신경림 시의 궤적과 내면의식 탐구 : 시의 '등가성 원리'와 결부하여

한강희 현대문학이론학회 2005 現代文學理論硏究 Vol.0 No.24

One of the characteristics of Shin Gyoung-rim’s poems that most critics have agreed on is that they consistently stick to certain poetic themes in the rapidly changing situations of life and reality. It means that his poems are fundamentally rooted in traditional lyric poems which are based upon emotional uniformity toward things and objects. His poems reflect poor and alienated life of farmers in the lowest class, forced away from the center of the society without any prospect for future, and their frustration, loneliness, shame, anxiety, oppression, anger, pain, sorrow, despair, moaning and screaming. He has gained critical acclaim for fighting against Western modernism, once the mainstream of the age, for describing the problems of alienated farmers and farming villages which have inevitably exposed to industrial society, and for restoring the very identity of people's life hidden behind the political ideology of a divided nation. Especially, from the viewpoint of the acute angle, his journal of journey for Korean folk songs explores the point at which agricultural society switches over to modern industrial one, at which culture of lower class emerges against that of ruling class and opens a new field in an experimental form of poetry. That is, the evaluation of his poems is that they distinguishedly and consistently maintains Korean folk motif in lyric poems in traditional folk songs' style. The aesthetics of his poems and origin of the power in them is that sincere and honest attitude toward life is continuously prevalent and poetized. It can be inferred that it is the result of the poet's strict search in his inner world and his modesty in life. His poems address detailed particles in the low current of damaged miserable modern life, suffering pain and poverty, and present hope for life. The interest he encountered with in the initial stage of his poetic journey is from conceptual exploration of self, but in the later stage it transforms despair and hatred into experimental forms after watching corrupt reality of the society. It can be said that his recording and exploitation of folk songs in the form of journey journal, which are considered traditional and popular, are transcending values of traditional genres given that they are experimental re-discovery of the ethnic style.

[선교적 교회의 이해와 실천 04] 국내에서 시도되는 선교적 교회의 실천과 모델들

한강희 대한기독교서회 2022 基督敎 思想 Vol.757 No.-

[선교적 교회의 이해와 실천 03] 선교적 교회 운동의 이론적 건축가들

한강희 대한기독교서회 2021 基督敎 思想 Vol.756 No.-

[선교적 교회의 이해와 실천 02] 현대 교회 운동의 패러다임 전환: 교회성장에서 선교적 교회까지

한강희 대한기독교서회 2021 基督敎 思想 Vol.755 No.-

한국기독교장로회의 국제협력관계에 있어서「파트너십 선교」 개념 설정과 실천적 전망

한강희 한신대학교 한신신학연구소 2017 신학연구 Vol.54 No.2

This research aims to elucidate the concept of “partnership in mission” andto examine its practical possibilities in the PROK’s practice of international cooperation. So far the PROK’s connection with global Christian partners has inprinciple adopted “Missio Dei” as its missiological foundation, “JPIC” as realmsof ecumenical cooperation, and “partnership in mission” as a methodologicalframework. However, what the “partnership in mission” implies in its characteristicsand how it applies to mission policies and strategies in relations to thepartner churches and ecumenical bodies has been ignored. Although the PROKformally advocates for this ideal, there have often been contradictory and unidirectionalprocesses of international aid and humanitarian-paternalistic supportwithout mutual arrangements between PROK and its partners. These practicesthat hinder the nature of partnership need to be reconsidered and reoriented towards“mature partnership” through a conceptual investigation of the ideal ofpartnership that the PROK has sought to live out. This paper discusses diversenotions of partnership articulated by PROK’s global partners such as WCC,UCC Canada, and UCCP the Philippines, and links them to discussions of PROK’s own notion of partnership. It proposes several definitions to articulatePROK’s understanding of partnership, laying the groundwork for further studieson diversification and systematization of international cooperation.

[선교적 교회의 이해와 실천 05] 확장된 선교적 교회: 플랫폼 처치와 온라인 목회

한강희 대한기독교서회 2022 基督敎 思想 Vol.758 No.-

[제34회 니와노 평화상 수상자 소개] 무닙 유난, 중동 평화의 증언자

한강희 대한기독교서회 2017 基督敎 思想 Vol.707 No.-

애국계몽기 문인 지식인의 동향과 서사문학의 양상

한강희 전남도립대학교 2004 전남도립대학교 논문집 Vol.6 No.-

Short-style Narrative in a Newspaper during Aekugkyemong Period(1905-1910) had following characteristics in its form and content. It seemed that there were two factors in the formation of Short-style Narrative. Indirect one was the influence of preceding Narrative-mode and direct one was the effect originated from the relation between the Socia1 circumstances, the spirit of the times and journalism. It gave priority to the thematic aspect over the aesthetic side because it, according to circumstances under which the main function of literature was basically social, resulted from self-reflection on the confronting realities. The theme aimed at civilization, anti -feudalism, anti - Japanese imperialism and Soverign independence. Short-style Narrative, Content had the precedence of form. And in formal respect, the trait of using the high-colored didacticism appeared, that is its concentration is not on story itself but on discourse. It was short-lived because of two factors one factor indwelling in novel itself was inadequate formal structure by which current affairs were handled with too much high-colored didacticism. Another one extrinsic to nove1 was increased oppression of Japanese imperialism. Short-style Narrative that turned up during the experimental period of novel depicted the social circumstances of those days dynamically, which was different in character with some works of New Novels that were commercial and pro-Japanese. In this respect, Short-style Narrative can be evaluated as the beginning of National literature.

결곡한 삶과 단아한 시형에 담긴 그리움의 세계

한강희 전남도립대학교 2007 전남도립대학교 논문집 Vol.9 No.-

This paper is willing to study on the poetics relationship among park, si-gyo’s poetic accomodations & assimilations. Based on the previous researches, this study concentrates on the development of scales to measure the attraction attributes of the poetics resources and an poetics contents, meditation, methodology. Also it was undertaken to analyze the effects on the attraction attributes and the imagination of the poetic resources for getting the best life and poet. In this paper, research problems are raised as fallow. To analyze the conceptualization of the attraction attributes and the interpretation of the poetic resources and how to be developed the imagery & allegory. To identify the effects on the announcing of the poet resources and the discourse. Park’s poem show sighs and tears towards the declining rural communities. They depicts the reality of rural communities that had to be alienated while the contradiction of industrialization became deepened socially which gets ruined due to a civilization ideology

1960년대 문학운동의 새로운 모색과 비평 논쟁의 한계

한강희 전남도립대학교 2005 전남도립대학교 논문집 Vol.7 No.-

The early and mid 1960s were a period of transition. One the one hand, the traditional theories and theories of people’s literature prevalent in the 1950s extended into this time frame. On the other hand there were attempts, in the midst of this trend, to renovate critical thinking. In contrast, after mid-decade there emerged a definite ideological difference in critical structure between the previous generation and the 4.19 generation. In other words, while for the April 19 wave generational and participatory theories became immanent, the superstructure composed of both literature and the arts itself began to show sign of recovering its identity. The generational and participatory theories offered by the new generation of critics were not questions of a choice between human effort, conceived on the strategic level, but were rather natural, voluntary phenomena. This is proof that these two literary theories were closely linked to the awakening in conscious that the April 19 revolution engendered. These two theories signaled the transformation of the direction of 1960s criticism and of a previously unseen revitalization of theory and critical consciousness.