http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : JONG HEON KIM(金鍾憲) (검색결과 239 건)
- 무료
- 기관 내 무료
- 유료
-
해방기 박영종의 동요·동시 작법론 연구 ―박영종의 동요집과 평론을 중심으로―
김종헌 ( Kim Jong-heon ) 고려대학교 민족문화연구원 2023 민족문화연구 Vol.98 No.-
The purpose of this article is to examine Park Young-jong's view of children’s songs by comparing them with his collections of children's songs and commentary published during the liberation period. As a result of checking his works published in Park Young-jong’s children’s poem (박영종 동시집), Green Byul (초록별), and Anthology of Modern Children’s Song (현대 동요선) published during the liberation period. And his commentary and articles published in various magazines showed that he agonized over the rhythm of creative children’s songs, which deviated from the stereotype of folk songs. It emphasized ‘natural rhythm’ while denying the forced number of characters. Another material that can examine Park Young-jong’s children’s song view was his children’s song and poem commentary after liberation. In these reviews, Park Young-jong showed a similar view of children’s songs. The point is that the children’s song is an extension of a song sung by children, and therefore the language used in the children’s song should revive the rhythmic rhythm. In other words, children’s songs were viewed as a media function that simply conveys the artist’s emotions. Came to a limit in children’s poem revealing the emotions of an individual, a representation of modern times, and for a while, his works revealed children’s cuteness and abstract collective emotions with play and customs as poetic objects. It was in 1949 that his view of children’s songs changed. Here, Park Young-jong distinguishes children’s songs from children’s works. In summary, Park Young-jong was a means of making fun in children’s songs and a means of revealing inner emotions in poetry. Because of his perception, he was able to create an children’s poem by crossing children’s songs and poems. Therefore, the assessment that Park Young-jong switched to free verse rhythm in 1937 should be revised.
-
1970년대 대구·경북 지역 아동문학 연구 : 〈한국아동문학가협회〉와〈대구아동문학회〉를 중심으로
김종헌(Kim, Jong-heon) 한국아동청소년문학학회 2014 아동청소년문학연구 Vol.- No.14
The purpose of this research is to study how the children’s literature in Daegu-Kyeongbuk area accepted the new discourse of〈The Association of Writer at Korea children’s Literature(The Association of Writer)〉. As commonly known, the children’s literature in 1970s developed between the polarity of conservatism and progressivism. This was triggered by the establishment of〈The Association of Writer〉led by Lee Won-soo and〈The Association of Korea children’s Literature(The Association)〉led by Kim Young-il. After establishment,〈The Association of Writer〉published the organ『Hanguk Adong munhak』the following year in september, 1972. On the other hand,〈The Association〉published『Adong munhak』as their organ. In the meantime,〈The Association of Writer〉brought up the common touch and nature of children’s Literature to the surface. Meanwhile, Kim Sung-do became the second president of〈The Society of Daegu children’s Literature〉. The society expanded because of various reasons such as join of many rising authors. Although their turf was in region, they kept on their activity enthusiastically, mutually interchanging with the central children’s literary world. This is the point of departure of this study. By understanding the tendency of the local children’s literature, it could complement a feature of the Korean children’s literature. The local children’s literary world at the time was in a state of confusion about ‘common touch’. It is an instance which shows that the discussion about ‘common touch’ and ‘ethnicity’ of the children’s literature, which was brought up by〈The Association of Writer〉, was not accepted fully even in the association itself. Thus, although most of the authors in the region were the member of the association, discussion about the ‘common touch’ of children’s literary world could not become widespread. However, it is obvious that at the beginning of 1970s, based on the coterie awareness of〈The Society of Daegu children’s Literature〉where Lee Eung-chang and Kim Seung-do were working as the symbolic capital of the region, the children’s literary world in Daegu-Kyeongbuk contributed a lot to the establishment of 〈The Association of Writer〉.
-
탈식민주의의 해체적 문화 이론: 바바와 데리다를 중심으로
김종헌(Jong-Heon Kim) 한국인문사회과학회 2004 현상과 인식 Vol.28 No.1ㆍ2
Bhabha explores a colonial condition in terms of stereotype, mimicry, and hybridity, focusing on the notion of ambivalence. Although he focuses on the various aspects of postmodernism, his whole theory can be converged into Derrida's diff'erance. Thus, the author analyzes the key concepts of Bhabha' s postcolonialism within the framework of Derrida's diff'erance. Yet, it is strongly doubted whether Bhabha's refurbished notion of diff'erance serves as an alternative for the current postcolonialists cultural discourses. Bhabha finds resistance and compromise from the space of interstices, the beyond, post, bridge, namely, the third space that is equivalent to Derrida's blank or wrinkle. Bhabha demonstrates in terms of stereotype and mimicry that we cannot explain the colonial condition by means of one-sided relationship of control and obedience. It is because the stereotype of a colonial discourse refuses any finite boundaries within 'diff'erance of play', and bears an ambivalence. It is also because the mimicry gives the ruled only partial identification and ends up with a project of resistance. Furthermore, Bahaba argues that the hybridity becomes more aggressive as it takes the form of metonymical representation as mimicry does. But it is rather to be pointed out that Bahaba's attempt possibly nullifies the whole ground of resistance itself due to the ambiguity of the truth judgment in Derrida's diff'erance which goes beyond the very notion of truth. These theoretical limitations lead to a negative description of Bhabha's cultural theory as a conspiratorial postcolonialism. Nevertheless, it is to be suggested that it is worth while to note that Bhabha explores a new way of postcolonialists cultural reading through contingency and indeterminacy.<br/>
-
한국공연관광산업의 지속가능한 발전방안 연구: 중국을 중심으로
김종헌 ( Kim Jong-heon ),조남규 ( Cho Nam-gyu ) (사)한국마이스관광학회 2017 MICE관광연구 Vol.17 No.3
This study aims to study the mid - to long - term development plan for the emergency response for the overcoming of Han Han Roung and the establishment of the healthy ecosystem after the Han Han Roung. As a research method, we analyzed the major issues and problems of Korean performance tour through the present status of foreign tourists by nationality and travel type from 2011 to 2016. We also conducted in-depth interviews with experts in quantitative research. SWOT analysis was conducted based on literature references and interviews. As a result, emergency response and mid- to long-term development plans were suggested. Strategic countermeasures include employment stabilization, replacement market development, stimulating FIT, and strengthening the domestic market. In this paper, although Han Han Roung has caused enormous damage to the performance tourism industry, it has provided an opportunity for the search for change as shown in the study results, and it is an opportunity to improve the constitution of the performance tourism industry.
-
-
-
-
-
-
KCI
KISS연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
