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정성미 동학학회 2018 동학학보 Vol.0 No.49
Kim, Duk-myoung, one of maor leaders who represented the Donghak Peasant Revolution with eon, Bong-un, Kim, Kae-nam, Choi, Kyung-sun and Sohn, Hwa-ung was a Daeubu. He was a leading role of Wonpyung Assembly. He also played a maor role in Baeksan Assembly, occupation of eonu, and Wonpyung Battle after Muang prising in April. 1894. This article is a study about Kim, Duk-myoung’s family and lineage, activities, and his local base, Wonpyung region, based on historical materials, researches, and interviews. irst, Wonpyung was a maor transportation point and a place where materials and info were collected. And it was also the hometown and base for eon, Bong-un, Kim, Kae-nam, and Choi, Kyung-sun as well as Kim, Dukmyoung. Second, in Baeksan prising in 1894, the position of overall adviser, occupied by Kim, Duk-myoung seems to be a role for consulting and advising strategies and tactics for the Donghak Peasant Army. Third, Kim, Duk-myoung’s body, unlike those of the other leaders, was transferred to Wonpyung by his friends. The fact that he was the only person whose body could be transferred among the peasant leaders who were executed, could be an evidence for his ordinary human relations. ourth, the evaluation and interpretation of the records should matter. The governmental records are very fragmentary and limited but contain relatively detailed process and result of the battle in Wonpyung area. However, the whether ust 37 people were killed in the actual Wonpyung Battle can be problematic. Because the battle was made for 7 hours with firearms and there were more casualties. ifth, it is necessary to precede the analysis on the entire leaders for the study about those who participated in the Donghak Peasant Revolution in this area in future. 김덕명은 전봉준, 김개남, 최경선, 손화중과 함께 동학농민혁명을 대표하는지도자의 한 사람으로 금구지역의 대접주였다. 그는 원평집회의 주역이었고1894년 4월 무장봉기 이후 백산대회, 전주성 점령, 원평전투에서 주도적인 역할을 담당하였다. 이 논문은 사료와 연구자료, 구술을 바탕으로 김덕명의 가계와 활동, 그리고 그의 지역적 기반이었던 원평지역의 동학농민혁명 활동 전반에 관한 검토 내용이다. 요약 정리하면 다음과 같다. 첫째, 원평은 교통의 요지이자 물산과 정보가 모이는 곳으로 김덕명을 비롯하여 전봉준, 김개남, 최경선 등의 지역적 연고지이자 기반이었다. 둘째, 1894 년 백산대회 때 김덕명이 은 총참모라는 직책은 동학농민군의 전략과 전술을 자문하는 역할이었을 것으로 이해된다. 세째, 김덕명은 서울에서 처형된다른 지도자들과는 달리 그의 시신은 친구들에 의하여 원평으로 옮겨졌다. 처형된 농민지도자 중 유일하게 시신이 옮겨졌다는 사실 하나만으로 평소 인간 관계나 경제적 기반을 볼 수 있다. 넷째, 기록의 평가와 해석문제이다. 정부기록은 매우 단편적이며 제한적이지만 원평지역에서 일어난 전투과정과 결과를 비교적 소상하게 기록하고 있다. 그러나 실제 원평전투에서 37명만 희생되었는가하는 문제이다. 총포가 대동된 7시간 동안의 전투라는 점에서 더 많은 희생자가 있었을 것이다. 향후 이 지역 동학농민지도자 연구는 참여자에 대한 분석이 선행되어야 할 것으로 보인다.
정성미 강원대학교 인문과학연구소 2017 Journal of Humanities Therapy Vol.8 No.2
The purpose of this paper is to examine the characteristics of the parent-child dialogue in the drama called <Cinderella's sister>, centering on its question-answer pairs. The communication problems between children and parents are explained through dialogue analysis in the context of the interaction between speakers and listeners. An intimate relationship between the parent and the child produces a dialogue composed of questions and their preferred corresponding answers. A conflict becomes intensified with complaints and accusations being heightened, due to the speech acts such as questions-questions, questions-dispreferred responses, and questions that do not expect answers shown in the conflict situation of the parent-child dialogue. Also, interrupted conversations occur because of no responses or dispreferred correspondences even though self-disclosure dialogues are attempted unilaterally. In the parent-child dialogue, a corresponding pair seems to have a question-preferred response on the surface but it changes into questions-no responses and questions-questions once hidden motives disappear, which accelerates a conflict.
신어의 개념적 은유 속에 나타난 부각과 은폐 : 2016년~2019년 [+사람] 신어를 중심으로
정성미 동악어문학회 2022 동악어문학 Vol.86 No.-
이 논문의 목적은 2016년~2019년 신어 중에서 [+사람] 신어 속에 포착되는 개념적 은유의 유형과 그 개념적 은유에서 부각되거나 은폐된 의미에 대해 살펴보는 데 있다. 은유는 유사성을 근거로 근원영역과 목표영역 사이에서 구성되는데 근원영역은 물리적 영역이고 목표영역은 추상적 영역이다. [+사람] 신어의 은유적 사고인 개념적 은유에서 부각되고 은폐된 의미를 분석하여 사람에 대한 이해와 사람을 바라보는 세계관을 살펴볼 수 있었다. [+사람] 신어 속 개념적 은유의 근원영역에는 벌레, 좀비, 동물, 수저, 요정, 사전, AI 등이 있었다. [+사람] 신어 속 개념적 은유는 부각과 은폐를 통해 인간을 비하하고 혐오하는 현상과 부모님의 경제력을 근거로 불평등한 계급론을 반영하고 있으며, 소비, 저금과 같은 경제활동에 대한 긍정적 시각도 보였다. The purpose of this paper is to examine the types of conceptual metaphors captured in [+human] new words among the new words from 2016 to 2019 and their meanings highlighted or concealed in their conceptual metaphors. The metaphor is composed between the source area and the target area based on similarity, and the source area is a physical area and the target area is an abstract area. The conceptual metaphor, which is a metaphorical thinking, is highlighted and concealed in the new words [+human]. By analyzing its meaning, it is possible to examine the understanding of people and the world view of people. There are insects, zombies, animals, spoons, fairies, dictionaries, and AI among the source areas of the conceptual metaphor in [+human] new words. The conceptual metaphor in [+human] new words reflects unequal class theory based on the phenomenon of disparaging and detesting humans and parents' economic power through emphasis and concealment. And the tendency to think too much of people as knowledge or information is also confirmed. It also shows a positive view of economic activities such as consumption and savings.
정성미 강원대학교 인문과학연구소 2023 Journal of Humanities Therapy Vol.14 No.1
This research aims to develop a basic framework for an integrated humanities therapy model that encourages emotional communication through reading and writing by critically reading picture books and fusing it with expressive writing techniques from an emotional communicative perspective. The reading analysis material is presented in the form of a picture book, using both images and text, making it an important resource for studying nonverbal and verbal emotional communication. The writing techniques utilized in this research include those of James Pennebaker's expressive writing and Catherine Adams' journal therapy. To achieve integration of text reading and writing, this research explores the expression of emotions, identification of their triggers, and establishment of relationships with entities expressing certain emotions by fusing textual thought-provoking questions and expressive writing. Furthermore, it investigates the active understanding of emotions and the relationship between emotions and desires according to Spinoza's philosophy.
Analysis of Communication Patterns in Multicultural Movies
정성미 인하대학교 다문화융합연구소 2022 다문화와 교육 Vol.7 No.2
This paper is a study that analyzed multicultural movies from a communicative perspective. The analysis data for this paper are from <Perm>, <Believe it or not-In the case of Chandra>. Multicultural movies feature female marriage immigrants and migrant workers who are multicultural. So, multicultural movies show the communication between Korean and their disparate cultures well. In particular, it is possible to examine communication as a response method of Koreans, focusing on multicultural people. This paper examines the aspects of Koreans' communication about heterogeneous cultures, focusing on the communication of non-verbal and verbal languages in the two films. In this paper, the aspects are summarized as the voices of marginalized multicultural people, the heterogeneity of Koreans-not listening, and the violence caused by heterogeneity. The Korean audiences who watches <A Perm> can empathize with Luong’s thinking and emotion contrary to the Koreans in the primary structure by Luong’s facial expression, and also reach the reflective thinking through the objective observation of Koreans in the film. Contrary to the Koreans in the film, the Korean audiences of <Never Ending Peace and Love> can observe the look of Koreans in Chandra’s viewpoint, listen to Chandra’s poor, but continuous and repetitive Korean expression and her auditory nonverbal language like sigh, feel frustrated in Koreans who cannot hear, but empathize with Chandra who cannot communicate. It makes us wear their shoes to experience the immigrants’ viewpoint in concrete multicultural communication situations shown in multicultural films. This is the process of communication with immigrants, and becomes a chance to understand their lives. It is also possible to have a chance for self-reflection and introspection by objectively examining objectified Koreans.