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Psychologists as Leaders in Equitable Science: Applications of Antiracism and Community Participatory Strategies in a Pediatric Behavioral Medicine Clinical Trial
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Characterization of a Site-specifically Modified Human Dihydrolipoamide Dehydrogenase Mutant Showing Significantly Changed Kinetic Properties
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친밀성, 퀴어 슬픔과 애도: 퀴어 서사로 읽는 최은영의 「먼 곳에서 온 노래」
박미선 서강대학교 인문과학연구소 2022 서강인문논총 Vol.- No.65
이 글은 최은영의 단편소설 「먼 곳에서 온 노래」(2016)를 사례로 삼아 사회적으로 공표되지 않는 퀴어 친밀성을 사유한다. 우울증과 애착심으로 표출되는 퀴어 친밀성을 역사화할 때 어떻게 퀴어 상실과 슬픔을 정치화할 수 있는지를 논의한다. 이 작품에서 퀴어 친밀성은 커밍아웃 없는 퀴어 애착심으로 재현되고 죽음과 애도를 통해 뒤늦게 인정된다. 이 작품을 친밀성을 초점으로 읽으면, 상실과 애도 사이에 지연된 삶의 시간성, 이 시간성에서 펼쳐지는 삶의 정서적 밀도, 초국가적 공간에서 일어나는 죽음과 애도를 더 풍부하게 설명할 수 있다. 이 글은 「먼 곳에서 온 노래」를 퀴어 서사로 읽으면서 이 작품이 퀴어 친밀성을 경험한 여성들을 사회운동의 역사적 주체로서 재현한 작품이라고 주장한다. 1절은 이 작품에 재현된 친밀성을 퀴어 세계의 비가시적 특성과 연결하여 논의한다. 2절은 퀴어 친밀성을 우울증과 퀴어 멜랑콜리로 논의한다. 3절은 퀴어 슬픔이 초국가적 여성 공동체에서 해소되는 방식과 소은의 애도 과정을 분석한다. 4절은 소은의 이야기는 미진의 삶과 유산을 기록함으로써 퀴어 친밀성에 역사성을 부여하고 퀴어 슬픔에 사회적 의미를 부여한 서사라고 논의한다. In Choi Eunyoung’s short story, “A Song from Afar”(2016), queer existence, intimacy, and loss are rendered visible only through death. The narrator Soeun tells us her double loss of her beloved Meejin, her several years senior at her university, while performing to mourn the loss in a transnational space, a decade after her first loss happened in Korea. When Soeun’s unresolved grief is expressed in her belated act of mourning Meejin’s death, it reveals histories that are not shared. This article provides a queer feminist reading of “A Song from Afar” and explores queer intimacy and grief that are barely recognized both in the matrix of social intelligibility in Korea and from identity-based queer positions. In doing so, this article argues that “A Song from Afar” is a queer text that represents women experiencing queer intimacy as the historical subjects of Korea’s social movement.
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젠더 ‘갈등’ 시대와 문학—최은영 소설에 나타난 여성들 간의 우정과 사랑의 함의
이채원 현대문학이론학회 2022 現代文學理論硏究 Vol.- No.89
The difference in perceptions of young women and young men in Korean society is that they can not harmonize with each other. The conservative and reactionary aspects of young men have become more aggressive and their backlash has been raised, and now the politics of hatred and exclusion have begun in Korean society. In Korean modern literature, the present appearance of Korean society is reproduced in any way. The disappearance of romance between men and women in the novels of female writers who are active now is a representative aspect of it. It is friendship and love among women to form narrative in Choi Eun-young's novels that sharply shape the modern society through personal and intimate stories. This thesis analyzes That Summer, The Song from a Distance and With a Very Faint Light to examine the political meaning of women's love and friendship. Women's friendship and love extend beyond personal empathy to social empathy. Social empathy should be based on a contextual understanding of discrimination and hatred, so it can be said that it is the most intellectual and ethical sensitivity at this point. That summer shaped the shape of love by the retrospective description. Although the link of violence in which the violence of 'male' is learned is accused between men, the love among women does not be eroded by the violence of 'male' but pushes it away. In this novel, the hierarchy and power relationships between women are carefully captured, and the affect of love makes their relationship equal. Above all, the ethics they aim for in their relationship are linked to the 'feminine' characteristics and they are honest about the wounds they have given to their opponents. The fact that the female characters who practice the ethics of care are at the center of the narrative and focused on the shape and structure of 'emotion' shows the political position of That summer. The song from a distant place is similar to the flashback of the movie, giving the effect of experiencing the past events presently, and at the same time, giving insight into the meaning of past events through retrospective descriptions. When she was a freshman in college, Soeun had to deny her existence by her seniors who were encroached on 'maleness' while shouting 'freedom' and 'equality'. The relationship with Mijin, who protested against the violence of identity and supported Soeun, suggests the political meaning of women's friendship. This is extended to sisterhood, which embraces Yulya, a foreign woman whose existence was disastrously denied by her father, a patriarch. Women’s friendship and love affirm themselves through their affection for their opponents, which builds up growth narratives, which are distinguished from male growth narratives that use women’s suffering as a passing agent. In With a Very Faint Light, the thought for the 'Yongsan disaster' is placed in the relationship between the two women, which goes to the reflection on the ethics of writing. The young female instructor makes clear the perception that all individuals are involved in any way in what happens in this society. This is not an individual who exists as a sole person but a perception of an individual who exists in a social relationship. Furthermore, it preaches the relationship and sociality implied by writing. Just as the teacher lifted the lamp in front of Heewon, Heewon will also play a role of holding the lamp in front of someone and someone will remember Heewon. At this point in time when the erased and disappeared women are restored and visited the genealogy, the relationship between a teacher and a student, a senior and a junior is more meaningful because it is a relationship between women. There is no man in the place of significant others in both That Summer, The Song from a Distance and With a Very Faint Light. In other novels of Choi Eun-young, men also have the spaces of significant others. Men who were invited to the narrative of women's love were victims of ...
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