 세종 전반기에는 고제의 예악론에 따라 속악을 버리고 아악만을 전용하자는 논의가 우세하였지만, 점차 ‘조선의 음악이 중국과 다르다’는 인식하에 향악 겸용론이 정착되었다. 세종 후반기에는 조종의 공덕을 기리는 교화 목적의 대규모의 악무 제정이 새롭게 추진되는데 이 과정에서는 전통적인 예악론에서 기피하는 속악을 과감히 채용함으로써 중국과 다른 국가의례음악을 완성할 수 있었다. 이와 같은 세종대의 예악론의 인식과 국가예악 정비의 성과는 세종대에 세 종류의 악보로 완성되어 『세종실록』 권 136부터 권147권에 부록되어 전한다. 『세종실록악보』의 아악보는 군·신·민·사·물의 질서를 악률론으로 구현한 『율려신서』의 이론 중 일부를 채택하여 논리적 체계를 세우고 이를 활용하여 조회아악과 제사아악을 완성하여 악보화하였다. 이 악보는 중국의 원전을 조선의 방식대로 재편한 것이며, 중국과 다른 기보체계인 ‘궁상자보’를 새로 만들어 쓴 것이다. 신악보는 향악과 고취악에 기하여 조종의 공덕을 기리는 악가를 수록한 것이다. <봉래의>·<정대업>·<보태평>·<발상>의 42곡이며, 중국악보에서도 활용된 적이 있는 네모칸 악보를 응용하여 가사와 악기선율, 음높이를 적고, 여기에 중국과 달리 음의 시가를 표기할 수 있는 유량악보, 즉 정간보를 탄생시켰다. 세종대에는 아악 외에 전래의 속악을 정비하는데도 힘을 기울였다. 세종대에 속악 23곡을 수록한 『시용속악보』가 간행되었고, 이 중 두곡이 『세종실록악보』말미에 수록되었다. 이상과 같은 세종시대의 음악정비는 동아시아 유교의 근간을 이루는 보편적 예악론의 구현에서 출발하여 고제에 맞는 아악을 완성한데 이어, 예악론의 자율적 해석을 통해 조선 고유의 독창적인 신악을 창조하였다는 점에서 유례없는 음악사의 업적으로 평가된다.

현대 국악, 그 원형성과 변화ㆍ생성

송혜진(Song, Hye-jin) 한국음악문화학회 2015 한국음악문화연구 Vol.6 No.-

본고에서는 20세기 이후 현대 국악 전승의 양상을 원형성과 변화의 추이를 살피고, 발전적인 전망에 대한 의견을 제시하였다. 먼저 ‘국악’이라는 용어의 연원과 용례, 국악의 범주에서 이루어지고 있는 다양한 음악활동, 이에 대한 일반 인식을 근거로 ‘현대 국악’의 개념과 범위를 다음과 같이 정의하였다. 현대 국악은 20세기 이전에 형성된 전통음악 외에 국악계에서 벌어지고 있는 다종다양한 음악 시도들, 그리고 각기 다른 음악적 배경을 가진 이들이 국악의 음악요소, 국악기와 전통 성악의 표현법을 빌어 탄생시키는 모든 창작과 연주를 폭넓게 수렴하는 ‘열린 개념’이다. 본론에서는 현대 국악 전통의 변화 양상을 다음과 같이 여덟 가지로 유형화 해 보았다. 첫째는 구비전승 되면서 가변성 농후하게 전승되어 온 전통음악이 악보와 음원 및 교육방법의 변화에 의해 정형화 경향을 띠게 되었다. 둘째, 새로운 공연 환경 속에서 전통적인 연주 양식이 해체되고 분화되는 변화를 겪었다. 셋째, 무대 예술 중심으로 전승되면서 무대 조건에 맞는 공연 양식이 정착되었다. 넷째, 편성이 확대되거나 장시간 연주, 악가무 종합연출 등 공연양식이 확대되는 경향을 보였다. 다섯째 실연자 중심의 창작에서 작곡가 중심의 창작으로 변화하였다. 여섯째, 서양의 관현악, 실내악 형태에 영향을 받은 연주형태가 생겼다. 일곱째, 악기 개량이 이루어졌으며 연주 편성이 다면적인 양상을 띠게 되었다. 여덟째, 대중화를 염두에 둔 공연활동이 증대되었다. 아울러 본고에서는 판소리와 가야금 음악을 사례를 중심으로 현대 국악의 변화, 생성 양상 유형을 좀 데 세부적으로 살폈다. 결론적으로 이와 같은 다양한 국악 변화, 생성에서 중시되어야 할 것은 무엇이며, 무엇을 기반으로 국악의 미래를 전망해 볼 것인가?, ‘실연 중심의 가변하는 창작원리’에 의해 축적되어 온 국악의 전통은 20세기 이후 전승되는 과정에서 과거와 다른 양상을 띠고, 지속적으로 변화해왔다. 오늘날 우리는 20세기 어느 시점에 악보화 되고, 기록화 되고, 무형문화재로 지정된 것을 ‘국악의 원형’으로 인식하기 쉽지만, ‘어떤 고정된 전형’을 ‘원형’으로 규정하는 일은 쉽지 않을 뿐더러, 최선이라고 할 수도 없다. 오히려 국악의 ‘원형’을 이루는 ‘본질’이 무엇인가에 대한 열린 시각과 원형성에 대한 탐구가 필요하며, 그 원형성을 구현할 수 있는 음악가 양성 체계, 원형성에 걸 맞는 무대양식과 공연조건 연구 등이 절실히 요구된다. 국악의 ‘원형’이 아닌, ‘원형성’의 획득이야 말로 현대 국악의 전승과 당대성 확보, 미래 전망에 가장 핵심적인 요소라고 할 수 있다. This paper explores the shift of transmitting modern gugak in terms of the “originality,” and looks at the changes happening in the aspects of modern gugak generated after the 20th century. First of all, the conception or boundary of “modern gugak” is defined on the basis of general ideas in which it is recognized in regard to the use of the term “gugak,” and of various musical activities. Modern gugak, therefore, is an “open concept” that extensively embraces many kinds of musical activities, but never refers to the traditional music which was formed before the 20th century, The musical activities here not only means a variety of musical attempts ongoing in the field of gugak, but also includes all the creative works and performances combining or containing traditional elements, instruments, vocal techniques. The aspects on the shift of modern gugak are categorized in eight different types. First, modern gugak tends to have been standardized due to the changes in music transmitting system, from oral tradition with variability to the fixed transcription and pedagogy. Second, the mode of performance was specialized and reorganized. Third, performance styles or forms are established appropriate for the stage as the music transmitted through on-stage presentation. Forth, the scale of music has expanded in enlarged arrangement, longer duration, and combined genres. Fifth, the mode of composition shifted from musician-centered to composer-centered. Sixth, Western style chamber ensemble and orchestra were formed. Seventh, musical instruments were modernized/modified, and its arrangement has been multi-faceted. Eighth, the number of concert and performance considering the popularization of gugak has increased. Pansori and gayageum music, as a case study of this musical shift, were examined in detail. In conclusion, this paper comes with an idea about the basis we can rely on to prospect the future of gugak, and suggests what should be weighed in such change and musical generation, The tradition of gugak which had been accumulated on the ground of demonstration-centered “variable” creation principle has continuously changed after the 20th century, showing different aspects in the process of transmission, We understand a specific form of music, such as notated, recorded, and designated as the “original,” for example important intangible cultural property. However, assigning a fixed form of paradigm as the “original” is neither the best nor an easy way. Instead, an open point of view as well as deep inquiry on the essence of composing the original form of gugak are required. Also, system of training musicians and research on the performance style or stage setting is required to actualize the originality of gugak. Securing the “originality” of gugak, not the “original” gugak is the core element in transmitting, contemporarily ensuring, and prospecting the modern gugak.

대학생의 MSNS(Mobile Social Network Service) 중독에 관한 연구

송혜진(Song, Hye-Jin),오세연(Oh, Sei-Youen) 동국대학교 사회과학연구원 2013 사회과학연구 Vol.20 No.2

이 연구는 우리나라 대학생들이 SNS를 사용함에 있어 어떤 이용충족 요인에 차이가 있고, 그러한 요인들로 인하여 SNS 중독에 영향을 미치는지 알아보고, 스마트폰 중독으로 인한 SNS 중독에 영향을 미치는 지를 실증적으로 검증해 보고자한다. 현재 급격한 스마트폰 사용인구의 증가와 더불어 SNS(Social Network Service)의 사용률이 함께 증가하고 있다. SNS는 사용자간의 자유로운 의사소통은 물론이고, 인맥 확대 등 사회적 관계를 형성하며, 예전에 쉽게 만나지 못했던 정치인, 연예인들 까지도 쉽게 시간과 장소를 구애받지 않고 만날 수 있다. 스마트폰을 이용한 SNS 이용이 증가하고 이로 인한 긍정적인 사회현상뿐만 아니라 부정적인 중독현상까지 나타나면서 병적인 중독에 빠져 현실을 부정하는 사례들도 늘어나고 있다. 이는 실시간이라는 장점이 중독을 부추기고 있는 것이다. 본 연구는 일반 대학생을 대상으로 표본집단을 선정하였고, SNS 이용충족 요인을 구분(커뮤니케이션, 사회적 관계, 관계형성, 즉시성)하였고, SPSS 프로그램을 이용하여 분석하였다. 분석결과, 성별에 따른 SNS 이용충족 요인의 차이는 커뮤니케이션, 즉시성에서 각각 차이가 나는 것으로 나타났으며, 대학생 성별에 따른 이용충족 요인 및 스마트폰 중독을 기준으로 한 다중회귀분석 결과는 성별에는 큰 의미가 없었지만, 커뮤니케이션과 관계형성이 SNS 중독에 영향을 미치는 것으로 나타났다. 그리고 이러한 스마트폰 중독이 SNS 중독에 영향을 미치는 것으로 나타났다. 이에 이 연구에서는 연구결과의 의미를 살펴보고 연구의 한계점 및 정책적 제언을 제시하고자 하였다. This study was conducted in order not only to find out what use and gratification factors there are for university students to using SNS, but also to look into how these factors influence SNS addiction. And we try to verify empirically how smart-phone addiction influence SNS addiction. The rate of SNS(Social Network Service) use is increasing with sharply growing smart-phone population. SNS can not only make free communication among users, form social relations like making more personal connections but also it can make the people meet with no bounds on time and place even politicians and celebrities who were not east to meet. The increase of SNS using smart-phone bring about positive social phenomenon as well as negative addiction, and there has been some growing cases of denying reality because of morbid addiction. The real-time merit is a contributing factor to the addiction. This study named normal university students as sample, divided SNS use and gratification factors into communication, instantaneity, relationship building and networking, and then analyzed that by using SPSS program. The results of the analysis are as follows. As for gender results, the SNS use and gratification factors is different in communication and instantaneity. As use and gratification factors as well as smart-phone addiction for university student gender results, the multiple regression analysis result has no special meaning based on gender, but it showed that communication and relationship building influence SNS addiction. And these smart-phone addiction also influence SNS addiction. In this study, we tried to look at the meaning of study outcome and suggest uppermost limit of this study as well as political proposal.

해상사고 방지를 위한 선박안전요원 승선에 관한 연구

송혜진(Song Hye Jin),오세연(Oh Sei Youen) 한국민간경비학회 2015 한국민간경비학회보 Vol.14 No.1

2014년 4월 역대 가장 큰 해상사고인 세월호 침몰 사고가 발생하였다. 누구도 예측하지 못했던 사고였지만, 사고 뒷면에는 무리한 운항, 선박의 불법 개조 등의 문제가 있었다. 해상 재난 시 구조ㆍ수색 등의 과정에서는 구조시스템도 작동하지 않아 국가의 대응능력 미비, 국가기관간의 협력체제 등도 구축되지 않는 등 부실함을 보여주었다. 또한 최근 빈번히 발생하고 있는 선박 내 선장이나 선원들의 음주항해도 문제시 되고 있다. 이는 도로 위뿐만 아니라 해상에서도 위험천만한 일로 자칫 선박 충돌 및 항만 사고로 이어질 수 있는 문제이다. 우리나라 사람들의 안전불감증이 이미 해이해진 상태로 일어나지 않아도 될 사고들이 일어나고 있는 것이다. 최근 여객선을 이용해 여행을 하는 인구가 증가하고 고급 선박들의 등장으로 해양에서의 안전은 더욱 더 중시되어가고 있다. 선박의 대형화와 고속화로 인해 사고발생이 증가하고 있고 해상재난의 경우 대처가능시간이 상대적으로 짧기 때문에 실제 현장에서 활동할 수 있는 선박안전요원에 대한 승선이 필요한 부분이다. 국가가 모든 선박들에 대한 선내 상황을 감지할 수 있는 실정은 아니다. 이에 선박에 민간해상보안회사에서 선발된 민간선박안전요원을 의무적으로 승선시키는 방법을 정책화하고, 선원들의 관리ㆍ감독뿐만 아니라 재난 시 교육까지도 관여할 수 있는 시스템을 마련하여 법을 제정해야 할 것이다. 또한 향후 공공기관과 민간협력기관이 연계 협력하여 대형 해양사고에 대비할 수 있는 역량을 강화하는 방법이 반드시 필요하다. On the 16th of April, 2014, there had occurred 'Sewol ferry accident', which was one of the biggest Maritime accidents. No one expected, but there were the problems like the impellent sailing, the illegal remodeling and so on. It showed that the government's incompetence because the rescuing system was not fully worked and the cooperative system was not established. Moreover, the captain and the crews of Sewol ferry who were drunk have been one of the problems. This is not only the serious problem on the road, but also on the sea. The accidents which should not be happened have been occurring. The safety frigidity of Korean people is already grown remarkably slack. These days, it is necessary that the lifeguards, who have actual experience in the field, go on shipboard because they know how to deal with real-world situations and the rate of incidents at sea is increasing day by day. The safety is important due to the fact that many people get on ships for trips and there are lots of large vessels. However, practically speaking, the government cannot detect the situations of every ship. Therefore, the policies, which the lifeguards who are employed by the civil marine security companies must get on ships, have to be established. And the laws of marine security education have to be legislated. Furthermore, the method which prepares the worst marine accidents is essential, cooperating with the government and the civil institutions.