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      「大阪弁川柳」に見る語彙表現と 心象風景の一断面  = A Study of Vocabulary Expression and Imagined Scenery Found the Osaka Dialect Senryu

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      https://www.riss.kr/link?id=A105217598

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      다국어 초록 (Multilingual Abstract)

      本稿は、1997年から公募·発表されてきた「大阪弁川柳」を対象として、「方 言」「語彙」「主題」という観点から特徴を分析し、作品に表れた心象風景の一端を 観察...

      本稿は、1997年から公募·発表されてきた「大阪弁川柳」を対象として、「方 言」「語彙」「主題」という観点から特徴を分析し、作品に表れた心象風景の一端を 観察することを目的としている。 まず、方言という観点では、まず、一般的な話し言葉の現状よりも、いわば「方言 らしい」表現が多用されていた。しかし、ひとつひとつの表現をつぶさに検討する と、共通語や大阪以外の方言からの影響が見られるほか、同じ表現であっても、省
      略、短音化、長音化など、様々な面で異なる方式があることが確認された。 次に、語彙という観点では、まず「母」「妻」「私」など、多くの公募川柳で多 数を占めた語彙があまり用いられず、代わりに「あほ」が最も多く登場するなど、ほ かの公募川柳には見られない傾向を示していた。また、それ自体は方言ではない語彙 が、大阪の生活文化圏においては特定の意味を持つ事例や、二人称「あんた」が指す 対象が「若者」「政治家」のほか、「神」や「惑星」にまで及ぶという、興味深い 事例も確認された。 そして、主題という観点では、「政治·行政」の話題が最も多く取り上げられ、政
      治家の不正などを鋭く穿った作品が見られたほか、その時期に話題となった出来事や
      人物、生き方など、実に多様な広がりを示していた。 以上のように、5·7·5という定型化された作品を、様々な観点から分析する ことにより、辞書的な解釈のみでは理解することができない、生き生きとした言語文
      化の多様性と、個性溢れる地域文化の特色の一端を観察することができた。

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      다국어 초록 (Multilingual Abstract)

      In this study, I intend to analyze the characteristics of the Osaka dialect sen-ryu (a seventeen‐syllable poem) , which has been the subject of open competition, with submissions being published, since 1997, focusing on their vernacular, vocabul...

      In this study, I intend to analyze the characteristics of the Osaka dialect sen-ryu (a seventeen‐syllable poem) , which has been the subject of open competition, with submissions being published, since 1997, focusing on their vernacular, vocabulary and topics, along with examining the mental imagery of the poems.
      First, from the viewpoint of vernacular, I initially found that dialect-like ex-pressions were used more than practical vernacular. However, when I looked into the poems more carefully, I confirmed that the vernacular employed was quite diverse and included expressions influenced by other dialects along with ones whose sounds had been omitted, shortened, or lengthened, as well as standard words. Next, from the perspective of vocabulary, I discovered that the everyday senryu uses, for example, mother, wife, and I, which are often found in open
      senryu competitions, were not that common. Instead, idiot was the most fre-quently used word, unlike in other open senryu contests. In addition, my study found that such words and phrases are not actually dialect, but instead held specific meanings particular to the Osaka region. Furthermore, you, the term for the second person, was used for young lad, politician, and even god or planet. When I reviewed the topics chosen, I discovered that the poems mostly dealt with such topics as politics and administration, often focused on political corruption. Yet they also included a wide range of topics, for example per-sons or events that were the talk of the town or stories about their lives and values. After analyzing the typical senryu structure of 5·7·5’ from different angles, I could perceive a vivid linguistic culture, which I could never have understood only from a lexical analysis based on dictionary definitions, as well as some aspects of the mental imagery of the people living in the region.

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      목차 (Table of Contents)

      • Ⅰ. はじめに
      • Ⅱ. 研究方法
      • Ⅲ. 作品の分析
      • Ⅳ. おわりに
      • Ⅰ. はじめに
      • Ⅱ. 研究方法
      • Ⅲ. 作品の分析
      • Ⅳ. おわりに
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