니콜라이 로스키의 철학 사상 개관

이명현 한국외국어대학교(글로벌캠퍼스) 러시아연구소 2018 슬라브연구 Vol.34 No.4

The theories of Nikolay Lossky, who named his philosophical system as intuitionism or ideal realism, include the wide range of issues of ontology, epistemology, metaphysics, ethics, psychology, and aesthetics. Intuitionism refers to the fundamental concept or point of view that penetrates all theories. As Russian thinkers in the early 20th century considered it a philosophical alternative as a way of understanding or one that allows new insight into existence, studying the philosophy of Lossky, the leading philosopher of the period, is effective and imperative work in understanding the philosophical thoughts in Russia during the early 20th century period. This paper provides an overview of the doctrine of philosophical anthropology and epistemology that forms the basis of Lossky’s philosophy based on what he states about himself in his book History of Russian Philosophy, and determines that Lossky’s thinking tears down the boundary between ontology and epistemology. When discussing Lossky’s philosophy, one cannot but mention the French philosopher Henri Bergson, who lived during the same period as Lossky and defined the original philosophy of intuitionism, opening a new chapter in the history of Western philosophy and influencing many Russian thinkers. At the conclusion of this paper, we will briefly review the position of Bergson among Lossky and his contemporary Russian philosophers, based on the works of Fink, recently published Russian papers, and the self-assessment in Lossky’s History of Russian Philosophy.이명현 ― 3wall@korea.ac.kr/ 관심분야: 러시아 문학, 러시아 사상, 러시아 정교 문화 20세기 전반기 러시아 철학의 발전에 주된 역할을 한 니콜라이 로스키의 이론적 작업은 존재론, 인식론, 형이상학, 윤리학, 심리학, 미학의 문제들을 두루 포괄한다. 그 모든 분야를 관통하는 근본적 개념 혹은 관점은 직관주의이다. 그것은 20세기 초 러시아 사상가들에게 인식의 방법뿐만 아니라 존재에 대한 새로운 통찰을 가능케 하는 하나의 철학적 대안으로 간주됐다. 따라서 그 대표적인 논자인 로스키의 견해를 살펴보는 것은 20세기 초 러시아 철학의 지형과 동향을 파악하는 데 효과적이고 긴요한 작업이라고 본다. 본 논문에서는 로스키의 저작 <러시아 철학사 (История русской философии)> 중에서 저자 자신에 대해 기술한 부분에 주로 근거하여, 그의 철학 체계의 근간을 이루는 인간학 및 인식론의 교의를 개관하고, 그의 사유가 존재론과 인식론의 경계를 허무는 방향으로 나아가고 있음을 밝히고 있다. 로스키의 사상을 논할 때 그와 동시대인으로서 직관주의에 기반한 독창적인 형이상학을 정립하여 서구 철학사에 새로운 지평을 열었으며, 당대 러시아 지식인들에게도 상당한 영향을 끼쳤던 앙리 베르그손을 언급하지 않을 수 없다. 1900년대부터 1920년대 초반까지 베르그손이 러시아의 문인들, 예술가들, 사상가들에게 일으킨 반향에 관해서는 핀크(H. L. Fink)를 비롯한 서구 학자들이 선구적으로 연구 성과를 발표한 바 있으며 근래 들어 러시아 학자들 또한 관련된 주제들을 조명하고 있는 것으로 보인다. 본 논문의 말미에서는 핀크의 저술과 최근 발표된 러시아 논문의 논의들, 로스키의 <러시아 철학사>에 기술된 자기평가를 참조하여 로스키와 그의 동시대 철학자들 사이에서 베르그송이 점하는 자리를 가늠해보고자 한다.

충격량-운동량 분석을 통한 분할벨트 보행의 에너지 최적화 추진전략 규명

이명현,박수경 대한기계학회 2016 대한기계학회 춘추학술대회 Vol.2016 No.4

철학자 우송 선생 소묘

이명현 서울대학교철학과 1985 哲學論究 Vol.13 No.-

HI LINEWIDTHS, ROTATION VELOCITIES AND THE TULLY-FISHER RELATION

이명현,Adrick H. Broeils 한국우주과학회 2005 Journal of Astronomy and Space Sciences Vol.22 No.2

We determine the rotation velocities of 108 spiral and irregular galaxies (XV-Sample)fromrst-orderrotationcurvesfromposition-velocitymaps, basedonshort21-cmob-servations with the Westerbork Synthesis Radio Telescope (WSRT). To test the usualrandommotioncorrections, we comparethe global HI linewidths and the rotationve-locities, obtainedfrom kinematicalts to two-dimensionalvelocity elds for a sampleof 28 galaxies (RC-Sample), and nd that the most frequently used correction formu-lae (Tully & Fouqu´e 1985) are not very satisfactory. The rotation velocity parameter(the random-motion corrected HI linewidth:... ), derived with these corrections,may be statistically equal to two times the true rotation velocity, but in individualcases the differences can be large. We analyse, for both RC- and XV-Samples, thedependence of the slope of, and scatter in the Tully-Fisher relation on the denitionof the rotation velocity parameters. For the RC-Sample, we nd that the scatter inthe Tully-Fisher relation can be reduced considerably when the rotation velocities de-rived from rotation curves are used instead of the random-motioncorrected global HIlinewidths. No such reduction in the scatter is seen for XV-Sample. We conclude thatthe reduction of the scatter in the Tully-Fisher relation seems to be related to the useof two-dimensional velocity information: accurate rotation velocity and kinematicalinclination.

A PCA View on the Light and Color Distribution in Spiral Galaxies

이명현,김태헌 한국천문학회 1999 天文學會報 Vol.24 No.1

유기물 조성에 따른 알루미나 테이프의 열간 가압 거동

이명현,박일석,김대준,이득용 한국세라믹학회 2000 한국세라믹학회지 Vol.37 No.8

Alumina tapes, having various ratios of alumina to alumina+binder+plasticizer (a/(a+o)) and binder to binder+plasticizer(b/(b+p)), were prepared by the tape casting method. The tapes were thermocompressed varying the thermocompression parameters such as temperature, pressure, and duration time. Among the parameters, the pressure was the most influential to the tape packing density. The packing density varied in two different ways depending on the a/(a+o) ratio. For the tapes having low a/(a+o) ratio, a saturation density was reached by applying very a low pressure of 1 MPa. For tapes with high a/(a+o), on the contrary, the saturation density was obtained at a relatively high pressure. These different responses to the pressure are attributed to the fact that the rearrangement of alumina particles by the pressure becomes easy as an organic content in the tapes is high.

수계공정에 의한 알루미나 테이프로 제조한 세라믹 인공치관용 알루미나 유리 복합체의 기계적 물성

이명현,김대준,이득용,이정훈,김창은 한국세라믹학회 1999 한국세라믹학회지 Vol.36 No.10

Alumina-glass composites which are considered as the material of the choice for all dental crown was prepared by aqeous-based tape casting and sintering for 2h at 1120$^{\circ}C$ followed by glass infiltration for 2h at 1100$^{\circ}C$ Biaxial strength and fracture toughness of the composites were evaluated to determine the optimum composition of the tape as a function of the amount of constituent such as alumina binder and plasticizer. The strength and the fracture toughness of the alumina tape increased with increasing the contents of alumina and binder. These observations are consistent with in fluence of the constituents on mean alumuna particle distance in tapes suggesting that high strength of the glass infiltrated alumina composites is related to toughening by crack bowing. The biaxial strength and the fracture toughness of the composite containing the optimum constituent composition were 523 MPa and 3.3 MPa$.$1/2 respectively.

분석철학과 현대철학의 좌표

이명현 한국철학회 1986 철학 Vol.26 No.-

『카라마조프가의 형제들』과 『삼대』: 가족서사의 근대성

이명현 한국러시아문학회 2013 러시아어문학 연구논집 Vol.43 No.-

В данной статье производится сравнительное исследование романов “Братья Карамазовы” Ф. М. Достоевского и “Три поколения” Ем Сан Сопа как история семейной жизни Нового времени (Россия 1860-х; Корея начала 1930-х). Во вступлении речь идет о теоретической характеристике различных жанровых типов семейной истории, которая разработана в корейстком литературоведении. В 2-й главе как предварительное обсуждение сделан обзор сетки персонажей и сюжета обоих текстов. При этом предлагается, что повествование обоих романов до смерти отца-патриарха сосредоточено на падении “семьи-дома”. 3-я глава посвящена анализу образов “отцов-патриархов” обоих романов — Федора Карамазова и Зо Ы Квана — с нравственной точки зрения. В результате анализа раскрывается, что эпицертром семейного конфликта между отцом и сыновьмия является сам отец-патриарх, и что основный сюжет первой половины обоих текстов, — это заброшение или изгнание отцом сыновей. Потом в 4-й главе излагается каким образом сыновья (новое поколение) преодолевают отцовские недостатки, которые унаследовали сыновья от отца. Процесс такого преодоления, воплощаемый через символические слова-образы “карамазовское” (“Братья Карамазовы”) и “святынь и сейф” (“Три поколения”), представляется как прохождение сыновьями экзистенциального кризиса. Через кризисный опыт они приобретают возможность стать отцами-патриахрами новой эпохи, когда большое значение имеют равноправные отношения и индивидуальная свобода. Наконец, в последней главе рассматривается процесс того, как сыновья становятся отцами, отличая самого себя от своих предшественников- отцов, на примерах Алеши и Зо Док Ги. В итоге мы видим, что повествование истории семейной жизни обоих романов стремится к истории внесемейного мира, которому сыновья будут отдавать себя для того, чтобы переродиться не только в отцов, но и в граждан.

구미호에 대한 전통적 상상력과 애니메이션으로의 재현:<천년여우 여우비>를 중심으로

이명현 문학과영상학회 2007 문학과영상 Vol.8 No.3

Director Lee Seong-gang’s Yobi, the Five-tailed Fox reproduces the traditional imagination of Nine-tailed fox from today’s viewpoint. The imagination of a specter like Nine-tailed fox implies people’s understanding of nature. With the development of human recognition, undifferentiated nature is divided into the area of transcendental sacredness and the area of fear beyond the boundary. Of the two, the area of fear is represented by specters and ghosts who are the objects of alertness and anxiety. Because of such a process of transference, the imagination of Nine-tailed fox has both sacredness before differentiation and devilishness after differentiation. However, the story of a sacred fox has disappeared only with a few traces in some works, and most works describe a fox as a being threatening and tempting humans. While today such an imagination that recognizes Nine-tailed fox as a negative other is being reproduced unceasingly, Yobi, the Five-tailed Fox shows an interpretation of Nine-tailed fox which is different from traditional ones. Yobi, the Five-tailed Fox focuses on searching for the identity of Nine-tailed fox girl "Yobi" rather than on the established image of Nine-tailed fox characterized by grudge and fear. The real world has placed Nine-tailed fox outside the boundary, out of the dichotomous thinking of "human/specter." However, Yobi wants to escape from the space of otherness defined unilaterally by humans and to coexist and reconcile with humans. The world that Yobi wishes is a mythological world where no distinction exists between humans and specters. Yobi’s communication is blocked by the Nine-tailed fox hunter who symbolizes separation between humans and specters and the shadow detective who is a divided subject, but Yobi makes genuine communication with its friend "Hwanggeumyi" and is born again as a subject who overcomes the separation between humans and specters. In addition, Yobi, the Five-tailed Fox refuses the frame of identification through searching and expelling in traditional stories, and shows the process of association with Nine-tailed fox during gradual identification of the Nine-tailed fox by humans. This is the reconciliation of others with the world. In Yobi, the Five-tailed Fox, identification is the process of resuming the disconnected communication between humans and Nine-tailed fox and restoring the lost mythological world.