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조동욱(Dong-Uk Cho),최지현(Ji-Hyun Choi),유호석(Ho-Seok Yoo),배재경(Jae-Kyung Bae),김종구(Jong-Gu Kim),김봉현(Bong-Hyun Kim) 한국산학기술학회 2014 한국산학기술학회 학술대회 Vol.2014 No.2
현재와 같이 대인 관계가 중시 되는 세상에서 말을 통한 언어의 전달력은 대인관계에 지대한 영향을 미친다. 이런 관점에서 본 논문에서는 말의 강세 위치가 말을 듣는 사람들에게 어떤 영향을 미치는 가에 대한 연구를 수행하고자 한다. 이를 위해 강세의 위치가 다른 문장을 들려주고 그 느낌에 대한 설문조사를 시행하였다. 아울러 현재 우리나라에서 사용되고 있는 사투리의 강세 위치와도 연계 시킨 사례 분석도 행하고자 한다.
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劉浩石 新羅大學校 1982 論文集 Vol.13 No.-
The form of Barcque's era is showing a various type of applearance. Because, from the time the structure by polyphony style which is attaining the highest reach of polyphony music until around 1700 years, is being reduced to the consept so called as Tonal music, the progress of the melody which can be called as a core of the creation of music to the limited mode which is of major and minor key is given. The concept of tonal music is established by many composers, however, it is hard to find a composer who has established the Tonal music concretely as much as J.S. Bach. Among these, the types of the form are as below. Aria, Cantata, Canjona, Choral prelude, Concerto(Concerto grosso, Solo Concerto), Fugue, Invention, Opera, Oratorio, Overture (French Italian), Sonata, Suite (Lesson, Ordre, Partita), Variation types (Chaconne, Ground bass Paraphrase, Passacaglia). Bach has been composing all the types of music as shown above and has remained many works for the suite types of music. Among many suite works, the suite for orchestral music are dealt in this thesis tunes. The suite in the days of J.S. Bach is involving a lot of differences to the today's suite in the structure. That is among four tunes, the first tune (opening) is laying a tune with a tune of the form of overture, and the dancing tune which is consisting of the Bach's orchestral music are the dance musics with the following names, Such as Air, Gavotte, Bourree, Gigue Menuet, Rejouissance, Courante, Forlane, Passepied, Polonaise, and Badinerie. In Seeing the above tunes are mainly French and Italian's dances, the nature of the fashion of the music in the Baroque's days can be pointed out. In the tune of the overture, the structure of three parts such as Grave-Allegro-Grave which is of Specific character of French overture which has been effected with a composer Lully's character. In seeing the today's dignity. the suite of the orchestra which was organized with small size expressing chamber orchestra is not the exceptional organization of the orchestration of the Baroque's days, but it is a good example to understand the today's good sense.
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L.V. Beethoven: Violin Sonata in F major No.5 "Spring" : 연주 해석을 위한 악곡 분석
유호석 新羅大學校 1988 論文集 Vol.25 No.-
Through the history ofmusic, the works of Beethoven are important and influenceon music afterword in various ways. He, too, gave the change in musical form. For example, the sonata Form and scherzo form werecompleted and systematized by him. The subject of this thesis is to analize and study Beethoven's violin sonata No.5 (as called “Spring Sonata”) which is one of the hisimportant violin sonata. The trend of this sonata isvery free, romantic and syrical like the feeling of spring. The summary of forms of eachmovement is as follows. The first movement... allegro F major ???, Sonata-Allegro form. Thismovement is composed of the typical sonata form, exposition, development, recapitulation and coda. In exposition part, the first and second themes are played alternately by piano and violin as if they response each other. it is caracteristic of this movement that development part is composed of only the elements of second theme. The Second movement...Adagio molto espressivo. B?? major, ??. This movement is forms of “variation” sillfully transformed. Generallyth is movement is very lyrical in slow tempo like the typical second movemnt of other sonata. The thirdmovement...Scherzo style, F major, ??, The tempo of this movement is very fast. Because it consistof many light and short sound, itgiv??s as very bright and cheerful felling. The fourth movement...Rondo. Allegro ma non troppo, F major , ??. This movement is Rondo style with the differenct themes. It begin with the bright and delightful theme by piano and then followed by violin.
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Debussy의 Violin Sonata에 對한 分析 考察
劉浩石 新羅大學校 1983 論文集 Vol.15 No.-
The Debussy's musical diction was not created by the new method of his all music. The impressionism music itself which was created by Debussy ws also started to the bitter end, under the basis of the tradition, and we can say that the re-illuminated work which was started with various traditional methods was accomplished from the time of Debussy in the recent centry. Even in the type of scale which is being used as special character of impressionism music, they are church mode, also pentatonic scale and wholetone scale which was created by himself, the common point which above scale is showing together is appearing the points that functional harmoney of tonal music is not applied. This problem involves the purpose on the holizontal connection of the free harmony that are linking together withmodal music before the tonal music was not established. As Debussy has made his sound in the important elements of music 9scale, harmony, form, rhythm and color), when we See it with the position of the traditional form, it can be the music with unfamilier feeling, but for the composers after the time of Debussy, they can be composers that have shown the possibility of direction that reasonable sound can be sellected. Even in the violin Sonata, the above problems are well coincided with, and we can recognize it as a work of mellowed time that the free connection of harmony and progress of sound rather than type of limitd functional harmony are showing.
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