특집-다원화세계상황하의 분단국

김명회,김택환,양동안,박봉식,박동운 북한연구소 1972 北韓 Vol.- No.6

대학교육의 자율성

김명회,Kim, Myeong-Hoe 한국대학교육협의회 1984 大學敎育 Vol.7 No.-

무용작품 감상에 따른 가치 판단의 철학적 고찰

김명회 서원대학교 예술문화연구소 1995 예술문화논총 Vol.4 No.-

We should understand that dance works has it's own characteristic substance than any other art works. When we appreciate it's own originality and individuation of every dance works, we should not make an error of taking the general standard for estimation of value which is applying in every art works. It is because of that there should be different estimation per man and an era in appreciation of dance works. For all that, if we stand still for studying estimation of value, there will be no further progress of onward dance art. With this reason, this researcher would like to present a standard of the best balanced estimation of value which abstracted from a theory of aesthetics and a philosophy of art as under. 1. Required aesthetic experience and aesthetic attitude of looking for a characteristic value from dance works itself and understanding interrelationship between the subject and an interest i.e. relatable character of aesthetic value. 2. Required cognition of value in art's characteristic function of that body movement in dance, is the best objective and stable which characteristics are creating how creative potential world. 3. Appreciation is finally meaning of estimation and meaning of evaluating value on it's subject. Therefore, appreciator is required qualitications to have it's knowledge and liability for having balanced estimation of value.

Multi-stack Technique for a Compact and Wideband EBG Structure in High-Speed Multilayer Printed Circuit Boards

김명회 한국전자통신연구원 2016 ETRI Journal Vol.38 No.5

We propose a novel multi-stack (MS) technique for a compact and wideband electromagnetic bandgap (EBG) structure in high-speed multilayer printed circuit boards. The proposed MS technique efficiently converts planar EBG arrays into a vertical structure, thus substantially miniaturizing the EBG area and reducing the distance between the noise source and the victim. A dispersion method is presented to examine the effects of the MS technique on the stopband characteristics. Enhanced features of the proposed MS-EBG structure were experimentally verified using test vehicles. It was experimentally demonstrated that the proposed MS-EBG structure efficiently suppresses the power/ground noise over a wideband frequency range with a shorter port-to-port spacing than the unit-cell length, thus overcoming a limitation of previous EBG structures.

Application of VSI-EBG Structure to High-Speed Differential Signals for Wideband Suppression of Common-Mode Noise

김명회,김석진,배범희,조종현,김정호,김재훈,안도섭 한국전자통신연구원 2013 ETRI Journal Vol.35 No.5

In this paper, we present wideband common-mode (CM) noise suppression using a vertical stepped impedance electromagnetic bandgap (VSI-EBG) structure for high-speed differential signals in multilayer printed circuit boards. This technique is an original design that enables us to apply the VSI-EBG structure to differential signals without sacrificing the differential characteristics. In addition, the analytical dispersion equations for the bandgap prediction of the CM propagation in the VSIEBG structure are extracted, and the closed-form expressions for the bandgap cutoff frequencies are derived. Based on the dispersion equations, the effects of the impedance ratio, the EBG patch length, and via inductances on the bandgap of the VSI-EBG structure for differential signals are thoroughly examined. The proposed dispersion equations are verified through agreement with the full-wave simulation results. It is experimentally demonstrated that the proposed VSI-EBG structure for differential signaling suppresses the CM noise in the wideband frequency range without degrading the differential characteristics.

한국창작발레에 나타난 포스트모던 페미니즘(post modern feminism)성향에 관한 연구

김명회 서원대학교 예술문화연구소 2003 예술문화논총 Vol.12 No.-

We, living 21st century, are living in the society of coexistence with efforts of a liberation from the traditional disadvantageous male sex and a discourse which has positive sight for the value of female sex which treated as the subject and object in the ideology of patriarchy. This is meaning as various society attaching importance to the sexual identity of human individual in the society of focusing on difference between male and female. With this, it is natural that our thought should be changed to plural thought of principal and dissolved post modern from dichotomic thought of being manhood or womanhood. It seems to getting near to a phenomenon of post modern feminism without dance genre in our dance activity although there are not enough activity of study based on dance and feminism in Korea yet. Although, from the classic ballet the body of woman dancer's fixed form(effeminate, pretty,lovely, sensuality, passivity)which have trained so long time for itself, is became the focus of criticism but if woman dancer's bodies are being understood as the sight of looking for sexual character which demanded a merit of female sexuality form the works. Seeing woman still stands at advantage over man though our dance society is dependent upon the patriarchic order which spreaded in our society, our woman dancers should be interested in a works which is the final target of dance. Watching the trend of a works of today's modern ballet from the year of 1980, most of those works are concentracted on human relationship but sometimes there were the trend of current and political one. The works of ballet blanc(marriage:1990), Choi Sung iee's(family:1994), Kim Eun Jung's(They are living in other country:2002), were expressions of woman's sight and character as a member of family and the matters of married couple. In the works of Kim Myung Whae(43 years old - a winter in the year 2 : 1997),Kim Sun Jung(staying:1997), we could saw a body's revolt which expressions of the matters of violence and sex in the patriarchic society's structure. And works of Kim Min Hee(people, Peoples : 1993), Kim Na Young(Carman Sandiago's traces:2002) were very political works which were shaking the man's character and others were having some propensity for emphasizing fantastic and mystery and a point of human concentrated with a technics excluded emotion. As to this, recently, our dance trend in modern ballets are showing that various movement, theme and mode which are getting out of classic ballet's elitism. This trend is making up by the matter of recognition to see today's dance at which viewpoint and to practice. In this connection, the viewpoint of post modern feminism is giving a lot of help to understand the modern character of modern ballet and is giving a big influence to choreographer's originality of seeing woman's matter in dance.

척수마비환자 재활훈련용 왕복보행보조기에 관한 연구

김명회,Kim, Myung-Hoe 대한물리치료과학회 2002 대한물리치료과학회지 Vol.9 No.1

This paper presents a design and a control of a New Reciprocating Gait Orthosis and dynamic walking simulation for this system. The New Reciprocating Gait Orthosis is distinguished from other one by which has a very light-weight and a new RGO type with servo motors. The gait of a New Reciprocating Gait Orthosis depends on the constrains of mechanical kinematics and initial posture. The stability of dynamic walking is investigated by ZMP(Zero Moment Point) of the New Reciprocating Gait Orthosis. It is designed according to a human wear type and is able to accomodate itself to human environments. The joints of each leg are adopted with a good kinematic characteristics. To test of the analysis of joint kinematic properties, we did the strain stress analysis of dynamic PLS and the study of FEM with a dynamic PLS. It will be expect that the spinal card injury patients are able to train effectively with a Reciprocating Gait Orthosis. The New Reciprocating Gait Orthosis was able to keep smooth walling by the orthotic servo motors and hybrid system, make a sequence of flexion and extension of the joint during the walking. Also, the New Reciprocating Gait Orthosis turned out to be a satisfactory orthosis for walling training, for the spinal cord injury patient.

공연예술로서의 무용의 대중화 : 한국의 무용공연을 중심으로

김명회 서원대학교 예술문화연구소 1998 예술문화논총 Vol.7 No.-

Our word of dancing was brought another changement definitely in aspects of quantity or quality of performance with rising of leading power of the dancing group of university students members and the new dancing generation in the 80's in comparison with 60's or 70's. It is said 'The Renaissance of dancing' from a positive view of this. This wave of Renaissance brought a radical change rather than any other art by the economic development of Korea and opening the door of the movement of globalization in 90's. Then the amplication of dancing generation and the variety of educational environment which dancers have became a primary factor which brought personality and diversity of style in a creative production. After that, assuring audience of dancing can be once seen successfully through the number of audience filling up the hall for whatever reasons. But, in comparison with other atts, we can't say confidently that we assure a variegated audience who understand dancing heartily and share with consensus together yet. Like the case of foreign country, in fact, the dancing performance prolonged cannot be dance and I can't help recognizing our inferiarity when I look at the classes of audience at group invitation from abroud and the performence of donestic group considering with wide acceptance. So I can't help concluding that it is lacked a qualitative developpement of a dancing work comparing with a quantative expansion yet. Because the audience still invest time and meney in excellent performance which can give a content to the public fancy. Therefore, it is our duty to let the audience notice that dancing is not what we can do without but what we need desperately. Now, I'll intetd to the popularity of dancing performance art showing plans for pupularity in many aspects. 1. Our dancing education which begins with college education unconnected with elementary, middle and high school was like a crippled education. For producing an able creator, it needs the independence of dancing curriculum seperated with gymnastics, the unique autonomy of college education and the centripetal force for an active policy and practice at the point of enriching both the education of creation and the education of the any going side by side gradually. Because it is not only the education for base expansion making wide-accepted audience but also the foundation coming out an orginal producer capable leader can make a high-level art work. 2. We can see through out the history that the economic standard of a country or the continuous upbringing system is closely connected with revival of art. In this aspect, the question of how we can attract the people to the theater is related to the raising of the dancing performance system. Professional groups or the theater which accepts the group must pay attention to following three aspects at the side of a performance system. First, they must install professional dancing educational institution which can bring up good dancers under the group. Second, it is the group of dancing form for assuring people and the management of a qualitative repertory system. Third, they must pursue the construction of cooperational system for producing qualitative work, the charismatic power of an art director and ability to make a artistic, sensual plan. 3. Most part of our country's dancing performance have been done by creative, small groups which make work continuously with dancer's individual belief and a story creative will. They have more freedom and universality than big groups which are apt to fall into mannerism by exteral pressure and administrative bureaucracy's lack of understanding and can catch hold of public fancy by social desire exactly and have to be on aggressive main body who can lead one age's dancing culture against public fancy which is able to tend to fall into danger and finally produce future dance composer, good dancer and art director in this situation. consequently a support for performance activation for them must need positively and continuously. 4. In mass society, the developpement of mass communication can be on obstacle between audience and artist or cooperator. But we must try to place it in a good cooperator's role. Thus, with an adequate intervention of a critic, it can help audience accept a dancing work valuably and mass communication will let people know it. In that meaning, mass communication and criticism must have a sense of duty as an another dancing educational institution and show a wide and high-level vision of dancing culture as 'art utilizing pulic' or 'publication utilizing art' and try to from the classes of audience who can share with an excellent work together.

한국정치의 지향목표

김명회 연세대학교 사회과학연구소 1972 社會科學論集 Vol.5 No.-

인체진동을 고려한 재활훈련용 이족보행 RGO 보조기 PLS의 생체역학적 설계와 해석 (I)

김명회,장대진,양현석,백윤수,박영필,박창일 한국소음진동공학회 2003 한국소음진동공학회 논문집 Vol.13 No.1

This paper presented a design and control of a biped walking RGO(robotic gait orthosis) and its simulation. The biped walking RGO was distinguished from the other one by which had a very light-weight and a new RGO system will be made of 12-servo motors and 12-controllers. The vibration evaluation of the dynamic PLS(posterior leaf splint) on the biped walking RGO was used to access by the 3-axis accelerometer with a low frequency vibration of less than 30 Hz. The galt of the biped walking RGO depends on the constrains of mechanical kinematics and the initial posture. The stability of dynamic walking was investigated by analyzing the ZMP (zero moment point) of the biped walking RGO. It was designed according to the human wear type and was able to accomodate itself to the environments of S.C.I. Patients. The Joints of each leg were adopted with a good kinematic characteristics. To analyse joint kinematic properties. we made the strain stress analysis of the dynamic PLS and the analysis study of FEM with a dynamic PLS.