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심종숙(Shim, Jongsuk),박영기(Park, Younggi) 한국외국어대학교 외국문학연구소 2016 외국문학연구 Vol.- No.63
When the existence realizes his own incompleteness and becomes aware of his negativity, the existence will struggle with himself. In that process, existence accepts the self-sacrifice process as his jump. In this paper, by reviewing ssokdoksaebyeol よだかの星 of Kenji Miyazawa 宮澤賢治 and Gangajiddong of Kwon Jeong-saeng, we looked into that how the faith of self-sacrifice is implemented in their literary works. In ssokdoksaebyeol よだかの星, ssokdok bird recognizes his existence and is aware his negativity given to him in relation to other birds which demean ssokdok bird. In Gangajiddong, Gangajiddong recognizes his worthless existence while he is watching the sparrow and a lump of earth which are avoiding dirty Gangajiddong. Although Ssokdok bird is being threatened his life by hawk, because he also catches and eats insects to survive, he also realizes him as the evil of existence. Gangajiddong agonizes to become a good existence and he produces new life and beautiful flowers bloom by becoming fertilizer for dandelion. Kenji Miyazawa has faith in Buddha and Kwon Jeong-saeng has faith in Jesus and they express Buddha and Jesus in their works. The scene of Ssokdok bird and Gangajiddong who sacrifices themselves proceeds to the stage of creating a new life by overcoming incompleteness of existence.
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강소영(Kang Soyoung),심종숙(Shim Jongsook) 인문콘텐츠학회 2017 인문콘텐츠 Vol.0 No.45
이 글은 아쿠타가와 류우노스케의 단편소설 「라쇼몽」을, 고전설화집인 『곤쟈쿠모노가타리슈』의「라쇼몽 윗층에 올라가서 죽은 이를 본 도둑의 이야기」와 관련하여 원전의 수용과 변용의 입장에서 상호텍스트성을 논하였다. 구승된 이야기임를 암시하는 가타리베가 아쿠타가와의 소설에서는 나레이터가 그 역할을 하고 있으나 거기에는 어디까지나 작가를 배제 하고 구승의 가타리베와는 달리 나레이터의 영향력이 이 작품의 전반에 작동하고 있다. 원전 설화가 도둑의 이야기라면 소설은 근대인의 불안의식을 주인으로부터 해고된 하인의 심리에 투영하여 점차로 도둑이 되어 인간성을 상실하고 반윤리적 반도덕적으로 전락해가는 과정을 그리고 있었다. 구로사와 아키라 감독이 처음 영화를 제작하기로 마음먹었을 때는 단편소설 ‘덤불 속’ 하나만을 각색한 시나리오였으나 영화로 제작하기에는 매우 짧은 분량이었기 때문에 또 다른 단편 ‘라쇼몽’을 엮어 하나로 구성한 것으로 알려져있다. 그러나 이 감독의 영화 <라쇼몽>은 동 작가의 원작「덤불 속」을 뼈대로 하여 전후의 암울함을 재현하면서도 나뭇꾼이 버려진 아이를 스님으로부터 넘겨받는 엔딩 장면에서 전후의 폐허와 암울한 현실이 무너져가는 라쇼몽으로 상징되면서도 원작이나 소설에서의 인간성 상실이 희미하지만 인간성 회복으로 변용 주체인 구로사와 감독은 의도하고 있다고 사려된다. 그러면서도 영화 속에서 진실을 규명하려는 켐비이시(오늘날 경찰과 같은 역할)와 각자 자기 주장을 하는 배역들을 통해 말만이 무성하고 진실은 밝혀지지 않은 채 혼돈에 빠지는 것은 패전으로 황무지로 변한 일본 사회의 절망과 공허함을 암시하기도 하면서 진술하는 가타리베의 공허한 울림과 겹쳐지고 있다고 하겠다. This article discussed intertextuality in Akutakawa Ryunoske’s short story, 「Rashomon」 from the perspective of acceptance and transformation of the original work in relation to 「the story of a thief who went upstairs of Rashomon and saw a dead person」 of 『the Konjaku Monogatari Shu』 which is a Japanese classical literature. Regarding Kataribe implying a story that has been handed down, a narrator plays its role in the novel of Akutagawa, but it was found that there was no writer and unlike Kataribe that has been handed down, narrator’s influence goes all the way in the overall work. While the story of the original work is about a thief, the novel describes the process of gradually becoming a thief, losing humanity and falling into anti-ethical and anti-moral by projecting the anxiety of modern people into the spirit of the servant who is fried from the owner. However, while the movie, <Rashomon> directed by Kurosawa Akira is based on the original work, 「In a Grove」 and reproduces the post-war’s darkness and the ruins and dark reality of the post-war are symbolized by the collapsing Rashomon, it was thought from the ending scene where the woodcutter received the abandoned child from the monk that director Kurosawa intended it as dim but recovering humanity from the loss of humanity in the original work or novel. And, through the role of Kembishi(the same role as the police today) and self-assertive individuals, going into chaos while words are going around but the truth has never been revealed may imply despair and emptiness of the Japanese society that turned into a wilderness and it may overlap with the empty sound from Kataribe’s speaking.
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미야자와 겐지와 권정생 동화의 전승성 연구 - 인물의 재창조와 환상성을 중심으로 -
박영기 ( Park Younggi ),심종숙 ( Shim Jongsuk ) 건국대학교 동화와번역연구소 2017 동화와 번역 Vol.34 No.-
In this study, we considered the character reinvention and fantasy of the fairy tales which was written for the folktale by Miyajawa Kenji and Kwon Jeong-saeng. We searched Miyajawa Kenji's tale stories such as A Moumtain Man and Matasrbro. We also searched Kwon Jeong-saeng's tale stories such as Babdegyi gukdegyi and Palpundol's Three Brother. These tale stories are based on the folk lore. These two writers highlighted tale story's fantasy by characterizing the main character and recreated main character of folklore by showing their dynamic images. These characters such as Saburo who has unusual appearance, Babdegyi Gukdegyi, Palpundol's Three Brother’ and grandma wolf of Kwon Jeong-saeng tale story are modified characters of folk tale and they are characters who has a image of naiveness and idiot. Although they are minorities in the group, they have strong image of border rider who influences on the group. The ghost characters such as Matasaburo of Matasrbro and Palpundori of Palpundol's Three Brothers properly described diversity and difference of folklure of the northeastern district in Japan and Andong district in Korea. And these characters also well expressed the periodical agenda.
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김승호,유병철,박인원,박용욱,김종숙,박실무,이호심,심상준 대한소화기내시경학회 1989 Clinical Endoscopy Vol.9 No.1
The occurence of multiple primary malignant tumor is cansidered infrequent and the primary adenocarcinoma of the duodenal bulb is a rare conditian. The autopsy incidence of duodenal adenocarcinoma is between 0.019 and 0.5%. The first documented case of duodenal carcinoma was described by Hamburger in 1746. Increased awareness of the condition, improvement in diagnostic technics and a more aggressive surgical approach have changed this disease from a postmortem curiosity to a condition that can be treated with satisfactory results. There are several reports on the high incidence of second additinoal cancer in patients with small intestinal cancer. Recently, we have experienced a case of primary duodenal bulb adenocarcinoma with early gastric cancer in a 68 year old male patient with complaints of epigastric pain, diarrhea and body weight loss. So we report the case of primary duodenal bulb adenocarcinoma combined with early gastric cancer with a brief review of literature.
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