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- 저자 : 방민호(Bang Min-Ho) (검색결과 49 건)
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월남문학의 세 유형선우휘, 이호철, 최인훈의 소설을 중심으로
방민호 ( Min Ho Bang ) 서울대학교 통일평화연구원 2015 통일과 평화 Vol.7 No.2
The paper assumes that the concept of North Korean Refugees Literature can be the key for analyses of the Korean Modern Literature after liberation, in particular the literature in the 1950~1960s. So, it is believed that this concept can be adopted to analyze short and full-length novels of the North Korean refugee writers like Seon Woo-hui, Lee Ho-cheol and Choi In-hoon. The following novels were analyzed in detail - “Golgotha without the Holy Rood” and “Manghyang” by Seon Woo-hui, “Petite Bourgeois” (a full-length novel) by Lee Ho-cheol and “The Square”, “Journey to the West” and “Hwadu” by Choi In-hoon. For the North Korean Refugees Literature to be used as an academic tool for analyses that goes beyond the concept of criticism, the paper identifies that its essence lies in “loss of hometown” and a so-called ‘diaspora’. Owing to this, it is suggested as the most suitable literature to explore the psychological direction of the modern literature. 3 types of the North Korean Refugees Literature can be drawn from the loss of hometown. First is the literature that covers the return to hometown, second is the one that covers stories of adapting to local lives and third is the one that talks about finding a real hometown
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방민호,Bang, Min-Ho 대한출판문화협회 1997 출판저널 Vol.205 No.-
지난 한해는 일종의 휴지기와 같아서 새로운 문학정신의 출현을 예비하고 있던 게 아닐까. 90년대 전반을 풍미했던 포스트모더니즘론.대중문학론 등이 상당히 퇴조하면서 문학은 그 충격에서 벗어나 시각을 조정하는 상태에 들어섰음을 예고한다.
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방민호(Bang, Min-ho) 이상문학회 2018 이상리뷰 Vol.- No.14
Yi Sang served in the Japanese government-general of Korea for four years(1929.3-1933.3). This period is when events that had the greatest impact on his life took place: the death of his uncle and the onset of tuberculosis. During this time, he was suffering from the problems of dealing with the ‘family reality,’ expressed by his uncle’s tyranny, and the ‘nationalistic reality’ represented by the uniforms of the Japanese government-general of Korea. In this situation, his resignation from the technologist of the office was a product of his own willingness to overcome the two ‘realities’ in his own way, taking advantage of his uncle s sudden death. I wanted to think about how the artist in the so-called ‘cultural periphery’ could pursue contemporaryity and universality, focusing on the relationship between Yi Sang and Van Gogh. This period of Yi Sang’s life is, to me, being re-emerged as a time when he was becoming aware of Gogh. “December 12”(1930) is a work that reveals the inner landscape of Yi Sang during the period. It focuses on the pain that family reality brings. The illustrations in “December 12” depict his feelings of Yi Sang, who is suffering because of his family s reality. He must have found himself in Van Gogh painting a woman obsessed with despair. This is why “December 12” portrays sadness, despair, and solitude caused by things like ambivalence, misunderstanding, and discord among the characters rather than the narrative itself. Just as Van Gogh painted many self-portraits as a self-exploration, Lee Sang-sang also painted his self-portrait and translated his self-portrait into a literary work. Some of the efforts of this self-discovery turned out to be ‘December 12’ and are well represented by a poetic self-portrait called ‘mirror poetry’. As Van Gogh wrote in his letter, mirrors are used to draw self-portraits. Lee Sang’s “mirror poetry” is a byproduct of his experience of painting self-portraits, hoping to become a painter. And it is meaningful in that it reflects not only his inner self but also his social situation. Both Yi Sang and Van Gogh had a broad and deep understanding of the traditions of literature and art. They were avant-garde artists who pushed the principle of subjectivity to the extreme based on this understanding. They were all from the periphery of culture, faced with the cultural and artistic situation of Chaos, who overcame this reality and created their own art.
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방민호 ( Min Ho Bang ) 한국문학언어학회 2016 어문론총 Vol.67 No.-
This research analyzes Choi Inhun`s novel Hoisaekin, focusing on the term ``Degagement`` which appears in this work. Degagement in this context is a relative term with ``Engagement`` discussed in Sartre`s Beings and Nothingness. While ``Engagement`` means engagement with reality, ``Degagement`` is interpreted as a breakaway from reality. Choi Inhun, a writer who came to South from North over the border, tries to seek egoism of a man who lost his hometown with Dokgo Jun, a character who is Choi`s alter ego, and a new relationship between society and individuals. In this way, the parody which adopts and transforms Lee sang`s motives of mirror and self-portrait as well as Bram Stoker`s Dracula, improves the richness of Choi Inhun`s works.
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