욕망하는 몸

이지은(Ji-Eun Rhee) 현대미술사학회 2003 현대미술사연구 Vol.15 No.-

유목적 미술가를 통해 보는 전지구화 시대 미술의 난제들

이지은 ( Ji Eun Rhee ) 미술사와 시각문화학회 2014 미술사와 시각문화 Vol.13 No.-

The boundary between First and Second worlds was broken down at the end of the 1980s, which had been epitomized by the fall of the Berlin Wall in November 1989. It was about the same time when there emerged in the art world the notion of global art.` Standing in contrast to the term‘world art’ that has been associated with the colonialist notion of the art of the non-west, which posits itself always in the past and at the opposite end of Euro-American modernism, ‘global art’ refers to the transnationality of contemporary artistic practice in constant border crossings. In the global art scenes, there also appeared a new breed of‘nomadic artists, those who create and exhibit works at different international venues. The frequent biennals and art fairs, and the commissions from various international art institutions allow the nomadic artists always on the move. The production of artwork not only reflects the culture and social conditions of the artist`s origin, but those of the locality the artist is visiting. The conflicts and negotiations these itinerant artists occasion bring up several issues of the contemporary art. First, what is at stake is the identity of the artist. Regarding the limited amount of time that has been allowed to the artist in the frame of exhibition in the host institution, how much of the locality of the place where s/he conducts the project could possibly be reflected in the artwork? If the artist negotiates the culture of his or her origin with that of the place s/he visits, the problems of translation should occur in both sides. Secondly, there can be noted in their practice an increasing loss of ‘site-specificity.’In merely reproducing and restaging similar characteristics or methods across different global venues, their practice degrades into an island of artistic signifiers. These repetitive individual acts and attitudes even foretell the looming danger of the ‘return of the author.’Thirdly, what follows such acts is the hegemonic status of the nomadic artists. The celebration of cultural syncreticism and hybridity could empower the nomadic artists who could have more access to the world-wide artistic venues compared to those who work in the localities. Equally problematic is how features of syncreticism tend to dismiss conflicts and tensions between cultures, which can unwittingly serve as a podium for the assertion of conservative politics that praise the status quo. The final, but not the least important, issue is that of the viewer-participant. The previous discourses about the nomadic artist have usually been centered around the artist`s identity and issues of site-specificity. The‘viewer-specificity’ has been loosely defined according to different categories including territorial borders, gender, and classes. Since the nomadic artists attempt to‘construct’a transnational identity, their works potentially remain precluded from viewers` expectations. Could meanings other than individual associations to the work possibly emerge from these nomadic works? To delve into these complex issues, this paper looks into the arguments around‘Relational Aesthetics,’ and its revisionist views suggested by Jacques Ranciereand Claire Bishop who propose the art that provokes and discloses the conflicts and dissensus rather than conceals them.

음악, 소음, 그리고 침묵

이지은(Rhee Ji-eun) 현대미술사학회 2007 현대미술사연구 Vol.22 No.-

노동과 글쓰기

이지은(Ji-Eun Rhee) 현대미술사학회 2005 현대미술사연구 Vol.18 No.-

S/S 티셔츠 소재의 역학적 특성치 및 기본태가 주관적 감성에 미치는 영향

이지은 ( Ji Eun Rhee ),권영아 ( Young Ah Kwon ) 한국감성과학회 2003 추계학술대회 Vol.2003 No.-

이 연구의 목적은 S/S 티셔츠 소재의 기본태 및 역학적 특성이 소재에 대한 주관적 감성에 미치는 영향을 밝혀 티셔츠 소재의 감성 이미지를 확립하고 소비자 감성에 적합한 S/S용 티셔츠 소재를 개발하기 위함이다. 이 연구를 위해 2003 봄, 여름에 시판된 5개의 티셔츠 소재가 사용되었고, 티셔츠 소재에 대한 감성 이미지를 도출하기 위해 티셔츠 소재와 관련된 20개의 감성형용어로 설문지를 작성하였다. 설문조사는 총 75명의 성인 남녀를 대상으로 실시하였으며 평가자는 각 문항에 대해서 7점 리커트형 척도를 사용하여 평가하였다. 5개의 시료 각각에 대한 19개의 역학적 특성치를 측정하여 태의 값을 산출하였으며, 각 특성치들과 주관적 감성 이미지와의 관계는 SPSS_Win 10.1을 사용하여 분석하였다. 본 연구결과는 다음과 같다. S/S 티셔츠 소재의 감성이미지는 ``유연감``, ``청결감``, ``매력성``, ``건조감``, ``강성``으로 분류되었으며, 소재의 감성 이미지가 소재의 기본 태에 의해 영향을 받는 정도는 다르게 나타났다. 감성이미지에 가장 많은 영향을 미치는 기본태는 Shari였다. 또한 편성구조 및 섬유조성과 같은 티셔츠 소재의 기본적 특성이 소재에 대한 주관적 감성이미지에 미치는 영향이 큰 것으로 나타났다.

몰입과 각성 사이

이지은(Rhee Ji-eun) 현대미술사학회 2010 현대미술사연구 Vol.0 No.27

This paper studies Ann Hamilton's performance/instillation works, which employ various ready-made and found objects and humans engaged in seemingly mundane activities. In straddling between performance and installation, her works tend to blur the boundary drawn between the two distinct artistic practices. Hamilton's creative efforts can be also considered as a critique of what can be seen as the dominance of sight in visual art by allowing other senses such as smell, sound, and touch to participate in the making and experience of her art These qualities, the blurring of genre and non-ocularcentric treatment of materials, can be called postmodern in the sense that they take issue with Greenbergian Modernism, which has championed the visuality and the purity of separate artistic practices on the basis of their own material conditions. Ironically, however, the reception of Hamilton's work reveals that viewers take her works otherwise. 'With all the aural, tactile, and olfactory distractions that draw their attention, the viewers of Hamilton's work tend to take a position that has been primarily understood as that of the beholder of Modernist painting. Far from being "awakened" by the work into the surroundings, the viewers are submerged into a state of absorption as their aesthetic response. Many critics duly note the contemplative aspects of Hamilton's work, using the terms such as 'meditative' 'nostalgic' 'religious' and even 'sublime', that have been the words describing the traits of modernist painting. Reading in parallel with the receptions of modernist painting articulated by Michael Fried, this paper will argue the unique qualities of Hamilton's performance/instillation that challenge the binary opposition of modernist and postmodernist aesthetics.

VOSviewer 프로그램을 이용한 산림유역 관련 연구동향 분석

이지은 ( Ji-eun Lee ),유리화 ( Rhee-hwa Yoo ),조민재 ( Min-jae Cho ) 한국산업융합학회 2023 한국산업융합학회 논문집 Vol.26 No.6

In this study, we collected and analyzed domestic and international studies related to watersheds in the forest sector. Keyword co-occurrence analysis was conducted using the VOSviewer program to identify the research areas of domestic and international studies and the network structure to compare research trends. As a result, the number of research articles in international watershed-related studies showed an overall increasing trend, and the research areas were diverse and located close to each other, indicating that many convergence studies were conducted. On the other hand, the number of papers in domestic watershed-related studies seems to have stagnated overall from the past to the present, and the research areas are mainly focused on forest disasters and hydrology, with limited interdisciplinary convergence studies. In addition, in both domestic and international studies, watersheds are currently mentioned as research sites rather than management or analysis units in the forest sector. It is important to actively promote interdisciplinary research in Korea to provide a scientific and balanced basis for watershed-level forest management planning.

신 증후군 환아에서 Cyclosporin A 치료 중 발생한 급성 백색질 뇌증 1례

정석원,이경화,권영세,김순기,손병관,이지은,Jung Suk-Won,Rhee Kyung-Hwa,Kwon Young-Se,Kim, Soon-Ki,Son Byong-Kwan,Lee Ji-Eun 대한소아신장학회 2005 Childhood kidney diseases Vol.9 No.1

CsA 유발성 중추 신경독성은 신증후군 환자에서 드물게 보고되고 있다. 저자들은 신 증후군환아에서 CsA 치료 중에 뇌 자기공명 영상으로 확진한 급성 백색질 뇌증 1례를 경험하였기에 보고하는 바이다.

Effect if Silkworm Hemolymph on Oxidative Stress Induced by UVA and Hydrogen Peroxide in Fibroblasts

Ju Hyun Park(박주현),Won Jong Rhee(이원종),Shin Sik Choi(최신식),Ji Eun Lee(이지은),Tai Hyun Park(박태현) 한국생물공학회 2005 한국생물공학회 학술대회 Vol.2005 No.10

분산 ID 기반 모바일 학생증 구현과 활용

조승현(Seung-Hyun Cho),강민정(Min-Jeong Kang),강지윤(Ji-Yun Kang),이지은(Ji-Eun Lee),이경현(Kyung-Hyune Rhee) 한국정보보호학회 2021 정보보호학회논문지 Vol.31 No.6

본 논문에서는 이름과 학번, 학과, 안면 사진 등이 포함된 기존의 플라스틱 카드형 학생증에서 자기 주권 신원(Self Sovereignty Identity, SSI)을 보장하기 위한 모바일 학생증을 구현하였다. 구현된 모바일 학생증은 플라스틱 학생증을 분실하여 신원이 노출되는 문제점을 해결하고 스마트폰 단말기에서 애플리케이션을 통한 전자 학생증으로 편의성에 특화된 블록체인의 분산 ID(Decentralized Identity, DID) 기반으로 개발된 FRANCHISE 모델의 구조와 프로세스를 갖추고 있다. 또한, 개인에 의한 개인정보 제어로 안전성을 보장하며. 스마트폰을 이용함으로써 편리하게 학생의 신분을 증명할 뿐만 아니라 교내 행사 참여, 온라인 인증, 다른 학교 간의 교류 등 다양한 서비스 확장이 가능할 것으로 기대된다. In this paper, we developed a mobile student ID providing a self sovereignty identity (SSI) which replaces the conventional plastic-type student ID that includes private information of a student such as a name, a student number, a facial photo, etc. The implemented mobile student ID solves the problem of exposing student"s identity due to a loss or a theft of a plastic-type student ID, and it has a structure and process of FRANCHISE model which is developed by a concept of a decentralized Identity(DID) of a Blockchain, in which specialized for convenience as an electronic student ID through an application on a smart phone device. In addition, it protects student"s privacy by controlling personal information on oneself. By using a smartphone, not only it easily identifies the student but also it expands to several services such as participation in school events, online authentication, and a student"s exchange program among colleges.