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마틸덴회헤 예술가 마을의 유겐트슈틸 주택 디자인에 관한 연구 - 요제프 마리아 올브리히와 페터 베렌스의 작품을 중심으로-
전남일(Jun, Nam-Il) 한국실내디자인학회 2020 한국실내디자인학회논문집 Vol.29 No.5
The purpose of this study is to figure out the characteristics and significance of the residential design that appeared in the transition period to the modern era. It investigated the architectural exhibition of Artist" Colony in the Mathildenhöhe(Matildas’ Hill) in german city Darmstadt, which is regarded as a representative case of Jugendstil in the early 20th century. It reviewed the historical development of modern architectural style beginning from Vienna Secession or Art Nouveau style and its transplantation to Jugendstil in Germany. Also, the meaning of the Jugendstil residential design, which were designed as a ‘total art’, was considered. The subjects of the case study were the ‘Grosses Glückert House’ designed by Joseph Maria Olbrich and Peter Behrens’ own house. The results of this analysis are as follows. First, there was a tendency to distinguish from historicism to modernism. Instead of the orthodox form, the formative design through the innovation of exterior was appeared. A flat decoration replaced the ornaments as well. Second, the design principle of ‘total art’ penetrated between architecture, interior, furniture and household utensils in unity with a adoption of Jugendstils’ original linear elements. Thereafter, the two case houses achieved the purpose of ‘Raumkunst’. Third, the Jugendstil design tended to escape from the early Art Nouveau features and to prefer the simple aesthetics of geometrical elements. The characteristics of Jugendstils’ residential design as above became a stepping stone for the modernism later.
전남일(Jun Nam-Il) 대한건축학회 2011 대한건축학회논문집 Vol.27 No.3
This study aims to understand the basic condition of human dwelling thru analysis of many kinds of so called 'Minimal Houses', that appeared in urban area in Seoul from the Japanese colonial period to the present. Above all its social-historical changes are researched to grasp the backgrounds of simple poor houses. A chronological follow-up about spatial arrangement of squatter settlement, shanty house, rented room etc. showed a typical layout until the 80s. It had one room and one kitchen with korean furnace nearby that also served as entrance. It may form very primitive space components of original korean 'Minima House'. Such type of layout has abruptly changed into various new types, especially into multi-story houses and much more integrated form. This means that the 'Minimal Houses' also meets the common trends of housing development of the times correspondingly. But it had time difference, in other words, trickle down phenomenon.
유럽 집합주택 디자인의 미니멀 특성으로 본 현대 주거건축의 개념변화
전남일(Jun, Nam-Il) 대한건축학회 2011 대한건축학회논문집 Vol.27 No.11
After post modern era in the 80s the architectural design presented various style. Contemporary architects offered many innovative works of housing design, especially after middle of the 90s in Europe. I regarded the Minimalism as one of the meaningful trends, which showed a symbolic phenomenon of contemporary housing compressively. This study aims to understand the characteristics of contemporary housing architecture deeply, not only external appearance, but also intrinsic attitude and its backgrounds. The research method depended on document review and theoretical consideration. Major sources are pictures and floor plans appearing in architectural magazines and references, which provided information of housing design trends after the 90s. Accordingly, the correlations between Art works and housing, viewed from minimal elements, are examined. Those could be categorized as ‘Minimalism of Form’, ‘Minimalism of Building Surface’ and ‘Minimalism of Construction’. With the case studies the significant trends have concretely interpreted. It was; simplicity of housing block form, homogeneity of facade, transformation of material and elements into a textile sense, repeatability of housing units, emptiness of internal space. Consequently, minimal housing design showed paradigm of new modernism and ‘Sachlichkeit’ as well as new aesthetic, rational construction, spatial compatibility and functional flexibility. Analogically, this trends are caused by social changes of modern urban occupants and their needs above all.