RADIUS ROD의 Al 합금에 대한 강도해석

박소현(SoHyeon Park),김은성(EunSung Kim),이학성(HakSung Lee),고관호(Kwanho Ko),유효선(HyoSun Yu),양성모(Sungmo Yang) 한국자동차공학회 2012 한국자동차공학회 부문종합 학술대회 Vol.2012 No.5

Recently, the global automobile industry develops the eco-friendly car to reduce the environmental pollution, To get better mileage of cars, the core technology is to reduce vehicle weight. Aluminium alloy is applied to light weight material at the car. The Radius Rod used in this paper is all-in-one from the method of die-casting. It is possible to mass production of goods. In this paper, the Radius Rod is focusing to obtain the effect of the lightweight. We were obtained about 7kg weight reduction by Aluminium alloy of Radius Rod compared to the steel model. Also, the radius rod analysed to satisfy safety regulations through the FEM analysis.

마이데이터 플랫폼을 위한 DID 기술 단계적 적용방안 연구

박소현(Sohyeon Park),김현준(Hyunjun Kim),이강효(Kanghyo Lee),하태균(Tae Gyun Ha),김경백(Kyungbaek Kim) 한국통신학회 2023 한국통신학회 학술대회논문집 Vol.2023 No.2

DID 플랫폼 기반의 마이데이터 서비스 모델 연구

박소현 ( Sohyeon Park ),김현준 ( Hyunjun Kim ),이강효 ( Kanghyo Lee ),하태균 ( Tae Gyun Ha ),김경백 ( Kyungbaek Kim ) 한국정보처리학회 2023 한국정보처리학회 학술대회논문집 Vol.30 No.1

성인발레 참여자의 진지한 여가, 삶의 질, 그리고 재미 간 관계

박소현(Sohyeon Park),전성범(Sung Bum Chun) 한국레저사이언스학회 2022 한국레저사이언스학회지 Vol.13 No.3

본 연구의 목적은 성인발레 아마추어들의 진지한 여가와 삶의 질의 관계에서 재미의 조절효과를 분석하기 위함이다. 연구대상은 성인 발레 아마추어들 동호인을 대상으로 모집단을 설정한 후 편의표본추출법을 활용하여 표집하였다. 설문지 회수 결과 총 308부의 자료를 본 조사 분석에 사용하였다. 진지한 여가, 삶의 질 및 재미요인의 타당도 및 신뢰도 검증을 위해 확인적 요인 분석을 실시하였고, 인구통계학적 변인의 분포를 살펴보기 위해 빈도분석을 실시하였다. 성인발레 아마추어들의 진지한 여가와 삶의 질의 관계에서 재미요인의 조절효과를 알아보기 위해 다중회귀분석을 통해 상호작용분석을 실시하였다. 본 연구의 결과는 다음과 같다. 첫째, 진지한 여가와 삶의 질의 관계에서 진지한 여가의 하위 요인인 보상요인과 전문성요인이 삶의 질에 유의한 영향을 미치는 것으로 나타났다. 둘째, 성인발레 아마추어들의 재미요인과 삶의 질의 관계에서는 재미 요인의 하위 요인인 유능성 자각요인과 연습과 혜택요인, 가족지원요인, 클럽분위기 요인이 삶의 질에 유의한 영향을 미치는 것으로 나타났다. 셋째, 진지한 여가와 삶의 질의 관계에서 재미 요인의 조절 효과를 분석한 결과, 재미 요인이 진지한 여가가 삶의 질에 미치는 부(-)적 영향을 완충하는 유의한 조절효과를 보였다. The purpose of this study is to analyze the serious leisure and quality of life factors of adult ballet amateurs in order to analyze the moderating effect of fun in the relationship between serious leisure and quality of life. The subjects of the study were sampled using the convenience sampling method. As a result of the questionnaire collection, a total of 308 copies of data were used for this survey analysis. Confirmatory factor analysis was conducted to verify the validity and reliability of the variables, and frequency analysis was conducted to examine the distribution of demographic variables. Interaction analysis was conducted through multiple regression analysis to find out the moderating effect of fun factors in the serious leisure and quality of life of adult ballet amateurs. The results of this study are as follows. First, in the relationship between serious leisure and quality of life, compensation factors and professional factors were found to have a significant effect on quality of life. Second, in the relationship between adult ballet amateurs' fun factors and quality of life, it was found that the sub-factors of fun factors had a significant effect on quality of life. Third, as a result of analyzing the moderating effect of fun factors in the relationship between serious leisure and quality of life, there was a significant moderating effect that buffered the negative (-) effect of serious leisure factors on quality of life.

Non-Local Means을 이용한 회전 변조 시준기 영상화 알고리즘 개선

박소현(Sohyeon Park),이계민(Gyemin Lee) 대한전자공학회 2018 전자공학회논문지 Vol.55 No.11

방사선 안전 분야에서 방사선원을 영상화 하는 문제는 정확하고 신속한 대처를 위해 필수적이다. 특히, 방사선원의 위치를 시각화 하는 방법 중 하나인 회전 변조 시준기는 구조가 간단하고 효과적이다. 그러나 선원이 차폐되어 있거나 장애물에 막혀 있을 경우, 검출되는 광자의 수가 적기 때문에 선원이 없는 곳을 선원이라고 잘못 판단하는 아티팩트가 발생하는 문제점이 있다. 이를 해결하기 위해 본 논문에서는 분산 안정화 변환과 NLM을 이용한 새로운 영상화 알고리즘을 제안한다. 실험을 통해 기존의 MLEM 기반의 영상화 알고리즘과 비교하여 영상화 결과가 개선됨을 시각적, 정량적으로 검증하고, 잡음제거를 위한 다른 방법들에 비해 제안한 방법이 보다 효과적임을 보인다. Rotating Modulation Collimators(RMC) is a remote imaging technique for visualizing orphan radiation sources. However, a reconstructed image generates artifacts, when the counts of detected photons are small. As radiation sources are often blocked or shielded in a number of practical applications, the false estimates may lead to misinterpretation and misjudgement. To solve this problem, we propose a new RMC image reconstruction algorithm using variance stabilization transform and non-local means method.

공안소설 다시 읽기

박소현(Park Sohyeon) 한국중국소설학회 2003 中國小說論叢 Vol.17 No.-

Surprisingly, Chinese gong'an fiction, even though many literary scholars have simply disregarded the genre as a trivial, vulgar, unsophisticated, and culturally inferior text, has recently been rediscovered, readapted, and revived by our contemporary mass culture. What is the most remarkable here is that this old, hackneyed, and half-forgotten text - that is, gong'an fiction - makes as great an appeal to contemporary popular audiences through new mass media as it did to a wide variety of audiences in the past. How come does this unknown genre, which first emerged from the Southern Song, flourished between the late Ming and the early Qing, and afterwards all of sudden disappeared, successfully reconnect itself with contemporary mass culture? This is partly because gong'an fiction has many affinities with the modern detective story which has been one of the most popular literary genres from the nineteenth century. Most importantly, however, it is due to "cultural dualism" inherent in gong'an fiction. In fact, gong'an fiction emerged as both a popular and ideological text from inhabiting the borders between East and West, between premodern and modern, between elite and popular culture, between oral and literate culture, and between legal and literary tradition. In this article, I try to show that gong'an fiction as a popular text is not only intelligible, simplified, and stereotyped, but also culturally ambiguous, deviant, and even conflicting. In the first part, I try to find out what gong'an fiction is, more precisely, what cultural meanings gong'an fiction reproduces in relation to the contemporary popular culture. In as much as the contemporary reader such as Robert van Gulik attempts to understand gong'an fiction, within the category of the modern detective story and on the basis of its literary formula, he/she often misreads the genre as a structurally inferior text, judging it according to Western norms and subjugating it to Western concerns. In this article, I try to show that gong'an fiction must not be just taken as loosely organized, but rather as intertextual, multivocal, and polyglot. In the second part, I have argued that gong'an fiction must be understood in the broad context of popular culture in late imperial China. In fact, the linear history of gong'an fiction, from the Song oral storytelling to the Yuan zaju drama to the Ming chantefable (cihua) to the Ming-Qing gong'an story collections, does not exist. The genre did not just evolve within the realm of oral and popular culture, but rather it had developed, making various relations with different cultures, traditions, and literatures. The evolution of gong'an fiction illustrates that a popular text indeed constantly attempts to make intercommunications with different cultures. Due to this apparent feature of heteroglossia, a popular text such as gong'an fiction tends to reveal conflicting cultural meanings and repressed different voices, which are often invisible in the dominant culture. A popular text seems to espouse the dominant ideology, but eventually resists it by means of subtle evasion and perversion. Therefore, the "subculturalness" of a popular text, according to Henry Y. H. Zhao, reveals social chaos and ideological contradictions, while a culturally higher text shows a single unity in structure and ideological coherence. Similarly, cultural ambiguities in gong'an fiction, I suggest as a conclusion, should not be considered as cultural limitations, but as "multiple possibilities for open cultural communications."

법률과 사실, 그리고 서사 ―법문학비평의 관점에서 본 전근대 동아시아의 범죄소설

박소현 ( Park Sohyeon ) 한국중국어문학회 2019 中國文學 Vol.98 No.-

법과 문학의 학제적 상호영향은 법의 권위주의를 타파하고 인간성을 회복하려는 노력의 일환으로 최근에 와서 활발해졌으며, 이러한 경향을 반영한 법문학비평은 법과 문학의 관계에 대한 새로운 관점과 담론을 제공하고 있다. 특히, ‘문학으로서의 법률’ 담론은 문학의 역할을 법의 실천적 영역으로 확대시켰다는 점에서 주목할 만하며, 이 중에서도 법에 대한 서사적 비평 혹은 ‘서사로서의 법률’ 담론은 법적 스토리텔링을 통해서 기존의 제도적 권위에 도전하고 사회적 형평성을 회복하고자 한다는 점에서 그 실천적 의미를 높이 평가할 만하다. 본고에서는 명청대 중국의 공안소설과 조선 후기 송사소설 등 전근대 동아시아의 범죄소설 장르가 법과 서사의 밀접한 연관성을 인정하는 문화적 맥락 속에서 발전한 사실에 주목하여 이 장르를 법문학비평의 관점에서 분석하고자 시도했다. 정·리·법의 섬세한 균형을 유지하는 것을 이상으로 삼았던 유교적 사법전통에서는 법적 스토리텔링의 역할은 억압되기는커녕 전통적으로 중시되었다. 본고에서는 또한 법적 스토리텔링의 한 이상적 사례로서 19세기에 창작된 우화적 송사소설인 《와사옥안》을 분석했다. 《와사옥안》은 법적 스토리텔링의 이상적 사례를 보여주는 이야기로 읽힐 수 있으며, 이런 점에서 최근 법적 스토리텔링의 분석에 주목하는 현대 법문화와 전근대 사법전통의 연결고리로도 해석될 수 있을 것이다. Recently, the interdisciplinary interaction between law and literature has tended to appear more active in an attempt to subvert the authoritarian rule of law and restore the humanity of law. The recent movement of literary criticisms of law has provided new perspectives and theoretical approaches. The “law as literature” perspective in this movement seems to draw our particular attention in that it enlarges the role of literature far beyond the literary realm. More importantly, the narrative criticism of law or “law as narrative” perspective takes activist positions by challenging the institutional authority and restoring social equity through legal storytelling or the use of narratives. This article attempts to interpret the genre of crime fiction of premodern East Asia from the perspective of literary criticisms of law. In fact, this genre, including Chinese court case (gong’an) fiction and Korean court case (songsa) fiction, was developed in the cultural contexts, in which the close interrelationship between law and narrative was well acknowledged. Indeed, the role of legal storytelling was considered significant in managing the subtle balance of sentiment·principle·law in the Confucian legal tradition. In this article, a nineteenth-century Korean court case story, A Criminal Case Record of Frog and Snake, is also examined as a prominent literary example revealing how the techniques of legal storytelling reflect the idea of law and justice in the traditional legal system.

팥배나무 아래의 재판관 - 《당음비사(棠陰比事)》를 통해 본 유교적 정의

박소현 ( Park Sohyeon ) 한국중국어문학회 2014 中國文學 Vol.80 No.-

This article aims to make a textual analysis for the Tangyin bishi (Parallel cases under the pear tree), one of the earliest Chinese legal literature or case history, from the perspective of “law and literature.” The “law and literature” movement sheds light on the close interrelationship between law and literature. In defining the term “legal literature”, there might be two different approaches: “law in literature” on the one hand and “law as literature” on the other. “Law as literature”, in particular, reflects an increasing tendency to consider law as a “text” that needs literary or cultural interpretations. This approach, however, makes us rethink the Confucian legal tradition that was founded on humanistic concerns. Although the negative understanding of the Confucian legal tradition has been prevalent in modern jurisprudence, the very tradition may not be completely disconnected from contemporary legal culture in that it endeavored to overcome the gap between the law and social reality by consistently resisting the abstract, universal, and absolute application of the law. As a matter of fact, a new tendency to highlight humanistic concerns and pay attention to hermeneutic approaches in contemporary jurisprudence has resulted from the practical intention to resolve the gap between legal rules and legal realities. The Tang`in bishi is remarkable in that it explored the interrelationship between law and literature. More often than not, the text has been misunderstood as a classical narrative lacking in narrativity or underestimated as a legal text lacking in specialist knowledge. However, the Tangyin bishi should be reconsidered as a truly unique text on the ground that it attempted at constructing the paradigm of legal rationality or public rationality with literary patterns and representing the ideal of a Confucian judge in a wide variety of case examples. This article sheds light on the representation of “Confucian justice” in the Tangyin bishi, which attempts at crossing the thin line between law and literature, rationality and emotion, and ideal and practice. The text should not be taken as a simple moral fable. For it provides various case examples for practical legal reasoning.

간호사의 전문직자율성의 개념분석

박소현 ( Sohyeon Park ),조도란 ( Doran Jo ) 이화간호과학연구소 2022 Health & Nursing Vol.34 No.2

Purpose: This study sought conceptual understanding of professional autonomy in nursing science. The underlying ideas and properties of professional autonomy in nursing were analyzed and compared with definitions used in diverse individual studies. Methods: Concepts were analyzed using the conceptual method of Walker & Avant. Results: Four attributes of nurses’ professional autonomy were identified: job performance, effective communication, decision-making, and responsibility. The leading factors were ‘nursing education and clinical experience from 4 years of nursing school,’ ‘critical thinking,’ and ‘insight.’ The result factors of this study were ‘personal growth,’ ‘self-leadership,’ and ‘patient safety’. Conclusion: Professional autonomy as defined in this study is completion of education and training based on the professional knowledge and responsibility of nurses, which support rational decision-making through smooth communication in the performance of nursing tasks.

검안을 통해 본 여성과 사회

박소현 ( Sohyeon Park ) 한국고문서학회 2017 古文書硏究 Vol.50 No.-

본고에서는 현존하는 19세기 말 檢案 중 여성들의 일상적인 수다가 두 여인의 사망사건으로 비화된 이른바 `淮陽郡 長陽面 검안`을 통해서 당시 평민 여성들의 삶을 살펴보았다. 江原道 淮陽郡 長陽面 上新院里日耕洞이라는 외딴 산골에서 발생한 이 사건은 여인네들이 디딜방아로 쌀을 찧는 자리에서 퍼진 음행의 추문이 그 발단이 된다. 이로 인한 시비에 휘말려 임신한 文召史가 구타당한 날 밤에 숨졌고, 이에 대한 보복으로 문조이의 남편과 아들, 시동생이 문조이를 구타한 朴召史를 때려죽인다. 추문이 살인으로 비화되는 이사건을 통해서 일반적으로 사료에 잘 드러나지 않는 평민 여성들의 일상적 삶, 특히 향촌 내에서의 사회생활을 엿볼 수 있다. 따라서 회양군 장양면 사건은 여성사적 관점에서 주목할 만한데, 특히 추문에 대한 평민여성들의 반응을 통해서 유교 이데올로기에 의거한 여성성의 사회적 통제와 감시가 양반층뿐만 아니라 평민층에서도 상당한 정도로 이루어졌음을 살펴볼 수 있다. 한편 회양군 장양면 사건은 문조이의 사망원인이 구타치사인지, 아니면 음독자살인지를 규명하는 문제가 쟁점이 되어 初檢과 覆檢, 1, 2, 3차에 이르는 査案에 이르기까지 5차에 걸쳐서 사건 조사가 상당히 복잡하게 진행된다. 결국 사건의 진실은 명백하게 밝혀지지 않았음에도 불구하고, 조사 과정에서 검시 결과의 조작과 위증 및 자백의 강요 등이 있었을 가능성이 짙다. 따라서 본고에서는 검안이라는 보고서 양식 아래 은폐된 진실을 밝혀내기 위해서 檢査官 뿐만 아니라 원고와 피고, 증인 등이 활용한 수사학이나 전략에 대한 심층 분석을 시도했다. The main focus in this article lies in the analysis of an inquest record or koman from the late nineteenth century. The so-called “Case of Changyang Village, Hoeyang County 淮陽郡 長陽面 檢案” reveals the nineteenth-century commoner women`s village life that has not been found in any other historical materials. In this case, two neighboring women`s deaths were caused by a slanderous rumor on adultery. The story that Kim Choi 金召史 committed adultery with a rich elite man living in the same village was told while neighbor women pounding rice in Mun Choi`s 文召史 house. Kim Choi`s mother Pak Choi 朴召史 who thought Mun Choi made up the vicious story about her daughter Kim Choi quarreled with Mun Choi and finally hit her. At night Mun Choi who was pregnant suddenly died after suffering from severe pains. Mun Choi`s husband who believed Pak Choi caused Mun Choi`s death went to Pak Choi`s house and bit her to death along with his eleven-year-old son and younger brother. A slanderous rumor caused two neighbor women`s deaths. This case seems to interest us from the perspective of women`s history in that it sheds light on nineteenth-century commoner women and their village life. In particular, the commoner women`s reactions to slanders of their sexual integrity show how prevalent the social control and discipline of female sexuality based on the Confucian ideology was in society regardless of social status. The investigations of this case were conducted five times in order to determine whether Mun Choi`s death was caused by beating or poisoning. Mun Choi`s family claimed that the autopsy report was not only fabricated under the order of the district magistrate but also torture was used to extract confessions from the defendant and witnesses. In this respect this article also attempts to analyze the rhetoric appropriated by the defendant, plaintiff, and witnesses at the law court.