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서발턴 여성의 억압과 자유 - 주요섭 소설 「살인」을 중심으로 -
송소용 한국언어문학교육학회 2015 한어문교육 Vol.34 No.-
Oppression and freedom of the subaltern female Centered on Ju Yoseop Novel ‘killing’ Song Xiao Yong The essay aims to analyze the novel ‘killing’ , written by Ju YoSeop, with view of Post-colonialism Feminism, especially the subaltern idea proposed by Gayatri Chakravorty Spivak. The heroine of ‘killing’ , written by Ju YoSeop, showed up as a prostitute and suffered the double oppression of social squeezing and sexual abuse. Ju YoSeop images in this works how female was ravaged and suffered pain during Japanese Colonial Era. ‘killing’ is a novel which is worth being analyzed with Post-colonialism Feminism. The protagonist Wooppo is a typical figure of subaltern, or the unwashed which is defined by Spivak. Furthermore, it’s national, class and gender sensed subaltern. During Japanese Colonial Era, the protagonist suffered lots of pain from Japanese pillage, and belongs to offspring of subaltern peasant in view of social class. She is a member of the vulnerable female group in the male-centralized society, who is prostitute to be excluded everywhere and Diaspora female. The great unwashed in works of Ju YoSeop, in view of subaltern, either dwelled and worked for others, or lived a vagrant life in a foreign country as lower-class workers. Korean people in Japanese Colonial era lived in national and class oppression, especially the female had to suffer sexism, which lead a miserable life to them. At the end, Wooppo made her decision to kill people under multiple oppression. In view of Post- colonialism, her killing behavior can be regarded as a strategy of liberation from the oppression and constraint to her.
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송소용,Song Xiaoyong 부경대학교 인문사회과학연구소 2015 인문사회과학연구 Vol.16 No.2
이 연구의 목적은 페미니즘 관점을 통해 한․중 양국 신데렐라 유형 설화를 비 교․분석하는 것이다. 양국의 신데렐라 유형 설화를 통해, 여자 주인공이 계모의 학 대를 당할 때 마다 어떤 방식으로 응대하고 자기의 운명을 헤쳐 나갔는지, 페미니즘 관점에서 작품에 등장한 인물을 들여다볼 때 어떤 읽기가 가능한 것인지 알아보려 한다. 한국의 ｢콩쥐 팥쥐｣와 중국의「오러와 오도」를 분석해 보면, 여자 주인공이 계모 학대에 대한 대응방식이 다르고, 자유를 얻고 고난에서 벗어나는 과정에서도 서로 다른 행동과 사상이 나타난다는 것을 발견할 수 있다. ｢콩쥐 팥쥐｣와「오러와 오도」에 나오는 여자 주인공의 수난과 행복의 원인을 찾아보면, 아버지의 부재와 백마 탄 왕자(남성)의 출현을 들 수 있다. 아버지의 부재가 여성들로 하여 서로 시기, 질투하며 갈등하도록 조장했다. 이것은 남성 책임의 회피로도 볼 수 있다. 백마 탄 왕자에게 의존하여 여성의 운명이 결정되는 것은 페미니즘 관점에서 바라보면 최악의 시나리오다. 여성이 진정한 자유를 얻으려면 주체성을 확립해야 한다. 여성은 남성들이 타자로서 살도록 강요하는 수동의 세계에서 벗어나 자기를 발견하고, 자주적으로 자신을 선택하고, 자기초월을 통하여 주체성을 확립해야 한다. 그래서 콩쥐와 오러 같은 신데렐라들은 혼인 대상자가 나타나지 않더라도 자기 스스로 자신의 운명을 개척하며 자유를 얻어야 한다. The paper mainly aims to analyze the classical fairy tale Cinderella from the perspective of feminism. With more than a hundred versions so far, this fairy tale has become the most popular one in the world, which tells a story of a girl who escapes from a life of misery and lives a happy life by marrying to her Prince Charming. Though studies on this fairy tale by Chinese and Korean scholars have submerged into every aspect of politics and economics, yet little has been done from the perspective of feminism. The purpose of the paper is to analyze the fate of heroine and the role of males from the feminist point of view. By comparing the two versions, the paper analyzes the fate of the beautiful and kind heroines. Does she, like the original version,silently endures the maltreatment of her step-mother and accepts the prince’ proposal? We find that the heroine acts completely differently confronted with dufficulties and the choice of life in the two versions. From the perspective of “others” under the feminism, cinderella would always have been cinderella, not a princess, if not for the reason that humans are determined to seek a perfect ending for cinderella. The analysis of males in the tale shows that father, a central role in the family, though rarely appears in the tale, plays a significant, though latent, role. It is the absence of father at home that makes the step-mother dares to abuse the heroine recklessly and makes the appearance of the price charming and his saving her rational. The price charming is a key character in the tale in that he comes and rescues Cinderella in the end. However, he wouldn’t have found her if Cinderella hasn’t been charming and kind and seeked her freedom actively. From the point of feminism, above all Cinderella should have her unique characteristics, can she be appreciated by the prince and gain freedom. By comparing Chinese and Korean versions of Cinderella from the perspective of feminism, we find that the heroines differs in their attitudes when they are confronted with difficulties and the choice of life. In reality, where people cannot arrange a perfect life, Cinderella has to work her way to freedom and happiness if that’s what she wants.
KCI
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