이규보의 『동국이상국집』 영색시(詠色詩)에 나타난 색채관과 특징

이선이 ( Syun-yi Lee ) 온지학회 2019 溫知論叢 Vol.0 No.61

고려시대의 시격과 체는 당시 문인들의 시론 가운데 하나였으며, 이규보의 시는 화려하게 운을 활용하는 구조적인 특징을 가지고 있다. 제목에 있는 색명으로는 시문(詩文)에서 색명으로 사용하지 않는다. 색명인청(靑)자로 운을 사용하여, 제목과 함께 백 - 청, 흑 - 청, 황 - 청, 홍 - 청, 청 - 청의 대비효과와 방향성을 가지게 하였다. 평면에서 공간구조로 전한시킨 것이 영색시의 구조적 특징이다. 황홍청을 노래한 시의 공통점은 동식물이 자라고 뛰노는 자연에서 색을 찾으려고 하고 있다. 영홍시에는 적은 청과 대응하는 것은 뜻에 맞지 않는다고 하여 홍을 쓴 이유를 밝혔다. 기존의 사유와는 다른 면이며, 빛의 중요성을 강조한다. 이규보의 영색시는 전통 오방색 청·황·적·백·흑이 아닌 청·황·적·백·흑의 오색을 쓴다. 홍은 빛을 상징하며, 적은 청과 무늬를 이룰때 쓰인다. 때문에 홍과 적은 서로 의미가 다르고 색의 운용방식도 달라진다. 고려청자의 색은 청색 또는 비색이 아니라, 녹색으로 인식되었다. 옥석과 같은 돌의 색을 현재는 청색계열로 분류하지만, 고려는 백색계열로 인식하는 경향이 있었다. 청과 녹을 구분할 수 있었던 것은 청자가 생활 깊숙이 스며들어 있던 결과이다. 이것이 영색시를 통해서 나타난 이규보의 색채관 특징이라 할 수 있다. Forme poetique and adonien in the Goryeo Dynasty were among the Poetics, and Lee Kyu-bo's poems have structural features that utilize their luck with splendor. The color name in the title is not used as the color name in the verse. Using rhyme as the color name "靑(blue)", the contrast effect and direction of 白 (white)-靑(blue), 黑(black)-靑(blue), 黃(yellow)-靑(blue), 紅(magenta)-靑(blue), and 靑(blue)-靑(blue) were given along with the title. Translated from a plain into a spatial structure is a structural feature of Colored poetry. The common thing about poems that sing about 黃(yellow)-紅(magenta)-靑 (blue), and 靑(blue) is that animals and plants are trying to find color in nature, where they grow and run. Magenta(紅) poetry revealed why he used magenta because he said it was not right to react to red. It is different from conventional reasons and emphasizes the importance of light. Lee Kyu-bo's poetry sang the five color(blue(靑), yellow(黃), magenta(紅, or orange), white(白) and black(黑)) in five colors(blue, yellow, red, white and black). Hong(紅) symbolizes light, and is used to make blue patterns. Because of this, the magenta(紅) and the blue(靑) have different meanings and different ways of operating colors. The color of Goryeo celadon not recognized as blue or celadon green(翡色), but It was recognized as green(綠). Although the colors of stones such as jade are now classified as blue, Goryeo tended to recognize them as white. It was in the daily life of the celadon that the distinction between blue and green was made. This can be said to be the colorimetric characteristics of Lee Gyu-bo through a poem sung in colors.

초기 자유시 담당층의 정체성 모색과 그 의미 - 김억, 주요한을 중심으로-

이선이 ( Sun Yi Lee ) 국제어문학회 2002 국제어문 Vol.26 No.-

딸기 수출품종 육성을 위한 딸기 유전자원 특성검정

이선이(Sun Yi Lee),김대영(Dae Young Kim),이옥진(Oak Jin Lee),김상규(Sang Gyu Kim),문지혜(Ji-Hye Moon),노일래(Il Rae Rho) 한국원예학회 2019 한국원예학회 학술발표요지 Vol.2019 No.10

『백의해』의 관음수행관 고찰

이선이(Seon-hee Lee) 한국불교연구원 2006 불교연구 Vol.24 No.-

  The Haeyoung(혜영:1228-1294)"s works of Bakehae(백의해) was expressed by Kwansaeeunraemun(관세음보살예문) or Kwaneumraemun(관음예문). But Junsick(준식:964-1032)"s work of Kwaneumraemun is very different, and it"s described in orther the lineage of Mantra because Daebiju (대비주) and the six-character-chapter(육자장구) have singing in mantra. The Haeyoung"s raemun(예문) based on Avatamsaka Sutra of 27th Kwanjeajebosal explaining Jngwan(징관)"s Jumgwanso(정원소). And Haeyoung described in gater for meditation.   The total of ten-goods confession is the kindness of Kwanjeajebosal helping all mankinds in pains. The different have deed-word-thought of three media of corruption in practice. The body karmas have the solemnity of pure body for hundreds practicing in Nirvana-sutra(열반경) of the ten goods. And pure bodies teaches the dharma for mouth. This mouth Karmas was made known by teaching thing and reacting form of the dharma of meditation on the reality. The teaching thing is one mind of the middle path means for three emptiness of manifestation only. Others hand the reacting forms is non-arrangement thusness of manifestation only for the one mind of the one sound in the two types. This get the ultimate-ultimate of the dharma of meditation on the reality for meditations. This is means that Sung-bakehae-kwanjeajebosal was reveal in confession for the ten evils.   The ten evils of confession disappears all mankinds in pains for the ten-goods of karma. This is the white dress of kwanjeajebosal"s empowerment. The results have the book title of Bakehae.

주택시장 안정화를 위한 부동산정책 방향

이선,Lee sun 한국기술사회 2005 技術士 Vol.38 No.4

The recent speculation fever in Kangnam and its southern vicnity of Seoul resulted in surging apartment prices. The government is determined to employ more effective anti-speculation policy measures to control the property speculative demand. The Government plans to implement support measures to discourage people from owning multiple homes by reinforcing tax measures. To meet the increasing demand for more large-sized apartments in Seoul, the Government may allow to build more large sized units. By the end of August, 'a comprehensive package tool of real estate policy measures' ,as a real estate controlling guidelines, is scheduled to be presented by the Government. We hope that the package tool will stabilize housing market more effectively and enhance the national economy.

국산 국화품종 ‘백설’의 동계생산 시 야간난방개시 온도에 따른 생장 및 개화반응

이선이(Sun Yi Lee),조명환(Myeong Hwan Cho),권준국(Joon Kook Kwon),박경섭(Kyoung Sub Park),최효길(Hyo Gil Choi),최영환(Young Whan Choi) 한국원예학회 2013 한국원예학회 학술발표요지 Vol.2013 No.10

뉴스초점: 동북아 초국경적 지역협력의 동향 및 전망

이선,Lee, Sun 한국기술사회 2010 技術士 Vol.43 No.5

The 2010 PCRD(Presidential Committee on Regional Development) International Conference aims at designing regional policies to enhance regional growth potential and inter-regional cooperation. Increasing economic interdependence in Northeast Asia in particular among the 3 countries of China, japan and Korea, requires enlightened territorial development policies of each country to accommodate the need for close cooperation and networking across the border. The security problem in the Korean peninsula requires the importance for earnest dialogue and discussion between neighbors about the common future of Northeast Asia. Cross-border cooperation and networking will contribute to enhancing regional stability and development in this era of borderless globalization.

부모와 청소년 자녀의 성별에 따른 지지적ㆍ통제적 양육행동

이선이(Suni Lee),이여봉(Yeobong Lee),김현주(Hyun-Ju Kim) 한국인구학회 2008 한국인구학 Vol.31 No.2

본 연구에서는 한국, 일본, 미국, 독일, 스웨덴 등 5개국 청소년 자녀에 대한 부모의 지지와 통제가 부모 및 자녀의 성별에 따라 어떻게 다를 수 있는지를 분석하였다. 본 연구는 아버지보다 어머니가 청소년 자녀에게 더 지지적이고 덜 통제적이며, 아들보다 딸에게 더 지지적이고 덜 통제적이어서, 모녀관계에서 지지적 특성이 가장 강하고 부자관계에서 통제적인 특성이 가장 강하게 나타날 것이라는 가설로부터 시작한다. 이 연구를 위해서 한국청소년개발원이 2006년에 실시한 5개국 설문조사자료를 사용한 분석이 이루어졌다. 분석 결과, 한국사례에 대해서는 모든 가설이 지지되었으며, 다른 국가의 경우는 부분적으로 지지되었다. 5개국 모두에서 어머니는 아버지보다 더 지지적인 것으로 확인되었다. 대부분의 국가에서 부모가 아들보다 딸에 대해서 더지지적인 것으로 나타나기는 하였으나, 자녀 성별의 효과는 부모 성별의 효과만큼 뚜렷하지는 않았다. 통제적 행동의 경우는 한국과 미국에서만 성별 효과가 나타났다. This study analyses the effect of gender on the support and control dimension of the relationship between adolescent children and their parents in 5 countries - Korea, Japan, U.S., Germany, and Sweden. This study predicts that mothers are more supportive and less controlling towards their children than fathers; that parents are more supportive towards their daughters than sons; and that supportive relationship is most pronounced in mother-daughter relations while controlling relationship is pronounced in father-son relations. We used the 2006 multi-national survey data collected by the National Youth Policy Institute for the analysis, selecting the cases in which the youth respondents were born between 1988 and 1993 and were living with both biological parents. All three hypotheses are supported in Korean cases. In the cases of the other nations, the hypotheses are only partially supported. In all the 5 nations, mothers are more supportive towards their children than are fathers. While parents are more supportive towards daughters than towards sons in most countries, the impact of children's gender in producing differences in parental behavior is less profound than the impact of parent's gender. Gender affects the control dimension of the relationship only in Korea and U.S.

한국전통색의 범위와 正間色 구조에 관한 연구

이선이(Syun-yi Lee),박연선(Yon-sun Park) 한국색채학회 2012 한국색채학회 논문집 Vol.26 No.4

한국전통색연구는 오방색을 연구대상으로 한다. 청황적백흑 5가지 오방색과 사이에 만들어지는 간색은 유교의 예서(禮書)를 중심으로 설명한다. 한국문화 중심에는 1700년의 불교가 있다. 그러나 불교사상과 문화로 전통색을 바라보지 않는다. 이러한 문제를 제기하며 오방과 간색의 개념을 설정할 수 있는 관계 문헌을 분석하였다. 한국에서 색을 논하는 《이수신편》과 《규합총서》, 중국 《구고록예설》의 간색설을 비교하였다. 《이수신편》에는 약 80여 가지 색명이 있으며, 병치혼합의 인식을 보인다. 《규합총서》는 상생간색의 색명을 언급하고 있다. 이 색명은 한국문헌에서만 등장하지만, 한글로된 자료를 한자로 번역하는 과정에서 신뢰하기 어려운 결과가 나타났다. 이를 그대로 인용하는 2차 연구에서도 동일한 오류가 발생한다. 相次의 개념으로 색이 공간적 확장을 한다. 《구고록예설》에서는 靑黑黃赤사행(四行)으로 모든 간색을 상생의 색으로 화합시킨다. 분석결과에 따라 오방, 상극간색, 상생간색 등의 개념을 적용하여, ‘한국전통색의 오방과 간색 구조’에 대하여 제안하였다. 그리고 향후 전통문화를 이어나갈 연구방향을 제시하였다. Researching subjects of the traditional color of Korea are mainly from Obangsak, literally colors from five directions. Obangsak ? blue, yellow, red, white, and black- along with the compatible neutral color and the complementary neutral color can be illustrated from the Classic of Rites in Confucianism. At the center of Korean culture lies 1700 years of Buddhist history. We do not see our traditional color from the perspectives of thought of Buddhism and culture. Addressing these premises, we have analyzed related literatures to build the concept of the Obang and the neutral color. We have also compared the theory of neutral color with reference to Korean texts such as 《ISUSINPEUN》 《GUHAPCHONGSE》 and a Chinese text, 《GUGOLOGYESEUL》. Around 80 categories of color were introduced and the awareness of juxtapositional mixing was found in the text of 《ISUSINPEUN》. The naming of the compatible neutral color was mentioned in the text of 《GUHAPCHONGSE》. These names of color were found in the Korean literature only and inevitable translating fallacies arise from the process of translating Korean into Chinese characters. Any secondary researches citing the translational fallacies were not free from the same error. The concept of the ideal spatial incorporation makes the spatial expansion of the color possible. Seen from the text 《GUGOLOGYESEUL》, the four elements - blue, black, yellow, and red ? harmonize every neutral color to compatible colors. Along this line of thought, we present the Obang and the structure of neutral color of Korean traditional color by employing the concepts of Obang, complementary neutral color and compatible neutral color, which are mainly from the analysis of the literature concerned. We also suggest some guidance on the prospective researches regarding traditional culture and its transmission.

근대중국의 민족주의와 여성주의 : 딩링(丁玲)의 옌안시기 작품을 중심으로

이선이 ( Lee Sunyi ) 한국여성사학회 2004 여성과 역사 Vol.- No.1

This study aims to explore the relationship between nationalism and feminism in modem China through a writer, Ding Ling (1904-1986). While the nation and people were experiencing a difficult time, she tried to achieve her ideal in `Yenan`. During the Yenan period she took a `participatory - irrespective of gender` approach. While recognizing women`s fertility, she intended to participate in the revolution to the same extent as men. In the books she published in Yenan, she described the details of the dilemma that women participating in the revolution had faced. She demonstrated her loyalty through her first work in Yenan, which promoted the need of a war against Japan. However, throughout her stay in Yenan, she had seen women who were neglected by and became a salve to a `grand mission`, that is, the socialist revolution and the movement for the liberation of people. Moreover, she realized that revolutionary leaders relied heavily on traditional Confucian patriarchy. She started criticizing that the oppression of women was embedded in the Chinese revolution that was supposed to facilitate the socialist revolution and the emancipation of people. She adopted a critical attitude towards the social structure and the Party leaders` views in Yenan, rather than automatically identifying herself with the Party. She regarded the Yenan society from various perspectives and argued that it was not one simple entity. Due to her critique of the Yenan society and the Party, Ding Ling attracted considerable criticism during the `Zheng feng movement` in 1942, and had to attend an ideology disciplinary session at a Party executives school. Afterwards, she did not analyse the situation that herself or women in Yenan were in. Groups/societies that are based on class, race or ethnicity have considered the gender issue a taboo or an act to serve the interest of the enemy. This was the case even during the revolution and the war-time in China, given the example of Ding Ling. It is this general context that the critique of Ding Ling can be placed, which started during the `Zheng feng movement` and continued till the anti-rightism battle. Ding Ling`s work during the Yenan period illustrates the development of the Chinese feminism, which was born after the modem age, in the midst of achieving an assignment of `classless society` and `liberation of people`.