http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
허지혜,천득염,Her, Jihye,Cheon, Deuk Youm 한국건축역사학회 2015 건축역사연구 Vol.24 No.6
As Sri Lanka Stupa had been affected by Indian stupa directly, understanding Sri Lanka Stupa is important to know about the flow of Buddhist Art History, which is showing the variation of Initial Buddhist stupa. Due to invasions and disasters, all Sri Lanka's Stupa collapsed and became random mound. After restoration works, Stupa shape changed dramatically from the Initial shape to Existing shape. Since it is hard to find out how Initial stupas were like, Sanchi Stupa needed to be an example for the comparative study as an Initial shape. Sri Lanka Stupa have Square foundation and 3 Basal rings that are supporting the Main Dome. Entrances are on all 4 sides, Railing and Torana(gate) has never found in Sri Lanka stupa. Sri Lanka stupa has been classified with the shape of Dome into 6~8 types according to "Vijayanta Potha", the Ancient Buddhist Description, and described by several researchers confusingly. With the inconvenience of using unfamiliar words and irrational gap between the Initial Sri Lanka stupa and Existing Sri Lanka stupa, proposing new classification of Sri Lanka Stupa is necessary. Existing Sri Lanka Stupa can be classified into 4 types : which is (1)Bell type, (2)Pot type, (3)Mound type, (4)Bubble type. This suggestion is for further studies to use Easier and shorter words to describe the types and make it reasonable to use, since the current classification includes 3 stupa types even there is no case for any of them. Restrict Stupa Classifications within existing Sri Lanka Stupa is needed because the current classification had been continued for hundreds of years without any adjustments. Bell type is mainly located in Anuradhapura. Pot type and Mound type is only found in limited area, and Bubble type is located in most area of Sri Lanka.
허지혜(Her, Jihye),유우상(Yoo, Uoo-Sang) 한국주거학회 2016 한국주거학회 학술대회논문집 Vol.2016 No.4
Korean traditional architecture studies have mostly been focused on the sight from outside such as layout of buildings and formal elements of elevation. Consequently, studies regarding residents’ sense of space within residential compound and the sight from the inside to the other building were rare. This study, therefore, aims at seeking for the hierarchical structure according to residents’ gender and status and finding the social and spatial meaning in Korean traditional residence. This study attempts to relate the physical elements to the relatively abstract and subjective “Landscape Interaction” through examinations of sight direction and range within Korean traditional house compound. This study looks into two renowned Korean tradition residences; Chunghyodang in Hahoe and the Head House of Kim Clan in Eusung.