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한국 소아의 Mumps 바이러스 항체보유에 관한 혈청학적 진단방법의 비교
박혜경 대한미생물학회 1986 大韓微生物學會誌 Vol.21 No.4
Mumps is an extremly common infectious disease affecting predominantly young children hut it is not a severe disease in terms of mortality. One hundred and two sera from infants of 3 different groups which are vaccinated, unvaccinated and unknown were detected to mumps antibody. The tests used were Complement Fixation(CF) test, Single Radial Hemolysis(SRH) test, Hemagglutination 1nhibition(Hl) test, Enzyme Linked 1mmunosorbent Immunoglobulin G(ELISA IgG) test, Enzyme Linked Immunosorbent Immunoglobulin M(ELISA IgM) test. 1. The rate of positivity for mumps antibody in 102 sera wera 89.16% (74/83) by HI test, 68.83% (53/77) by ELISA IgG test, 64.58% $lt;62/96) by SRH test,63.24%(43/68) by ELISA IgM test and 50.00%(49/98) by CF test. 2. The rate of positivity by 5 tests for 55 sera turned out to be very similar with above results respectively. 3. The correlation coefficients(r) between ELISA IgG test ant HI test, ELISA IgG test and ELISA IgM test were 0.34(P$lt;0.01) and 0,31(P$lt;0.02), respectively. 4. The percentage of apparently natural infection of mumps seemed to be 65.15% (43/66) in infants. 5. Seroconversion rate of mumps by vaccination were 90.91% (10/ll), 6. Among the 53 infants who were tested with ELISA IgG 15 were below 15 months age of(28.30%) and this percentage may be taken as a suggestion that mumps vaccination should be given earlier than present practice. 7. ELISA IgG test was found very sensitive and recommendable method for large scale screening for the presence of antibody to mumps.
박혜경,김정재 대한건축학회 2003 대한건축학회논문집 Vol.19 No.12
This study is to analyze the trends of the formal expression of contextual attitudes about the local theme museums in Japan. Architectural design by the contextual codes has been considered as an appropriate way to build up the regional identity in these days. After a theoretical study on 'Context', a statistical analysis was processed about the correlations between the types of the locations and the types of forms related with the elevation. At the last stage of the study, the specific methods for expression were studied. The contextual attitudes of continuity characterized into two concepts like continuity and resemblance. As the result of the research, the contextual forms appeared strong with such location types as beaches or plains comparing to mountains or downtown. On the other hand, the conditions of mountains or downtown tend to make the form complicated and divided for adjustment to the context of surroundings. The various expression methods like unifying with the land, applying the configuration of the ground to the shape of the building, using the clear or reflective materials and dividing the mass were researched as helping continuity and resemblance between building and landscape.
박혜경 중국어문논역학회 2019 中國語文論譯叢刊 Vol.0 No.45
This thesis is aimed at looking into the process of birth and changes in Suxiaoxiao Image, by focusing on the poetry of Tang and Five Dynasties, and clarifying what were the internal and external causes that brought about the changes. To do this, the analysis of Qiantang Suxiaoge was carried out, which is known as the first poetry, where the Suxiaoxiao Image was born, and then the analysis on Suxiaoxiao Image in the poetry of Tang and Five Dynasties so that the results could be compared with the original Suxiaoxiao Image. In the next step, the reason for the change in the Suxiaoxiao Image was deduced from the aspects of literary history and sociocultural factors. While the original form of Suxiaoxiao in the Qiantang Suxiaoge represents a independent woman who wishes to receive unchanging love, the woman in the Suxiaoxiao Image in the poetry of Tang and Five Dynasties changes into a woman who suffers the pain of parting, a well-educated partner of a scholar, and a Jinu(barmaid). It seems that the change was effected by the factors of literary history, in which the trend of poetry changed due to the popularity of poetic style of Qi and Liang Dynasties after the middle era of Tang, the change in yuefu poems, and the rise of Ci. And also, the development of Jiangnan region, which was the center of the economy and culture at that time, and the culture among the scholars who gathered there played an important role in changing the Suxiaoxiao image. So, it may be concluded that the Suxiaoxiao could reappear in the poetry after mid-Tang dynasty for such reasons with the changes in image. 본 논문은 蘇小小 형상의 탄생과 변화 과정을 唐⋅五代 詩歌를 중심으로 살펴보고 그 변화를 추동한 내재적, 외재적 요인이 무엇인지 탐구하였다. 이를 위해 蘇小小의 형상이 탄생한 최초의 작품인 <錢唐蘇小歌>를 분석하고 이후 唐⋅五代 詩歌 속 蘇小小의 형상을 분석하여 원형과 비교하였다. 다음 단계로 蘇小小의 형상이 변화하게 된 원인을 문학사적 측면과 사회문화적 측면으로 나누어 추론하였다. <錢唐蘇小歌> 속 蘇小小의 원형은 변치 않는 사랑을 소망하는 주체적인 여성이었으나 唐⋅五代 詩歌 속에서 그녀는 이별에 슬퍼하는 여인, 교양을 갖춘 사인의 파트너, 妓女의 형상으로 변화한다. 여기에는 中唐 이후 齊梁體의 유행과 樂府詩의 변화, 詞의 대두와 같은 詩歌의 변화라는 문학사적 요인이 작용하였으며 경제와 문화의 중심이 된 江南 지역의 발전과 그곳에 모인 士人들의 문화가 그 변화의 요인으로 작용하였다. 이러한 요인들에 의해 蘇小小가 中唐 이후 詩歌 속에 재등장하게 되었으며 그 형상에도 변화가 생겨난 것이다.
박혜경 한국교육컨설팅코칭학회 2022 교육컨설팅코칭연구 Vol.6 No.4
This study tried to develop a practical theory that can explain the experience of the adaptation process to the sudden non-face-to-face class situation caused by the COVID-19 pandemic. For this purpose, in-depth interviews were conducted with 14 students from the 20 ~ 21st grades, and the collected data were analyzed by applying the grounded theory method proposed by Strauss and Corbin (2001/2001). As a result of the analysis, 104 concepts, 20 subcategories, and 6 final categories were finally derived. As a result of this study, the core category was found to be ‘Overcoming the culture shock of remote classes independently. The causal condition is‘freshman looking forward to college life’, the central phenomenon is ‘non-face-to-face college life with COVID-19', the contextual condition is‘go to school in the corner of the room', the mediating condition is‘introspection and Finding Supporting Resources’, and the action/interaction is ‘efforts to adapt to remote class situations’. The result of 'adapting to life' was a face-to-face class waiting with half expectations and half concerns. And as a result of this study, the core category,‘Independently overcoming the culture shock of non-face-to-face class situations’was progressing in four stages according to the passage of time: excitement stage, confusion stage, adaptation stage, and acceptance stage. The results of this study are meaningful as basic data to prepare for the substantialization of future new normal distance education. 본 연구는 코로나19 팬데믹으로 인한 갑작스러운 원격수업 적응과정의 경험을 설명할 수 있는 실제 이론을 개발하고자 하였다. 이를 위해 20~21학번 학생 14명을 대상으로 심층면담을 진행하였고, 수집된 자료는 Strauss & Corbin(2001)이 제안한 근거이론 방법을 적용하여 분석하였다. 분석 결과 최종적으로 104개의 개념, 20개의 하위범주, 6개의 최종범주가 도출되었다. 본 연구 결과 핵심 범주는 ‘원격수업이라는 문화충격을 주체적으로 극복하기’로 드러났다. 인과적 조건은 ‘대학생활을 기대하는 신입생’, 중심 현상은 ‘코로나 학번의 비대면 대학 생활’, 맥락적 조건은 ‘방구석 등교’, 중재적 조건은 ‘자기성찰과 지지자원 찾기’, 작용/상호 작용은 ‘원격수업적응을 위한 노력’ 결과는 기대 반, 우려 반으로 기다리는 대면 수업’으로 나타났다. 그리고 본 연구 결과 핵심 범주인 ‘원격수업이라는 문화충격을 주체적으로 극복하기’는 시간의 흐름에 따라 설렘 단계, 혼란 단계, 적응 단계, 수용 단계 4가지 단계로 진행되고 있었다. 본 연구 결과는 미래 뉴노멀 원격교육의 내실화를 준비하는데 기초자료로서 그 의의가 있다.
이광수 소설에 나타난 사랑과 계몽의 기획- 이광수의 유정을 중심으로
박혜경 동국대학교 한국문학연구소 2007 한국문학연구 Vol.0 No.33
In Lee Kwang Soo, A pathos is the principal grounds of the modern literature, which had opened a field of drama developing in the individual inner world, love and love affairs are the most dramatic literary matters of the inner drama. Yujung shows the hero, Choi Suk's spiritual love which pursues the moral self-justification of himself through the form which confess his intensive affection to his lover or an the state of an emotional enhancement of love in his interior. Choi Suk is captured by the energy of an enhanced spirit which desires the state of the moral self-realization by means of his love to his lover, Nam Jung Im. The natural landscape of Siberia is not only a place to get away him from the misunderstanding of the world, but also a place of his inner struggles to transcend his desire for Nam Jung Im. Choi Suk chooses a way to become the moral hero by himself in order to stand against the scandal which pushes him into a crisis of the subject. The Choi Suk's inner struggles which fight against the nature of his interior resemble with the project of modern civilization which realizes the moral self-perfection of the subject through the control of the nature by the man's reason. But Nam Jung Im is sublimated her illusion or her idea, at the same time excluded in the drama of Choi Suk's self-discovery. Nam Jung Im is allowed a right to participate in the drama of Choi Suk's inner struggles, only through the form of an absent existence or an empty existence. 이광수에게 情이란 인간의 내면세계라는 새로운 드라마의 장을 열어준 근대문학의 주요한 터전이었으며, 사랑과 연애는 그 내면세계에서 일어나는 가장 드라마틱한 문학의 소재였다. 유정은 사랑이라는 감정의 고양상태, 혹은 사랑하는 대상을 향한 열렬한 사랑의 감정을 토로하는 형식을 통해 자기존재의 도덕적 정당성을 추구하려는 주인공의 靈적 사랑의 여정을 그리고 있는 작품이다. 유정의 주인공을 사로잡고 있는 것은 남정임에 대한 사랑을 통해 자신의 도덕적 완성을 갈망하는 영혼의 고양된 에너지이다. 시베리아의 원시적인 자연 풍광은 최석에게 남정임과의 사랑이 불러일으킨 세상의 오해를 넘어서 남정임에 대한 사랑 을 초극하기 위한 내적인 투쟁의 장소이다. 최석은 그를 주체의 위기 속으로 몰아넣은 세상의 추문과 맞서기 위해 스스로 도덕적 영웅이 되는 길을 선택한다. 시베리아의 원시적 자연 속에서 문명의 이름으로 자기 안의 자연과 싸우는 최석의 내적 투쟁은 자연에 대한 이성의 통제를 통해 주체의 도덕적 자기완성에 이르려는 근대문명의 계몽적 프로젝트를 닮아 있다. 그러나 최석의 자아발견의 여정에서 정임은 일루젼이나 이데아와 같은 관념의 자리로 승화되는 동시에 배제된다. 정임은 부재, 혹은 공백의 형식을 통해서만 최석의 내적 투쟁의 드라마에 동참할 자격을 부여받게 되는 것이다.