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이은주(Lee Eunjoo) 한국근현대미술사학회 2017 한국근현대미술사학 Vol.33 No.-
This paper studies the art world of Lee Jungseob by applying Analytical Psychology of Jung in his artworks. The children depicted in Daehyang Lee Jungseob’s works are characterized as an object of life painted mostly based on his memories rather than from the observations of actual models. An artist sees the outside world thorough his mental structure and therefore accordingly, his views will change when said mental structure changes. The images depicted by an artist thus comprise an important element for understanding his work. Therefore, the relationship between the topics and objects as depicted in Lee’s art focused on Lee’s psychological changes as caused by the historical time period that he lived in, the external shocks that he personally experienced, and his traumas, such as his own son’s death, separation from his family, and the failure of his art exhibit, all of which became the basis of his art world. Because an artist completes his work by conveying his inner world within the work, his work helps the artist to understand himself easily by making the artist focus on the ambiguous emotions embedded within him. However, a question is raised, namely which psychological approach is needed to reach that certain understanding. The nature, characters, and experiences of an artist are related to the way the artist expresses himself in his work, and the experiences are saved in the artist’s memory either internally or externally. As psychiatrist and psychologist Jung (Carl Gustav Jung, 1875-1961) said about images, "everything we do not know about or we always seem to have forgotten but being aware of is an image and an image is a mind." In other words, experiences are saved as images in the mind. Furthermore, Jung divided the creative work of art or literature into "Psychological type of creative work (Psychologische Art des Schaffens)" and "Visionary type of creative work(Visonare Art des Schaffesn)". The former ‘psychological type of creative work’ refers to a method of expressing the most intense life experience in the artworks, with the purpose of expanding the possibility of the experience in an individual’s daily event or fact and delivering it to others in the most impressive way. At this time, the primary matter(Urstoff) is eventually the daily event of fact that is embraced by the writer or poet. However, the latter "visionary type of creative work" originates from the most unfamiliar and the strangest original experience(Urerlebnis) that a human spirit can have. It is a process of identifying the spiritual characteristics of an artist in creating his artworks. In the context of psychological meanings of the materials in the paintings, the peach is used to express the yearning for a wish in a visionary way, while the motif of the string is a psychological type of creative work and is a symbolic expression of self that is entwined in a complex relationship of parents and children. The blue crap is a psychological reflection of unstable state of reality. As such, the types of children in Lee Jungseob’s paintings may be referred to as the creative types of his psychological and visionary reflection that expresses his mental world.
양자키분배와 IPSec을 결합한 네트워크 보안 장치 연구
이은주,손일권,심규석,이원혁,Lee, Eunjoo,Sohn, Ilkwon,Shim, Kyuseok,Lee, Wonhyuk 한국융합보안학회 2021 융합보안 논문지 Vol.21 No.3
Most of the internet security protocols rely on classical algorithms based on the mathematical complexity of the integer factorization problem, which becomes vulnerable to a quantum computer. Recent progresses of quantum computing technologies have highlighted the need for applying quantum key distribution (QKD) on existing network protocols. We report the development and integration of a plug & play QKD device with a commercial IPSec device by replacing the session keys used in IPSec protocol with the quantum ones. We expect that this work paves the way for enhancing security of the star-type networks by implementing QKD with the end-to-end IP communication.
이은주,Lee, Eunjoo 성균관대학교 트랜스미디어연구소 2019 트랜스- Vol.6 No.-
Dance is an art that includes not only art historical facts, but also a series of processes for dancers' body, choreography, and the creation of entire process of dances and their lives. In other words, dance is the art of embodying the experience and consciousness of the dancer as the subject, and embodying it through the physical body, and therefore, the existing empirical study which relies solely on the literature in the history of dance study is difficult to deliver a complete history. Oral history is a new methodology historical writing that overcomes the limitations of research methods based on literature centered documents. Oral history in the field of dance is that the dancer becomes the subject of the history of dance's narrative. The memory and testimony of a dancer can become a history, complement the missing parts of the documentary record, and amount to analysis and interpretation to attempt the history of dance from various perspectives. The history of dance through oral history analysis thus generates another view from the literature. The oral history is acted as a prism that can explore the sociocultural discourse of the time and the history of dance. As a new academic challenge for the history of dance field, I expect to be able to review the artistic, social, and cultural functions and roles of dance beyond the limit of existing literature-oriented history study and to be able to progress to various the history of dance.
국내 무용영화의 발전 가능성 연구 - '서울무용영화제'와 '댄스필름 프로젝트'를 중심으로
이은주,정의숙,LEE, Eunjoo,CHUNG, Euisook 성균관대학교 트랜스미디어연구소 2018 트랜스- Vol.4 No.-
Dance films, which started together as a combination of dance and video technology, have evolved into a new genre. Overseas, from early 1950s, experimental dance films have been produced and the dance film association is organized along with many dance film festivals are being held. However, it has not been long since the perception and creativity of the genre of dance films in Korea. Under these circumstances, holding of the 'Seoul Dance Film Festival' and experimental approaches by 'Dance Film Project' are important for the development of domestic dance films. Therefore, this paper explores the concept and development of dance films, the status and features of various overseas dance film festivals and the 'Seoul Dance Film Festival'. This paper also explores the roll and function of 'Seoul Dance Film Festival' and 'Dance Film Project', and their expected benefit along with possibilities of prosperity of domestic dance film. 'Dance Film Project' is the educational and experimental venue for producing of dance films, and the 'Seoul Dance Film Festival' is a platform for producing dance film makers, show of works, dialogue with audiences, international exchanges, and distributions. The dance film festival embodies the value of the past and current flow of the dance film and is intrinsic to the existence of a live content that can be predicted the future aspect of its roll. The two groups mutual growth and development are expected to play a positive role in the development of domestic dance films.
International Comparison of Nursing Interventions Performed by Neurologic and Orthopaedic Nurses
이은주,Lee, Eunjoo Korean Society of Adult Nursing 2001 성인간호학회지 Vol.13 No.4
목적: 본 연구의 목적은 미국 아이오와 대학에서 개발된 Nursing Interventions Classification (NIC)을 사용하여 신경기계 병동과 정형외과 병동에 근무하는 간호사들이 가장 빈번히 수행하는 간호중재를 파악함으로서 이러한 부서의 간호중재 리스트를 개발하는데 있다. 그리고 확인된 간호중재의 리스트를 미국 간호협회의 핵심 간호중재 목록과 비교함으로써 양국간의 간호중재의 유사성과 차이를 비교함으로써 한국간호의 발전을 도모하는데 있다. 방법: 8개의3차병원 및 종합병원 근무하는 간호사에게 NIC을 번역하여 소개한 뒤 가장 자주 수행하는 간호중재 30개를 선택하게 하였다. 선택된 간호중재는 빈도와 백분율 이용하여 분석하였고 미국의 핵심간호 중재목록과 영역(domain)별, 분류군 (class)별로 비교하였다. 결과: 신경기계 병동은 30개의 간호중재를 정형외과 병동은 34개를 핵심간호중재로 확인하였다. 한국과 미국의 간호중재를 비교해본 결과 신경기계 병동의 간호중재와 미국American Association of Neuroscience Nurses (AANN) 의 핵심간호중재 목록과는 단지 5개의 간호중재가 일치하였지만 정형외과 병동의 간호중재목록은 미국의 National Association of orthopaedic Nurses (NAON) 의 핵심중재목록과 27개의 간호중재가 일치되어 더 많은 유사성을 나타내었다. 두 나라의 간호중재를 영역(domain)별로 비교해보면 한국 간호사의 간호중재는 미국간호단체의 핵심간호 중재 목록보다 신체적 간호에 보다 많은 편중을 보였다. 결론: 한국간호사의 간호중재가 신체적 간호중재에 집중되어 있으므로 환자간호에 보다 전인적인 간호중재가 수행될 수 있도록 노력해야 할 것이다. 그리고 본 연구를 통해 개발된 핵심 간호중재 목록은 병원의 간호정보시스템을 개발하는데 사용될 수 있으며, 간호지식의 확장이나 staffing, 간호 수가화, 그리고 궁극적으로는 간호의 효과성 연구를 자극할 수 있을 것이다.
사용자의 이용 요구 차이를 반영한 학교건축물의 개·보수 계획 - 서울시 학교 화장실 개·보수 사업 시행 사례 -
이은주,Lee, Eunjoo 한국교육시설학회 2018 교육시설 Vol.25 No.3
Unlike other educational spaces in school facilities, restrooms have remained unpleasant spaces without reflecting the change in social awareness and students' lifestyle. In the process of the 'School Restroom Environment Remodeling Project in Seoul' by means of "user participatory design method", this study aimed to suggest a design of the school restroom environment responding to the different needs of actual users, who are students and school staffs. By surveying them, it was revealed that they have a variety of respective behavioral patterns and spatial needs according to their status, gender, age and working period. Implications of this study are as follows; First, it is necessary to establish a separate restroom facility standards that respond to the characteristics of elementary school students. Second, there should be an expansive approach to widely accommodate with the users' needs that were found out through 'user participation', more than just repairing pre-existing space. Third, it needs to have critical review of the maintenance and operation system itself as well as the improvement of the school restroom environment.
이은주(Lee Eunjoo) 현대미술사학회 2020 현대미술사연구 Vol.0 No.48
본 연구에서는 1960-1970년대 한국화단에서 개진된 융복합적 예술의 실천적 움직임을 분석한다. 1960-1970년대 실험미술 작가들은 새로운 매체 탐구를 위해 설치미술, 퍼포먼스, 네온사인아트, 오브제아트, 전자예술, 라이트아트 분야를 실천적으로 탐색했다. 이 시기에 발생했던 예술과 과학, 신기술에 의한 예술 현상은 미술장르뿐 아니라, 연극, 무용, 해프닝, 소설, 시 등에 빠르게 번지고 있었다. 전자음악과 전자예술이 다양한 행사로 한국에 소개되면서 소위 1960-1970년대 아방가르드 예술가들의 새로운 조형 의식 연구에 활력을 불어넣었다. 1990-2000년대 디지털 매체 시대가 본격화되면서 컴퓨터, 인터넷, 네트워크기술을 활용한 예술이 비디오아트, 미디어아트, 뉴미디어아트의 성격으로 미술계에 자리 잡히게 되었다. 디지털 매체 시대는 무엇보다 예술과 과학, 예술과 기술의 논의가 복합적이고 직접적으로 이루어 질 수 있는 계기를 다시 소환시켰다. 더 나아가 예술과 첨단과학의 만남을 넘어 각각의 다른 분야의 예술장르가 교차하는 다원, 융복합 예술 현상은 현장에서 이제 너무 자연스러운 광경이다. 우리는 이제 전시장에서 무용가와 연극인을 만나고, 전시장에서는 미디어 작가, 소설가 등과 허물없이 조우하고 있다. 연구자는 디지털, 과학기술, 학제 간 연구로 복합적인 예술형식의 원론적인 분석을 시도하고자, 융복합적 예술이 일어났던 초기 1960-1970년대의 예술가들의 활동에 초점을 두어 연구하였다. This paper primarily analyzes convergent art practices which actively unfolded in Korean art circles in the 1960s and 1970s. Artistic phenomena at the time, propelled by the mixture of art, science, and new technologies, not only influenced fine arts but also spread fast to various art forms such as plays, dance, happenings, novels and poetry. Electronic music and electronic art were introduced to Korean audiences through diverse events and inspired explorations of new formative consciousness by so-called avant-garde artists in the 1960s and 1970s. With the advent of digital media in the 1990s and 2000s, art utilizing computers, the internet, and network technologies had taken root in the art world in the forms of video art, media art, and new media art. This era of digital media, for the most part, enabled once again an opportunity for intricate and direct discourse on the intersection between art and science as well as art and technology. Moreover, moving beyond just the crossing of art and advanced science, it is now strikingly natural to see different art genres come together to drive pluralistic and convergent art phenomena in an art scene. It is common to encounter dancers and theater professionals, or socialize with media writers and novelists at an exhibition. In this paper, I focus on the activities of artists in the early 1960s through 1970s when convergent art emerged, in a bid to conduct a theoretical analysis on multi-layered art forms based on interdisciplinary research covering digital and science technology.
1-2인 가구를 위한 공동주택의 공용공간 규정에 관한 한국·일본·영국의 건축법규 비교 연구
이은주(Lee, Eunjoo),이상호(Lee, Sang Ho) 한국주거학회 2015 한국주거학회 논문집 Vol.26 No.5
This research was aimed at finding clues of improving residential quality of the Urbanistic Housing which was introduced for the small household of 1-2 residents. It was the laws on communal amenity in multi-family housing that this research concentrated on. Looking into the multi-family housing standards for small household of Korea, Japan and UK, Japanese One-room housing Ordinance of Tokyo-do laid stress on avoiding conflict among residents and getting people mixed together. And UK's concentrated on every individual rooms inside HMO and suggested certain level of qualified life through the careful standards. On the other hand, Korea's just suggested minimum housing with unit households and nearly no amenity except for parking lots. There should be more than a physical space with some area which satisfies basic physiological needs in a residence. To become a quality residence filled with relationship, it is necessary that Urbanistic Housing are also required to provide communal amenities, not as much as regular housing for regular household but much more than Quasi-housing, the minimum residence. And it should be ensured by the legal system to make it more effective.