안드레 퍼트먼의 디자인에 나타난 실내공간 요소의 오브제화에 관한 연구

심은주(Shim, Eun-Ju),권영걸(Kwon, Young-Gull) 한국실내디자인학회 2006 한국실내디자인학회논문집 Vol.15 No.1

미국의 디자인 전문석사학위 제도와 커리큘럼 분석 연구

심은주(Eunju Shim) 한국디자인학회 2018 디자인학연구 Vol.31 No.3

Waldorf 學校와 우리나라 學校의 數學敎育方法에 관한 比較 硏究

심은주(Eun Ju Shim),한승국(Seung Gook Han) 조선대학교 교과교육연구소 2009 敎科敎育硏究 Vol.30 No.1

The traditional KoreanMathematics education approach focuses on traditional methods, whereas theWaldorf systemgives mathematics a new outlook and perhaps new capabilities. TheWaldorf schools make up the largest and fastest growing independent school movement in the world. TheWaldorf education introduces a newmethod of mathematics education and it instills intellectual skills through a artistic process allowing the pupil to actively engage the imagination. In this thesis, we will study the Waldorf ideas and curriculums of the Waldorf school. Additionally, we research the instructional methods of the mathematiscs education and compareWaldorf school with Korean schools.

광화문광장 이용자의 공간이미지 및 인식에 관한 연구

심은주(Eun Ju Shim) 한국디자인문화학회 2010 한국디자인문화학회지 Vol.16 No.3

본 연구는 광화문광장을 이용자 중심의 공간으로 발전시켜나가기 위한 일차적 연구이다. 광화문광장을 방문하는 시민들의 특성을 이해하고 그들이 지니고 있는 현재의 공간 이미지와 만족도, 미래의 희망 정체성 등을 조사하였다. 이는 디자이너나 전문가의 입장이 아니라 일반 이용자들의 생각들을 이해하고자 하는 목적이 있다. 본 논문은 이론연구와 설문연구로 구성되어있다. 우선 도시 광장의 일반적 개념과 광화문광장의 변천사와 특성을 고찰하고 이를 바탕으로 기초조사, 방문실태, 인식, 만족도, 공간 이미지, 그리고 기대방향의 내용으로 구성된 설문지를 작성하였다. 설문의 진행은 2010년 4, 5월 사이 광장을 찾은 140명의 시민들을 대상으로 현장에서 이루어졌으며 SAS 프로그램 9.2를 사용하여 빈도분석 하였다. 연구결과로는 첫째, 수많은 프로그램들로 가득 찬 공간이지만 산책, 휴식, 또는 지나가는 길 등 비교적 단순한 광장의 기능으로 사용되고 있음을 알 수 있었다. 공간 이미지로서는 ‘교육적 공간’이 가장 강력한 것으로 나타나 전시와 광장에 대한 개념구분이 필요할 것으로 사료된다. 또한 가장 희망하는 부분인 편의시설물이나 녹지공간, 그리고 많은 이용자들의 교통수단인 지하철과 연계되어 있으나 가장 선호도나 낮은 해치마당 등에 대한 디자인 모색이 필요하다고 사료된다. 본 연구의 결과만을 가지고 광화문광장의 전부를 평가하거나 디자인 방향을 제안하는데 분명 한계가 있다. 그러나 이용자의 입장에서 서울의 시공간적 특성이 반영된 ‘한국적 광장’으로 거듭나는데 하나의 참고 자료로서 활용되기를 기대한다. Gwangwhamun plaza is a recently opened plaza, located in the heart of Seoul to serve as a historical and cultural landmark and enhance living qualities. However, it is also raising many concerns regarding safety, spatial organizations, and functions. The purpose of this study is to find out how common Koreans use this square, and what their spatial images and perceptions are. First of all, a literature review was conducted on purposes and functions of city squares and Gwangwhamun plaza. Based on the literature review a questionnaire was developed consisting six parts; basic information and usage, general perceptions and satisfactions, perceptions on spatial images and future expectations. Then 140 people were randomly selected and asked to fill out the developed questionnaire on site between April and May, 2010. Program SAS 9.2 was used to analyze the obtained data. Major results are as follows; even though there are many programs within the plaza, people were using it for much more simple reasons such as resting or crossing the street. The strongest image of the plaza was ``educational`` and satisfactions on amenities and ``Haechi Madang`` were found to be low. Therefore, more focus on original functions as a city square, such as emphases the natural flow of movements, resting areas and amenities can be suggested. It is hoped that these results may be used as basic data in refining the plaza in near future.

현대 도시 공간디자인에 나타나는 영역의 융합 유형 및 특성

심은주(Shim Eun-Ju) 한국디자인학회 2011 디자인학연구 Vol.24 No.2

케네스 프램프톤의 비판적 지역주의 관점에서 본 제주도 뮤지엄의 공간해석과 표현방법

심은주(Eunju Shim) 한국디자인학회 2017 디자인학연구 Vol.30 No.2

도시 구조 단계의 관점에서 바라본 건축디자인 사례연구

심은주(Shim, Eun-Ju) 대한건축학회 2023 대한건축학회 학술발표대회 논문집 Vol.43 No.1

The purpose of this study is to understand the relationship between spatial design and urban structure. Moreover, understand the structural system that makes up the city and find out how the spatial projects are connected based on this system. Therefore, theories on the hierarchy and structure of the city were examined, and among them, John Joness Urban Structure was used as analysis framework. Afterwards, 5 projects with convergence characteristics were selected and their structural characteristics analyzed. The conclusion is as follows. First, the projects actively utilized online space as well as physical space. Therefore, cyber space should also be added in the community level of the citys structure, which Jones mentioned. In addition, I believe that this newly organized structural frame can be used to analyze not only the vertical relationship of spatial design, but also the horizontal relationship. Due to the convergent nature of design since the 2000s, spatial design is not a systematic relationship seen from a mechanistic point of view, but a systemic one in which areas of urban design, landscape design, architectural design, industrial design, and graphic design are integrated.

창조적 계층 이론을 통해 본 NHN 사옥의 작업환경 사례 연구

심은주(Shim, Eun Ju) 한국실내디자인학회 2012 한국실내디자인학회논문집 Vol.21 No.4

Creativity is one of the most popular keyword used in today’s society due to it’s important role as the major post modern economic drive force. Richard Florida calls the group of people who work in this creative industry as the "Creative Class" and this theory has affected many organizations and cities. However, little is known about the work environment of this class, so many designers find it difficult to understand how they may encourage creativity in the actual physical setting. Therefore the purpose of this research is to understand the major characteristics of this "Creative Class" and their working styles in order to develop a theoretical framework for the creative work environment and present a case study of NHN Company main office building. The researcher has indicated three major characteristics of the creative work environment such as "Individuality", "Socialization", and "Experiential" and through the developed framework found that in NHN building "Socialization" through overlapping territories and programs, spatial openness were used as key methods of encouraging creativity. It is hoped that this research may be used as a useful guide in designing various types of creative work environment for the future.

피터 마리노의 패션 브랜드스토어 공간 디자인 표현특성에 관한 연구

심은주(Shim, Eun-Ju) 한국실내디자인학회 2007 한국실내디자인학회논문집 Vol.16 No.2

한국과 미국의 실내디자인학 대학원 현황과 학위제도 특성

심은주(Shim, Eun-Ju) 한국실내디자인학회 2014 한국실내디자인학회논문집 Vol.23 No.6

Graduate education in general means nurturing scholars who are capable of research that adds to the ‘body of knowledge’ and educators in the higher education system. Therefore ‘discovering’ new knowledge has always been a major role graduate schools. However, interior design is a special field that ‘application’ can also produce new knowledge and therefore a wider understanding of scholarship is needed especially in the graduate level education. The purpose of this paper is to understanding Interior Design graduate education system in the United States in order to develop issues that need to be discusses and addressed in Korea. Therefore, this paper first examines meanings of graduate degrees in general and current situation of Interior degrees offered in Korea. Then investigates the different types of graduate degrees in the U.S. such as post-professional degrees, first-professional degrees, and differences in general degree(M.A., M.S.) and professional degrees (M.F.A., M.I.D.). The researcher has used websites of each and information lists of degrees offered by KIID and IDEC that serves as the main educators council in each countries. The characteristic of graduate degrees in America can be described as a structured system based on variety, flexibility, and distinction. For instance, M.F.A means a professional degree that is focused on building theory based project abilities, longer period to study but counted as a terminal in the field. However, in Korea even though the title of the degrees may differ there is not much difference shown in the educational contents. Therefore issues such as developing a more universal and international degree system, flexible and selective educational road-map, mutual understanding and unified system between various organizations for better graduate education system are proposed. Moreover, hope to start a discourse on defining scholarship and professionalism in the field of Interior Design.