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신은진 ( Eun Jin Shin ),최현숙 ( Hyon Sook Choi ) 한국패션디자인학회 2014 한국패션디자인학회지 Vol.14 No.1
As we enter the modern age, black has come to be highlighted as a fashion color that has a sophisticated image in terms of color image. As the color black is widely used in various genres of modern culture, a thorough inquiry into this color has become indispensable to the understanding of modern fashion. This study inquires into the characteristics and image of the color black, and extracted six main themes from positive images in modern black fashion. Thus, the purpose of this study is to present examples of integration between design theory and practice. The methodology of this study is inquiry into the definition of the color black, its characteristics, and image in terms of color tone through literature review. Research on vicissitudes within black fashion throughout fashion history covers from antiquity to the 20th century. The positive images black fashion has in women`s fashion of late should be noted, and six significant image types have been extracted; powerful femininity, symbolization of affluence, glamour, professionalism, sophistication, and popularity. Three items for each of these six themes were designed and manufactured. The positive images black fashion has in women`s fashion of late should be noted, and six significant image types have been extracted; powerful femininity, symbolization of affluence, glamour, professionalism, sophistication, and popularity. Three items for each of these six themes were designed and manufactured in accordance with current trends.
최현숙 한국의류학회 1993 한국의류학회지 Vol.17 No.1
The Russian revolution and the successive "art into production" atmosphere provided a unique model of a strict inter-relation between social process and innovative process in the taste. Influenced by CUBISM, RAYONISM and SUPREMATISM emerged in Russia around the time of Russian revolution and gave way to CONSTRUCTIVISM, based on Tatlin's theory, which played a vital role to combine art with social committment. One of the first question to be established after the revolution was the function of art within the new society. First, it should be propagandistic and empahsise the benefit of the new state. Secondly, art could take on an affirmatory role putting foward ideal views of the society as example to be disscussed and followed. Thirdly, the Constructivists' view, "Death to Art" was their slogan. Their view was that the artists' work in the new society was to be based on the material value and beauty in fuction as this alone could be consistent with the aesthetics of Marx and Lenin. It sould be pointed out that among the various applied arts, textiles and clothing design were considered one of the most important role in propaganda and in support of the new socialst ideas. Traditionl handicrafts provided a repository of popular images and folk art continued to assert an influence on the textiles and clothing design after the revolution. Constructivists, such as Stepanova and Popova, went to the factory as direct answer to the invitation for the art-industry rapport. Thematic or propagandistic designs were directly connected to the daily life and national transformation.
스커어트 製作을 위한 原型硏究 : 18세∼24세 女性을 중심으로
林元子,崔賢淑 한국의류학회 1981 한국의류학회지 Vol.5 No.2
The purpose of this study was to develop a skirt pattern drafting method for korean women between the ages of 18∼24 on the basis of their physical charcteristics which differs from those of other races in its size and figure. The study procedures and results were as follows; 1. Ten types of conventional skirt patterns were collected and compared to determine the essential measuring items for skirt construction, and to discover what problems are involved. 2. Fourteen items of KIST measurement data were analysed for correlation coefficients, to establish representative items and independent ones. 3. Front waist length and back waist length were additionally measured for supplementary data. 4. A new skirt drafting method was developed based on the rusults of the pattern comparison and the data analysis. 5. A sensory evaluation was applied to evaluate the new method comparing it with the most widely accepted conventional pattern. An original rating scale was developed for the evaluation and an expert panel consisting of five members judged each shell from 12 subjects by random selection. According to a statistical analysis of the result of the 17 items on the rating scale, 14 items showed significant differences (a≤O.01 or a≤0.05) between the two, with the new pattern having better fit. The new pattern drafting method proved to be superior to the conventional one especially in the fitness at the back hip, dart length, side seam balance, and the ease for daily activities,