분야별 포스터 발표 : 의생활 분야 ; 이의현의 〈경자연행잡식〉에 수록된 복식연구

전혜숙 한국가정과학회 2004 생활문화와 LOHAS (2004년도 학술대회) Vol.- No.-

미술 속의 인터페이스 : 르네상스 이후 미술에서 스크린과 프레임 개념의 변용

전혜숙 이화여자대학교 이화인문과학원 2009 탈경계 인문학 Vol.2 No.3

The Interface is a border-face between two different systems, or is a kind of nod that machine-users inter-communicate their information. It is, as well, a surface which can provide efficient communication between two spheres. In this essay, I study the picture-planes as interfaces that artists, especially painters, have used for seeing, experiencing and representing the world. It is a two dimensional surface, that is a screen in or on which the representation is put into operation. For this purpose, I surveyed the concepts of window, mirror, and frame. In the history of art, they have been used metaphorically by artists for providing various meanings of screens. However, they are divided into two categories. The first is the function of ‘transparent window’ that is based on perspective, and the other is the function of ‘opaque surface’ that is characteristic of modern painting in the 20th century. Recently, in new media art, electronic screens and digital interfaces can function as places that make it possible for artists to show experiences of space and time concretely. Therefore, we need a kind of new aesthetic for new screen interfaces. There are points which attract our attention. The points are our body's role as the foremost media of perception and the relation of our body to new media. Our bodies as subjects of immersion have become frames that are receiving all kinds of information perceptively in digital convergence cultures. In this way, we shall be able to think about bodies as interfaces.

경제활동 성인학습자의 평생학습참여 요인 분석

전혜숙 한국성인교육학회 2009 Andragogy Today : International Journal of Adult & Vol.12 No.1

The purpose of the study is to investigate the actual conditions and affecting factors of the working adult learners' participation in adult education. Data from the ALL(Adult Literacy and Life-Skills) survey(2004) of Korea Research Institute for Vocational Education & Training were re-analysed. Data of 338 persons whom were economically active and have had experienced adult education were derived from 5,506 origin data and used for the study. According to the gender analysis, the situation of working adult learners were different by sex. Women were in poor condition than men regarding to wage, status and educational length. Both of women and men showed motives for career development rather than individual development. 38.5% of the working adult learners participated in formal learning and 13.4% of them participated in non-formal learning and 80% of them participated in informal learning in 12 months. 88.3% of formal learning participants said that the reason for participating was career development. Also, 80.4% of non-formal learning participants showed a similar response. The even factors that were related to participation were age and final educational degree. Usage of fundamental competency as paper work and number work had positive relation to educational participation. And usage of ITC skill and problem solving ability had negative relation to it. It shows that someone who are good at ITC skill participate in adult education less and someone who are poor in problem solving participate in adult education more. 본 연구의 목적은 경제활동 성인남녀의 평생학습 참여 실태 및 학습 참여에 영향을 미치는 요인들을 분석하는 것이다. 경제활동 참가 성인학습자의 사회경제적 배경, 평생학습 유형별 참가 요인 및 관련 요인들 간의 영향력, 그리고 기초능력의 사회적 활용이 평생학습 참여에 미치는 영향을 분석하기 위하여 2004년도 한국직업능력개발원에서 실시한 직업기초능력조사(ALL)의 자료를 활용하였다. 전체 5,506명의 자료 중 평생교육경험이 있으며 경제활동상태인 성인학습자 338명을 추출하여 분석대상으로 삼았다. 경제활동참가 성인학습자의 사회적 배경을 성별로 비교 분석한 결과 여성은 남성에 비해 고용지위 교육연수, 연소득이 낮았으나 학습참여 비율은 여성이 남성보다 높았다. 평생교육 참여 동기는 남성이 여성에 비해 직무관련 참여 동기가 높게 나타났다. 경제활동참가 성인의 최근 12개월 내의 평생학습 참여율을 분석한 결과 정규교육을 포함한 형식학습 참여는 38.5%로 매우 높았으며 준형식학습 참여율은 13.4%로 낮게 나타났다. 경제활동참가 성인학습자의 평생학습참여는 80% 이상이 직무/경력개발관련 교육을 목적으로 하고 있다. 경제활동참가 성인학습자의 참여에 일관되게 영향을 미치는 요인은 연령과 최종학력이었으며 그 외에는 희망하는 교육 종류 수, 사회단체 가입 수, 자원봉사참여수가 유의미한 관계가 있었다. 기초능력의 활용여부는 문서 활용도, 수 활용도에 따라 평생학습참여에 정적인 관계가 있었으며 업무에서의 정보통신기기 활용도는 평생학습참여와 부적인 관계가 있었다.

조선후기 활옷에 관한 연구

전혜숙,김숙경 동아대학교 생활과학연구소 2000 생활과학연구 논문집 Vol.8 No.-

This paper is a study on the Hwal-Ot(활옷) in the latter period of Chosun Dynasty. Wedding is the most important one in people's life. So wearer in traditional wedding ceremony has a very important symbolic meaning. Hwal-Ot(활옷) was a transformation of chinese's one, what we is called Back-Hwa-Po(百花袍), Hual-Yi(豁衣), Hal-Yi(割衣), Hong-Jang-Sam(紅長衫) resulted from the abundant flower printing. Looking Into the Hwal-Ot(활옷), We can reached to the following conclusion. The printing of Hwal-Ot(활옷) point out the family's law which sustain the society, and also reflected the viewpoint and Ideology of the late Chosun's religion. In the early establishment of Chosun Dynasty, Confucianism was considered as a national religions, through in the middle of Chosun Dynasty, society was gradually in confusion. Confucianism stressed decorums and behaviorism can not give answer society requirements. So in the people's real life, the popular religion formed of the combination of Shamanism, Taoism and Buddhism was deeply rooted. Pattern appeared in Hwal-Ot(활옷) have plant, animal, ten longevity creature and the figures of good auspices, etc. It derived from shamanistic, buddhistic and taoistic viewpoint, and also it reflect the desire of splendor, fecundity and longevity. It have the character of invoking a blessing in the world and incantation. From the Hwal-Ot(활옷) pattern we can catch the late Chosen Dynasty people's religion viewpoint.

뉴미디어 아트에서의 신체성: 촉각성을 중심으로

전혜숙 미술사학연구회 2009 美術史學報 Vol.- No.33

The new perspectives towards bodies since 1960s based on the trio of Phenomenology, Psychoanalysis, Cognitive Science, generally show the deconstruction of Cartesian mind/body dichotomy and new concept of inter-subjectivity. The body-artists in 1960s-70s used their bodies as raw materials, the sites of the inscription of cultural meaning. But the new media artists in 1990s approached to a concept of 'extended body' or 'bodies in code' which are submitted to and constituted by an unavoidable and empowering technical deterritorialization - bodies whose embodiments are realized , and can only be realized, in conjunction with technics. In this essay, I studied first, (Re)Mediated bodies through Sterlac's 'Cyborg Performance' and Paul Sermon's 'Virtual Body'. Sterlac has developed his own way that can make his body combine with technology(machine) and function in electronic world efficiently. Paul Sermon's work tells us that digital communication by virtual bodies is not disembodied, rather opens to experiences of embodied senses and tactilities. The encounter of body and technology has expressed and explored from the beginning of new media art. New media arts which have used digital technology with the context of human senses, have focused a relationship of sight and tactility. In this figuration, we can get to Merleau-Ponty's phenomenological existence, that is, primary tactility or infra-tactility comprise a kind of primitive or not yet differentiated, virtual, or potential reversibility out of which arises not simply the division of the senses, but more fundamentally, the divisions that comprise sensation per se. I examined the concept of 'Inter(sur))face' for validating of touch as a way of communication, of the phenomenological approach to the sight and tactility, and of the possible encounter with Others by skin. New media works like <Liquid View>(1993, Monika Fleisxhmann and Wolfgang Strauss) and Thecla Schiphorst's <Bodymaps: Artifacts of touch>(1996) in this essay, will be good examples for explaining concepts of sight/tactility, image/body, real/virtual, and digital technology, touch, skin-ego etc.

우리나라 靴鞋에 관한 硏究

全惠淑 東亞大學校附設基礎科學硏究所 1986 基礎科學硏究論文集 Vol.3 No.1

This study investigated about the shoes of Yi-dynasty period the collection of the shoes and the comparative study of each period on it. The so-called "LEE and HWA" had been generally used by Korean people as a shoes for a long times. This has the dual structure of "LEE" worn by the Sothern and "HWA" by the Nothern one. The ancient Koreans had been restricted in the materials, color and design of the costumes according to the social position and ranks. So had been the use of shoes. In YI-dynasty there seemed to be more various kinds of shoes in shape, materials and color than any other period. "TAESAHYE" had been worn by the men of the YANGBAN class when it was clear and "CHINSIN" made of oiled leather with nails on the bottom on the rainy days. Wooden shoes called "NAMACSIN" had been worn by both men and women on the rainy days. A kind of Black Boots made of buck skin and woven stuff "MOCKHWA" had been worn by courtiers in official case. "DANGHYE" "SOOHYE" or "WOONHYE" had worn by women of the YANGBAN class at the normal times, it had been a symbol of gorgeous and rich their being. "CHIPSIN" made of straw had been used from the MAHAN period till recent years and the farmers and common people in general had worn it all the year round.

학교 밖 청소년 진로장애와 사회적 낙인감이 스마트폰 과의존에 미치는 영향: 우울의 매개효과를 중심으로

전혜숙 한국청소년학회 2022 청소년학연구 Vol.29 No.3

This study aimed to examine the mediating effects of depression on the relationship between career barrier and social stigma, and smartphone over-dependence among out-of-school adolescents. Structural equation modeling analysis was performed with 145 out-of-school adolescents data from the 5th Out-of-school Youth Panel Survey. The results showed that the relationship between career barrier and social stigma, and smartphone over-dependence was mediated by depression among out-of-school adolescents. In addition, the social stigma had a negative effect on the smartphone over-dependence. Based on the results, clinical implications are suggested to reduce smartphone over-dependence among out-of-school adolescents with mitigating depression and decreasing career barrier and social stigma. This study presents the implications for alleviating the problem of the smartphone over-dependence, and will serve as basic data for future research to explore various influencing factors on the smartphone over-dependence considering characteristics of out-of-school adolescents. 본 연구는 학교 밖 청소년의 진로장애 및 사회적 낙인감과 스마트폰 과의존 간의 관계에서 우울의 매개효과를 살펴보아 문제 완화 및 예방을 위한 사회복지적 함의를 모색하는데 목적이 있다. 이를 위해 학업중단청소년패널데이터의 5차년도 데이터를 활용하였으며 총 145명의 자료가 최종 분석되었다. 구조방정식 분석결과, 학교 밖 청소년의 우울은 진로장애 및 사회적 낙인감과 스마트폰 과의존간의 관계를 매개하는 것으로 나타났다. 또한 사회적 낙인감은 스마트폰 과의존에 부적 영향을 미치는 것으로 확인되었다. 이러한 연구결과를 바탕으로 학교 밖 청소년의 스마트폰 과의존 문제 예방 및 완화를 위해 우울 관리, 진로장애 및 사회적 낙인감 감소를 위한 사회복지 실천적 방안을 제시하였다. 본 연구는 학교 밖 청소년의 스마트폰 과의존 문제 완화를 위한 사회복지 실천 방향을 제시하였으며 추후 스마트폰 과의존 문제와 관련하여 학교 밖 청소년의 특성을 감안한 다양한 영향요인 탐색을 위한 연구의 기초자료가 될 것이다.

기후변화 위기가 아동에게 미치는 영향과 대응방안

전혜숙,정하은,최선아 초록우산 어린이재단(구 한국복지재단) 2021 아동복지연구소 보고서 Vol.2021 No.11

인권의식이 청소년 학교생활적응에 미치는 영향: 자아존중감, 부모의 학대, 학교폭력의 조절효과를 중심으로

전혜숙 한국학교사회복지학회 2021 학교사회복지 Vol.- No.54

The purpose of this study is to examine the self-esteem, parents’ abuse, and school violence victimization, which moderate the effect of consciousness of human rights on the school adjustment among adolescents. Hierarchical regression analysis was conducted on 2,858 middle school students data from 2018 Korean Children and Youth Human Rights Survey. The results showed that consciousness of human rights had a direct effect on school adjustment. In addition, self-esteem was positively associated with school adjustment. However, parents’ abuse and school violence victimization had negative influences on school adjustment. Moreover, the moderating effect of self-esteem on the relationship between consciousness of human rights and school adjustment among adolescents was statistically significant. On the other hand, school violence victimization had a moderating effect that decreased the level of school adjustment. The results of the present study suggest clinical implications to increase school adjustment among adolescents by enhancing self-esteem and consciousness of human rights, as well as alleviating school violence victimization and parents’ abuse. 본 연구는 청소년의 인권의식이 학교생활적응에 미치는 영향을 살펴보았으며, 이때 자아존중감, 부모의 학대, 학교폭력의 조절효과를 검증하여 사회복지 함의를 모색하고자 하였다. 이를 위해 아동ㆍ청소년인권실태조사 2018년 데이터를 활용하였으며, 최종적으로 중학생 2,858명을 분석하였다. 위계적 회귀분석 실시 결과, 청소년의 인권의식은 학교생활적응에 정적 영향을 미치는 것으로 나타났다. 또한 자아존중감은 학교생활적응에 긍정적 영향을 미쳤으며 부모의 학대와 학교폭력은 학교생활적응에 부적 영향을 미치는 것으로 확인되었다. 이와 더불어 자아존중감은 인권의식과의 상호작용을 통해 학교생활적응을 증진시키는 조절효과를 보였다. 반면 학교폭력은 인권의식과의 상호작용을 통해 학교생활적응 수준을 낮추는 조절효과가 있는 것으로 나타났다. 연구결과를 바탕으로 청소년의 학교생활적응 도모를 위해 인권의식 및 자아존중감 증진, 부모의 학대와 학교폭력 감소를 위한 사회복지 실천적 함의를 제시하였다.

‘바깥미술회’와 ‘야투’ 그룹의 자연 미술에 나타난 생태주의적 특성

전혜숙 미술사학연구회 2018 美術史學報 Vol.- No.51

This paper focuses on the artworks with ecological aspects in Korean contemporary art, and aims to examine, how their interest in ecology has started and how they are different from ecological art of 314 the West. Generally, ‘ecological Art’ (Eco-Art) seeks to inform about the dangers of climate change and ecosystem through art, and sustainability of global environment, as well as referring to practical art form that attempts to improve and maintain Earth’s life-forms, resources, and the ecosystem. However, whilst the comprehensive concepts of ecological art is to reflect upon the dichotomous relationship between human and nature, and emphasize on the organic relation and symbiosis of human and nature, such ideas are already embedded in the Orient view of nature. In Korea, there are artists who have embraced the nature and ecology as it is and worked eco-friendly, even though they have not adopted ecological art. Yet, the difference is that their active expression on ecology started a bit later. Yatoo and Baggat Art are two Korean artist groups who have worked in nature since early 1980s. I would like to examine their thoughts on art, or how their works in nature developed into ecological art. Their thoughts and understandings on nature takes a crucial part in this study. That is because their understanding on ‘nature’ over 30 years have been discovered to expand into an interest in ‘ecology’. Study on the two groups’ artworks based on the features of East-Asian view on nature will provide a chance to organize the features of early Korean Ecological Art. 본 논문은 1980년대 초에 출발해 지금도 활발하게 활동 중인 두 개의 그룹 ‘바깥미술회’와 ‘야투’를 중심으로 미술에서 생태에 대한 관심이 어떻게 발현되었는지, 서구의 생태미술과 달리 어떤 특징을 가지는지 살펴보는 데 목적을 둔다. 생태미술이란 기후변화와 생태계의 위기라는 현 시대의 문제를 미술을 통해 알리거나 적극적으로 지구환경의 지속가능성을 추구하고, 더 나아가 생태계의 원리를 모든 살아있는종과 서식지에 적용함으로써 지구의 생명형태, 자원 및 생태계를 보존 및 개선하려는 실천적인 미술형식을 지칭한다. 인간과 자연의 이분법적 관계와 인간중심주의를 반성하고 인간과 자연의 유기적 연계성및 공생을 강조하는 것이 생태미술의 배경이 되는 포괄적인 주요 개념들이라면, 그것들이 이미 동아시아의 자연관에 내재해왔음은 잘 알려져 있다. 국내에는 바깥미술회나 야투와 같이 이미 자연과 생태를있는 그대로 받아들이면서 자연친화적인 작업을 해온 작가들이 존재한다. 본 연구에서는 그들의 자연에대한 생각 혹은 자연 속에서의 작업들이 어떻게 생태미술로 발전되었는지 살펴본다. 그들이 지닌 자연관의 특징과 그것에 바탕을 둔 두 그룹의 작품들에 대한 고찰은 한국생태미술의 초기 특징을 정리할 수있는 기회가 될 것이다