인상주의 여성작가 작품에 나타난 여성성 - 메리 카셋과 베르트 모리조를 중심으로

정금희 한국프랑스학회 2008 한국프랑스학논집 Vol.61 No.-

'한류(韓流)' 열풍의 문화산업정책적 의미

정금희,성심온 전남대학교 글로벌디아스포라연구소 2007 전남대학교 세계한상문화연구단 국제학술회의 Vol.2007 No.6

몬드리안의 조형예술 연구

정금희 全南大學校 藝術硏究所 2005 藝術論集 Vol.6 No.-

Mondrian is one of the artists whose works are closely involved in their everyday life. He strictly restricted not only the from with the vertical and horizon but also the color with achromatic colors and three primary colors through the visual expression in his works. In addition, he expressed the minimum order by using adequate proportion of lines and colors. These Mondrian’s works are able to be appreciated in the various viewpoints. This thesis is started from the problems - what is the process of his art accomplishing? and how are his art theory and everyday life related in his works? At the result of this study, Mondrian started his painting in Naturalism and researched the new painting of Impressionism. In 1908, his works were changed by the simple and strict art theory of Cubism. He developed an abstract painting more and more and theorized. At last, he constructed his own unique art world, Neo- Plasticism. Mondrian expanded his art theory in the base of Theosophy in which they researched the secret of nature showing a stand of mysticism. Mondrian’s works are understood as similarity to our traditional blankets by patch working and geometrical abstract from is able to be related with our everyday life. We can find balance in the unbalance or unbalance in the balance through the division of colors and planes in his works. This inclination can be related with constructive factor. Besides he pursued transcendental humanism, as it were, mutual sympathy of art, through the abstract painting showing the musical inclination. He made the universality and the pure of existence covered with variable virtual images which was in the base of his own life formed in the ascetical home new plastic language by using the moderated form and pure hues. I can be in contact with the root of Mondrian’s art through the systematic analysis his plastic thought and theory as well as the inclination of his works.

경막외 마취시 시험용량에 포함된 Epinephrine의 Ropivacaine 작용에 미치는 영향

정금희,박성준,손수창 대한마취과학회 2004 Korean Journal of Anesthesiology Vol.47 No.4

재불 화가 이응노 예술에서의 디아스포라 양상

정금희 유럽문화예술학회 2010 유럽문화예술학논집 Vol.1 No.1

Artist residing in France, Lee, Eungnoh is a successful artist in Europe as a Korean ,whereas he is an 따tist damaged due to the realities of his divided fatherland as well. He breathed his last in France other than his homeland and has been buried up to the present. Lee, Eungnoh brought about the harmony between the things racial and intemational with a variety of materials and techniques during an artist' s career. He created works imbued with pride as a Korean even in his long overseas life. This researcher thinks it a11 the more meaningful in that this research did a study on his art like this at a diaspora viewpoint for the first time. This research raised an issue of "On what basis can Lee, Eungnoh be called an artist having a diaspora disposition?" and "What is diaspora-based pattem of work in his art and how is the value of his art?" Lee, Eung-noh expressed his conflict with the homeland, innocent prison life, his patriotism felt during his overseas life of 30 years or so and nostalgia in the form of art, and he created works based on patriotism, emotion, and political consciousness disposition in his later years. He wasn’t satisfied with Oriental brush-strokes or singularity of Sagunja[a painting of plum, orchid, mum, bamboo symbolic of four noble men], but attempted at character abstraction suited for the sense of the times. Then, in his later years, he portrayed the appearance of the crowd through a series of ’human’ with the aim of sharing community spirit together with the people. Lee, Eung-noh ended his life in foreign land embracing his limitless love for his homeland, ardent nostalgia for his hometown and yeaming for the emotion of Korea. He managed to sublimated his nationalism into art in a position of a nationalist and intended to seek after freedom of art. He pursued free aπ by deviating from the shackles of ideology. Lee, Eung-noh reproduced his thoughts and feelings which he vaguely felt at ordinary times by sublimating them into 않t while living in a foreign country, unable to go to his homeland though his homeland undoubtedly exists. Such feelings could be called a diaspora-based idea and the paintings based on these feelings could be called diaspora art.

갈등상황 및 부부관계 인식에 따른 갈등대처방식이 결혼만족도에 미치는 영향: 결혼초기 부부를 대상으로

정금희,이혜은 한국커뮤니케이션학회 2023 커뮤니케이션학연구 Vol.31 No.2

본 연구는 갈등대처방식을 결정짓는 요인들을 탐색하고, 그에 따른 결혼만족도까지 검증하는 것을 목표로 하였다. 갈등상황 인식으로서 심각성, 해결가능성, 부부관계 인식으로서 부부친밀성, 소통의 질을 갈등대처방식의 요인으로 제시하였다. 갈등대처방식은 ‘적극적 해결’, ‘공격적 대응’ 그리고 선행 연구에서 양가적 특성이 논의되고 있는 회피전략에 주목하여 ‘갈등회피’, ‘부정적 감정회피’ 등의 차원으로 구분하였다. 설문은 결혼 한지 5 년 이내의 30 대 기혼자를 대상으로 실시하였다. 연구결과, 적극적 해결은 심각성, 해결가능성, 부부친밀감, 소통의 질과 긍정적 관계가 나타났다. 공격적 대응은 심각성과 긍정적인 관계가, 소통의 질과는 부정적인 관계가 나타났다. 갈등회피는 친밀감과 부정적인 관계가 나타났고, 부정적 감정회피는 심각성과 소통의 질과 긍정적 관계가나타났다. 적극적 해결은 결혼만족도에 긍정적 영향을, 공격적 대응은 결혼만족도에 부정적 영향을 미치는 것으로 검증되었다. 본 연구는 가장 높은 이혼율이 나타나는 결혼 초기부부의 건강한 갈등관리를 위한 대책마련에 방향을 제시하고, 이론적 자료를 제공하는 연구로서 의의를 갖는다.

러시아 사실주의 작가 일리아 레핀 예술의 혁명 이미지 분석

정금희 한국조형교육학회 2005 造形敎育 Vol.0 No.25

Artist reflects the life, ideology and faith to his works as a witness of the day. A Russian realism artist Repin showed greatness of Russian paintings with his superior ability. Repin used to choose his motif in revolution and literature. This study is about Repin's works that were expressed revolutionary upheaval. In 1840 to 1930, There were a lot of revolutionists fought to solve the social problems against absolute monarch the Char. Nevertheless, Repin was born in poor family, he became a great realism artist with his talent. He was influenced by corresponding with famous writer Tolstoi who is nobly born. Repin accepted artistic presentation and ideology of Kramskoy, Stasov, chernyshevski as his source of art. He produced a work of art to internalize spiritual world metaphorically with revolutionary theme. He also sublimated to art that represented genius of intellectuals search for liberalism and portrayed exactly their characters. After all, Repin tried to speak for inner world and social circumstance of the day through his works and express truth, respecting man's life and dignity that is for emancipation of ego.

아동간호에서 윤리적 쟁점

정금희 이화여자대학교 대학원 1993 硏究論叢 Vol.25 No.-

다다이즘의 오브제에 관한 연구

정금희 全南大學校 藝術硏究所 2003 藝術論集 Vol.5 No.-

니키 드 생 팔 예술에 나타난 페미니즘에 관한 연구

정금희 한국프랑스학회 2011 한국프랑스학논집 Vol.73 No.-

Niki de Saint Phalle est une femme artiste qui déploie au point de vue du féminisme le monde de l’imagination libre fondée sur l’amour de l’humanité. Elle a fortement critiqué une image que possède une société centrée sur les hommes et a voulu créer une image au regard des femmes, pas au regard des hommes. Cette étude est réalisée pour aborder le féminisme dans les oeuvres de Niki de Saint Phalle. Quelles sont les caractéristiques du féminisme qui sont représentées dans ses oeuvres pour cette étude ? Quelle est la racine de ses oeuvres féministes et quel est le symbole des images ? Quelle influence cette artiste donne-t-elle aux arts contemporains. L’opposition à l’image des femmes que nous regardons à un point de vue masculin est une caractéristique du féminisme chez Saint Palle. Elle a représenté symboliquement la femme comme victime de la contradiction structurale d’une socitété. Nous pouvons également voir dans ses oeuvres qu’elle a recherché la valeur des femmes et qu’elle a incarné une société où les hommes et les femmes sont égaux. Elle a classé en trois parties des images du féminisme dans ses oeuvres et ces symboles. Tout d’abord, elle a produit une série de peintures, 《Nanas》, qui signifie le mystère du corps des femmes donnant une naissance à la vie. Cette oeuvre a figuré des images féminines qui détruisaient l’image typique de la femme et a critiqué des images influencées par le monde masculin. Elle voulait aussi communiquer avec des gens par 「l’Ame」․, puis elle a préparé un espace de la réconciliation. Elle a ensuite montré que les femmes étaient victimes par le système patriarcal de la société machiste. La structure de la sociéte inégalitaire s’est améliorée et cette artiste a métaphorisé des oeuvres qui souhaitaient montrer la valeur des femmes et la liberté : 「Le cheval et la mariée」…, 「Autel des femmes」…. Enfin, elle a reflété sur ses oeuvres la féminitude des fils, des tissus, des couleurs splendides et des courbes douces : 「La force de Nana」…Cette tendance montre qu’elle a construit une originalité fondée sur l’expérience de sa propre vie. L’ étude des Arts de Saint Palle en liant le féminisme est très significative au point de vue artistique. Premièrement, nous pouvons comprendre les arts de Saint Palle et savoir qu’une femme artiste a surmonté la situation difficile et qu’ elle a créé ses propres oeuvres originales. Deuxièmement, nous pouvons saisir la diversité sur l’expression des images, l’emprunt des objets variés en analysant les Arts de Saint Phalle au point de vue du féminisme.