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- 저자 : 임재정 ( Lim Jae-jeong ) (검색결과 4 건)
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임재정 ( Lim Jae-jeong ) 한국무용교육학회 2017 한국무용교육학회지 Vol.28 No.1
Dance education, despite its artistic and liberal aspect, has been carried out as a part of physical education at home and abroad. However, many dance educators, including performers, choreographers, and scholars, criticize this situation and hope that the subject of dance is independent like music and fine art. This paper aims to suggest an alternative to the problems of today`s dance education by discussing Arthur Schopenhauer, A.`s theory of arts. As a research method, comparing the philosopher`s will-oriented metaphysics and intellectual ism and illuminate Schopenhauer, A.`s idea about dance by pointing at the misun derstanding about it. Next, explaining that the existing method of dance is in its Dionysian spirit of freedom in light of voluntarism and present a solution to the problem of this subject from this philosophical study.
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문화의 산업화에 대한 아도르노의 해석 -대중문화의 순응적 성격과 그 비판을 중심으로-
임재정 ( Jae Jeong Lim ) 인문사회 21 2013 인문사회 21 Vol.4 No.2
Of looking at the critics that many problems caused by culture which became industrialization facilitate introspection about sprite and body of human in age of materialism. On the basis of this recognition, as the thesis considers negative aspect about industrialization of culture in point of the Adorno. It perceives essence of culture which can propose in capitalism society. Criticism and analysis about industry of culture of Adorno seems criticism and analysis about public culture in relationship which is between one side culture and capitalism. But criticism about industry of culture of Adorno basically conflict with age of capitalism which is based on Marcks and it interprets as much as exposure about the unreasonable production construction and mode. However, only these interpretations can’t grasp the thought of Adorno properly. Acknowledging, the fact that industrialization of culture makes people forget by wrong pleasure and individual annihilation will help understanding the thought of Adorno. If we find a part which we can agree criticism of Adorno about culture industrialization, it might be argument about strongly expressive ‘loss of individual’, and ‘body’ with culture industrialization. According to criticism of Adorno, is public culture completely negative in culture industrialization? No. There are some positive parts. First, public culture is using for someone. Second, public culture connect collective ego through mass media. Last, developing of mass media improves democratic enjoyment possibility of culture art.
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임재정 ( Jae Jeong Lim ) 인문사회 21 2015 인문사회 21 Vol.6 No.3
The purpose of this study is to analyze the relationship between politics and cultural art. Basically, cultural art and politics have reflected the spirit of the age since the beginning of the human history, and they impact each other. That is, cultural art is political or affects the politics by image, symbol, sign, text, style, and the product of meaning. In that sense, cultural art is seen as the political mechanism which has high-degree political meaning. It activates the political and social ideology by the product of meaning of which is rather indirect. On the other hand, politics affects the consumers of cultural art through its power. By using the attributes of cultural art, politics maintains and extends its political authority. The symbol and image which the cultural art has are very important tools for the political authority. Therefore, these two tow each other under the principal of action and reaction. Yet, realistically, it seems that the cultural art is used for the ruler’s profits very effectively in the short-term while the power of the cultural art to induce the political change is in the long-term and slowly activated. The cultural art proposes the foundation of the political development or political change in that it destroys the existing category and order of rank.
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임재정 ( Jae Jeong Lim ) 인문사회 21 2015 인문사회 21 Vol.6 No.4
The purpose of this study is to reinterpret North Korean dance by analyzing the characteristics of North Korean cultural arts. In North Korea, most genres of cultural art are based on the political establishment’s socialist realism esthetics, yet they tend to have independent domains such as the formation of the Juche idea. That is, the cultural art which has the Juche idea is settled while emphasizing the national culture. Therefore, culture arts were used as a means of national rule in a direct way of symbol and image. The result of this study shows that dance also excludes the author’s autonomy and abstractness like other art works. Dance is based on the people’s everyday lives, the working class, and popular appeal. The form and contents of dance start from life experiences, and the selections of everyday life materials are the fundamental requirement for revolutionary art. Natural phenomenon in dance is not something that has no relations with the people but a means to show the thoughts of people more deeply. In conclusion, dance is interpreted as a means of transmitting thoughts through the motions of the people. Furthermore, the visual spectacle, scale of the stage sets, and large number of participants maximizes the propagandistic or ideological potential of dance.
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