한국 실험영화 장르형성 및 존재방식 연구

최종한(Choi, Jong-Han) 한국영화학회 2018 영화연구 Vol.0 No.78

본 연구는 한국에서 실험영화 장르가 어떻게 시작되었고 그 장르 존재방식은 무엇인가라는 화두에서 시작한다. 그 중 관련 선행연구들이 공통적으로 한국 실험영화의 시작이라고 주장하는 1960년대에 초점을 맞춘다. 유현목과 김구림의 실험영화로 대표되는 1960년대는 한국 영화의 르네상스기라고 칭해질 만큼 질적, 양적으로 영화적 성장이 폭발하던 시기였다. 이 시기 실험적 영화 작업을 수행하던 작가들은 누구였으며 또 그 실험의 유형은 어떠했는지 그리고 이러한 작업들은 서구 실험영화 장르이론으로 어떻게 호명될 수 있는지를 규명해보고자 한다. 곧, 당대 실험적 영상 작업들의 진행 모습을 살펴 궁극적으로 한국 실험영화 장르 태동의 모습을 형상화하려는 노력이다. 주 연구문제는 1960년대 한국 실험영화 지형도 그리기로 압축된다. 구체적으로 유현목, 김구림, 하길종 등 당시 실험성 짙은 영화를 발표했던 작가들의 실험 궤적을 따라가 본다. 이들이 당시 실험영화라는 장르개념을 인지하고 있었는지 그렇다면 그 경로와 전파는 어떠했는지 그리고 어떤 실험을 했는지 등을 탐색한다. 동시에 위 작가들 외에 1960년대 잊혀진 다른 실험적 영화 작업은 없었는지 발굴해 본다. 결과적으로 1960년대 한국실험영화는 그 작업의 수가 많지 않고 국내와 해외 등 창작 거점이 다양했다. 아울러 어느 한 배경의 작가 층에 의해 주도된 것이 아닌 순수 예술인과 전문 영화인 그리고 영화전공 학생들과 영상업계 종사자들에 의해 다양한 모습으로 주도, 진행되었다. 이러한 창작 주체의 상이성에도 불구하고 한 가지 공통점으로 부인할 수 없는 점은 본 논문에서 언급된 모든 작업들이 지금 우리의 시선으로 보아도 매우 현대적이고 실험적이며 전위적이라는 것이다. This study starts with the questions of how the genre of experimental films started in Korea and how it has existed. Among them, this research mainly focus on the 1960s, the beginning of Korean experimental films, which is commonly claimed by related prior studies. During the 1960s, represented by experimental films of Yoo Hyun-Mok and Kim Gu-Rim, there was explosive film growth, both in quality and quantity and that period is called by the renaissance of Korean cinema. Through this research, I want to identify which artists were active in the experimental genre and what types of experiments they were and how these works can be classified by the western experimental film genre theories. In other words, the work is trying to refine the Korean experimental films’ beginning by studying how the genre of experimental film works of that time had proceeded. The main thesis narrows down to how the topographical map of the Korea’s experimental films looked like in the 1960s. In particular, this research will follow the experimental traces of the artists who released the experimental films, like Yoo Hyun-Mok, Kim Gu-Rim, and Ha Gil-Jong. It will look into whether these artists were aware of the concept of experimental film genre at that time; if so, in what ways the genre was spreaded and what kinds of experiments they conducted. At the same time, it will discover whether there are any other forgotten experimental film artists in the 1960s than those mentioned above. In a nutshell, there were not many Korean experimental film works in 1960s and its creative bases (e.g., Korea and abroad) vary. In addition, it was not led by a group of people with a certain background, but by a variety of people, such as fine artists, professional filmmakers, film majors and film industry workers. Despite the heterogeneity, one thing in common that is undeniable is that all the work mentioned in this paper is very modern, experimental, and radical even from our perspective now.

TV 대출광고의 합리적 규제방안 연구

최종한(Jong-Han Choi) 한국엔터테인먼트산업학회 2015 한국엔터테인먼트산업학회논문지 Vol.9 No.4

Currently the two parties on TV loan advertisements are in a fierce standoff. While there is great skepticism that TV loan advertisements are like indiscriminate pollution, the others assert that it serves as a guide for preventing those who are excluded from the 1st tier banks from getting an illegal private loan. TV loan advertisements act as a counterbalance between illegality and legality. Although it is advertised on TV, in fact many people tend to think that loan businesses are illegal due to confusion between usury/illegal loan shark and legal money lender. It is TV loan advertisements which play important roles in providing proper information while correcting the confusion. There should be a clear-cut line between illegality and legality through TV loan advertisements and it is necessary to establish a virtuous cycle which educates both consumers and lenders in order to build up the advanced loan management system.

자동차운반선(PCTC)의 구조안정성 평가 1 : 횡강도 해석

최종일(Choi Jong-il),김창욱(Kim Chang-wook),연규진(Yeon Kyu-jin),최양호(Choi Yang-ho),한준영(Han Jun-young) 대한조선학회 2011 대한조선학회 학술대회자료집 Vol.2011 No.6

The Pure Car and Truck Carrier(PCTC) is a ship for transportation of high roof type or heavy vehicles such as recreation vehicles, trucks, trailer, buses and buldozers. The loading and unloading of cargo units is carried out by Roll-on/Roll-off through the stern ramp(or side ramp). Liftable car decks are arranged between some deck levels for the purpose of flexible loading of different height of vehicles on or below the deck. Because of the reason of loading the various kind of vehicles, PCTC has become more popular than the PCC in recent years. PCTC has the structural features of the sufficient longitudinal strength and insufficient transverse racking strength due to limited number of transverse bulkhead. Following analyses have been performed in this study to confirm the structural adequacy of main structural members for 6,500 Unit Roll-On Roll-Off Car Carrier. · transverse strength analysis based on standard rule loading · entire ship structural analysis based on dynamic load analysis · spectral fatigue analysis In this first paper, the results of transverse strength analysis is reported. In the second paper, the results of entire ship structural analysis and spectral fatigue analysis will be reported.

DC 모터 속도제어를 위한 퍼지 알고리즘 설계

최종수(Jong-Soo Choi),김성중(Sung-Joong Kim),최한수(Han-Soo Choi) 제어로봇시스템학회 1991 제어로봇시스템학회 국내학술대회 논문집 Vol.1 No.1

HRSG 성능 분석을 통한 발전효율 최적화 방안 연구

최종문(Jong Moon Choi),김원석(Won Seok Kim),차동훈(Dong Hun Cha),진우성(Woo Sung Jin),강성한(Sung Han Kang),임종문(Jong Moon Lim),이동일(Dong Il Lee),유장혁(Chang Hyuk You) 대한기계학회 2011 대한기계학회 춘추학술대회 Vol.2011 No.6

With the thousands of Heat Recovery Steam Generators(HRSGs) delivered worldwide over the last decade or so, it is operating the peak load on daily start-stop, weakly start-stop, taking advantage of various startup-shutdown types such as Cold ambient start, Cold start, Warm start, Hot start. But, these operating process bring on thermal deformation caused by heat transfer efficiency decrease, high temperature exhausted gas leakage, fatigue damage, etc. So, through this study, we tried to offer the preventive measure toward performance deterioration by such sectional heat duty calculation, structural observation, performance valuation of HRSGs in operation, and contribute to life extension for existing facilities.

A view point for understanding Korean Experimental Film

Choi, Jong Han(최종한) 청운대학교 방송예술연구소 2017 미디어와 공연예술연구 Vol.12 No.3

1960년대부터 유현목, 김구림 등에 의해 본격적으로 시작됐다고 말해지는 한국 실험영화는 그 저변을 확장하며 명맥을 이어오고 있으나 관련 연구는 많이 부족한 편이다. 현재까지도 한국 실험영화란 과연 무엇인가 그리고 무슨 실험을 해오고 있는가에 대한 명확한 답을 제시하는 연구는 찾기 어렵다. 특히 그 장르의 초기 형성 과정, 과거 한국 여러 예술장르와의 연관성, 빛과 관람 방식 등에 관한 제도와 장치 변천상 그리고 예술적 존재방식에 대한 연구는 극히 부분적으로만 수행되었다. 실험이라는 대단히 추상적인 표현 속에 한국 실험영화는 모호하게 정의 또는 정의 회피되었으며 비주류, 비상업 영화적 특성으로 인해 1000만 관객시대에 걸맞지 않게 한국에서 그 연구와 창작이 외면 받아왔다. 이러한 시점에 본 연구는 한국 실험영화 장르를 이해하고 연구하기 위한 기저가 될 수 있는 관점(Viewpoint)을 질적연구를 통해 탐색해보고자 한다. 실험영화란 과연 무엇이며 여타 장르의 영화들과 어떻게 구별될 수 있는지 또한 어떠한 경로로 누구에 의해 시작되었으며, 그 형성 배경과 과정, 시간 실험의 유형과 여타 장르와의 협력관계 등에 대한 개괄적 고찰을 통해 한국 실험영화 장르를 영화연구 영역의 명확한 자리에 위치시키고, 그 고유한 실험적 원형을 규명해보고자 한다. The Korean experimental film, which is said to have begun in earnest by Yu Hyun-Mok and Kim Ku-Rim since the 1960 s, has been expanding its base, but the research is still lacking. Until now, it is hard to find a research that suggests a clear answer about what Korean experimental films are and what experiments they are doing. Particularly, the research on the system of the early formation of the Korean experimental film genre, the relation with the past Korean art genres, the system of the light screening and the way of viewing, In the highly abstract expression of experimentation, the Korean experimental film was obscurely defined or avoided by definition, and due to its non-mainstream and non-commercial cinematic characteristics, its research and creation have been ignored in Korea, At this point, this study seeks to explore the viewpoints that can be used as basis for understanding and studying Korean experimental film genres. Experimental film is what it is and how it can be distinguished from other film genres. It also gives an overview of who started by what path, the background of the process, the type of time experiment and cooperation with other genres. I would like to place the Korean experimental movie genre in a clear place in the film research area and to identify its original experimental prototype.

이축압출기를 이용한 고함량 복합화약 모사체 제조

최종한(Jong Han Choi),송재한(Jaehan Song),김영대(Youngdae Kim),한상근(Sangkeun Han),심정섭(Jeong Seob Shim),이근득(Keun Deuk Lee),이상묵(Sangmook Lee),이재욱(Jae Wook Lee) 한국추진공학회 2015 한국추진공학회 학술대회논문집 Vol.2015 No.11

이축압출기를 이용한 연속 공정은 기존의 회분식 공정과 비교하였을 때, 안전성, 분산성 그리고 응용성 등 여러 가지 이점을 갖는다. 고함량의 복합화약 모사체를 제조하기 위해서는 충전되는 입자의 특성과 조성이 매우 중요한 역할을 한다. 입자 크기와 구성 비율에 따른 실험을 진행하여 적합한 입자 크기의 비와 비율을 선정하였다. 또한 이축 압출 공정에서 온도, 스크루속도, 스크루배열 등 여러 공정 변수에 대한 결과들을 비교함으로써 각 변수들이 압출 공정과 어떠한 상관관계를 갖는가에 대한 연구도 수행하였다. 더불어 바인더 가소화 효과가 나타나는 초임계유체를 압출 공정에 도입한 실험도 진행하였다. The twin-screw extrusion processing had some advantages such as safety, dispersion and application as compared batch type process. The properties of filled materials had important role in manufacturing highly filled energetic material simulant. Therefore, we have studied effect of particle size and composition then adopted those ratio to feed in process. The processing parameter, temperature, screw speed and screw configuration etc. were also influenced in extrusion process so, we carried out experiments to realize those relation between processing parameter and extrusion behavior. In addition to the supercritical fluid as use plasticizer in polymer in specific condition was applied to this process to develop highly-filled extrusion process.

안동국제탈춤페스티벌 성장전략 연구

최종한(Jong-Han Choi) 한국엔터테인먼트산업학회 2016 한국엔터테인먼트산업학회논문지 Vol.10 No.6

The Andong International Mask Dance Festival, which was established in 1997, celebrated its 20th anniversary this year. The festival marked a new era for sustainable growth as it was selected as the Republic of Korea global development Festival (2015, Ministry of Culture, Sports and Tourism). In this study, at this critical moment, this research proposes a qualitative growth strategy for the performance sector of the Andong International Mask Dance Festival through problems uncovered in all that time and solutions discussed based on the performance evaluation of the past three years on performance sector, which is the center of the festival. It is because performance of high quality and comfortable viewing environment are more important elements of success than anything else at the 10-day festival featuring the opening ceremony and 290-performance on eight stages including Andong Hahoe Byeolsingut. This research identified keys for success subdividing the performance sector into 5 categories named Andong, International, Mask Dance, Festivals, and 2016 after reviewing the various earlier studies on the Andong International Mask Dance Festival and evaluating and analyzing the performance sector during its visit to the festival for the past three years.

몰입과 수행의 변주 : 실감콘텐츠 연구의 이슈들

최종한 ( Jong-han Choi ) 한국영화교육학회 2024 영화교육연구 Vol.18 No.3

This research aims to explore the possibilities and directions of feeling contents, and various research issues derived from the unique viewing behavior of feeling contents, focusing on the theory of performance study. In other words, it is a trying to look at the issues of viewing behavior of contemporary feeling contents, which are tightening the boundaries between reality and virtual, truth and fiction, and immersion and performance, as well as issues in terms of performance, cognition, technology, and education. Specifically, when feeling contents, which are said to have excellent realism and enthusiasm in terms of audience research, are conducted with the performance of immersion (dynamic appreciation), what difference and what kind of appreciation is different from classical viewing (static appreciation), and how to accommodate feeling contents in abundance, etc. Through this, it aims to analyze feeling contents through performance theory and establish future research problems of feeling contents in advance.

입체영상기술의 활용과 변주를 통한 실험영화미학의 확장 가능성 고찰

최종한 ( Jong Han Choi ) 한양대학교 현대영화연구소 2012 현대영화연구 Vol.8 No.2

The age when artistic imagination for new image contents led to the development of image technology has come to an end. It`s been long since technology hardware has preceded contents supply with rapid development of a stereoscopic technology symbolized as 3D TV and 3D Film. In the age of technological excellence, it is true that many artists are overwhelmed by technology and are losing ground, and due to cost limitation and absence of education, even experimental film makers who should lead the drive to learn and use stereoscopic image techniques, have difficulty in pioneering a stereoscopic image aesthetics suitable for a new tool. Besides, it is noteworthy that a stereoscopic technology, which brought on an enormous change to media environment has become a practical challenge to be reckoned with for experimental film makers. It is clear that in image aesthetic aspect, we should shed new light on S3D technology, having depth, described as what we call Z-axis, distance, and volume added to an existing 2D moving image. This is because flat moving image and movement as multiple layered time were the aesthetic base of major existing experimental films, whereas new stereoscopic visual experience represented as distance and volume is completely different from how it was before. Also, when it talks about aesthetics of stereoscopic technology in an experimental film, an increase of inevitable ghost effect in experimental film, Multiful stereoscopic viewpoint, 360 degree holographic display and the collapse of its outer edge, the expansion of traditional screen idea, and human factor, as to different cognition and perception on stereoscopic image between individuals are indispensable variable. When studying experimental film aesthetics in terms of S3D image technological development, the key element is how the newly added technological foundation will have an impact on creation and appreciation of a modern experimental film. In addition, a study on how an experimental film will be turned and undergo anomie, when it meets the elements of space art represented as depth, distance, and volume, can be preceded for esthetic design of a new S3D stereoscopic image experimental film. This study let the Experimental film makers examine the possibility of aesthetic expansion and S3D stereoscopic image as new avant-garde image resources, considering S3D stereoscopic technology as resources of new image experiment, looking into the possibility of experiment cinematic use and variation through aesthetic keyword related to S3D stereoscopic image, and identifying distinct image aesthetics between the existing 2D and S3D image.