공공미술로서의 지역 만들기와 예술촌의 역할

손은하 동북아시아문화학회 2011 동북아 문화연구 Vol.1 No.29

How has been used the concept of ‘publicness’ in the domestic public art? This concept of ‘publicness’ can be divided into three categories in the social science. The first one is the value of the public, the second one is the territory, and finally the subject performing its role. The meaning of the territory has something in common with public space. When the arts came out of the exhibition hall and was placed on the public space, it was affected by the mass and place. When the initial types of the arts were displayed, it brought about disputes with various points of publicness. It caused the necessity to pay attention on the concept “in-between” of Hannah Arendt. Not confronting between personal and public territory, you need to pay attention to the various communication opportunities maintaining the relationship while they are crossing their borders each other. Variability of view points has been formed and progressed since the formation of New Genre Public Art as social movements. However, it still have been causing confusion as the public art is explained as site-specific -art and community-oriented-art. Recently, the public art can be divided into three types: public arts, village regeneration, artist village. Each type has its own advantages and disadvantages and this study investigated the ‘Seoul Art Space Sin-dang’ as the third one. This one also is in need of artists' labor by the explanation through community-oriented-art's viewpoints. Therefore, it is necessary to differentiate in separate areas of the public arts.

GK2A 일사량 산출과 예측 현황 및 계획

손은하,김미자,유지은,고혜영 한국기상학회 2024 한국기상학회 학술대회 논문집 Vol.2024 No.10

애니메이션에 있어서 감정을 표현하는 효과적인 배경의 배색이미지 팔레트 개발

손은하,김철기 한국기초조형학회 2008 기초조형학연구 Vol.9 No.2

It has various factors such as looks on character and sound which affect on emotional expression in animation. This study is proposing an image palette design produced by its color arrangement on background that optimize emotional expression of each scene.Above all, the extracted data from twelve animations had classified by emotional factor, primarily grouped by its color index which followed by secondary division of applying Hue & Tone classification system. With this, it is the primary findings that the emotional classification can be recognized by its brightness and darkness, and also enable to fine out its major distribution of color and tone. At the conclusion, the image palette design had produced by the data which mentioned above, this would be valuable on background color selection which conventionally used by expressing emotions.

색채의 사용과 화면구도에 나타난 심리적, 정서적 이미지 - 애니메이션 <키리쿠 키리쿠>을 중심으로 -

손은하 한국디자인트렌드학회 2023 한국디자인포럼 Vol.28 No.3

Background The composition of the screen is a formative and orderly arrangement of location, viewpoint, unity and change, omission and emphasis of the subject, and these visual elements are very important in delivering a psychological message to the audience. The use of color is also an element that affects the emotional aspect and mood, so it should be carefully considered. Therefore, I tried to analyze the visual aspects of actual animations. Methods <Kiriku Kiriku 2006> and French director Michel Oslo's <Kiriku and the Witch 1998> were analyzed as screen elements. The work is produced in 2D animation, so the director's intention is accurately calculated. For the color of the screen, the emotional image that appears in the color arrangement was analyzed, and for the composition, the movement of the camera and the shot between the character and the background were analyzed. Result As for the color, a lot of intense and primary colors were used by setting Africa as the spatial background. The contrast between the heat and cold of Karaba, who was set as a witch, could also be found on the way to the witch's lair. The comparison of text or background color was expressed through the difference in saturation and brightness. The composition used camera walking and camera shots to create a sense of space, depth and speed. Conclusion This paper tried to analyze the emotional and psychological images in the visual aspect. The use of color can effectively express emotional images of people and backgrounds. The composition of the screen created an effective atmosphere through camera work such as panning and tilting, distant view and foreground, and insert shot. 연구배경 화면의 구성은 대상의 위치, 원근감, 통일과 변화, 생략과 강조 등을 조형적으로 질서 있게 배치하는 것으로, 영상물에서 이 시각적인 요소들은 관객들의 정서적인 메시지를 전달하는 데 매우 중요하다. 색채의 사용도 정서적인 면과 분위기를 좌우하는 요소이기 때문에 신중하게 고려해야 한다. 따라서 실제 애니메이션을 대상으로 시각적인 측면을 분석하고자 했다. 연구방법 프랑스 미셀 오슬로 감독의 <키리쿠 키리쿠 2006>와 <키리쿠와 마녀 1998>을 대상으로, 화면의 구성요소들을 분석했다. 작품은 2D 애니메이션으로 제작되어 감독의 의도가 정확하게 계산된 형식이다. 화면의 색상은 배색에서 나타나는 감성적 이미지를 분석하였고, 구도는 카메라의 움직임과 캐릭터와 배경 사이의 쇼트를 분석하였다. 연구결과 색채는 아프리카를 공간적 배경으로 설정한 만큼 강렬하고 원색적인 색채가 주로 사용되었다. 마녀로 설정한 카라바의 한난대조는 마녀의 은신처로 가는 길에서도 찾아볼 수 있었고, 캐릭터나 배경색의 비교는 채도와 명도의 차이를 통해 표현되었다. 구도는 카메라의 워킹과 카메라 쇼트의 사용으로 공간감과 깊이감, 속도감을 연출해 내고 있었다. 결론 본 연구는 시각적인 측면에서 정서적이고 심리적인 이미지를 분석하려고 했다. 색채의 사용은 캐릭터의 이미지와 배경의 정서적인 이미지를 나타낼 수 있었다. 화면의 구도는 패닝과 틸트 등과 같은 카메라 워킹과 원경과 근경, 그리고 인서트 쇼트 등을 표현할 수 있는 카메라 연출로 효과적인 분위기를 연출해 내고 있었다.

공공미술의 전개와 로컬공간의 재생

손은하,신나경 한국기초조형학회 2010 기초조형학연구 Vol.11 No.4

Rising together with the issues of publicness, public art is a term associated with contradictory concepts of social value, ‘public’ and personal value, ‘art’. However, as the times and place-related situations are changing, characteristics of ‘public’ and ‘art’ are going through various development and dispute and recently progressing to the direction of ‘realization of artistic value’, whose main purpose is realization of publicity focusing on community. What Suzanne Lacy said, ‘New Genre Public Art’, can correspond to the above, in which public art can be regarded as ‘art for the pubic’ and ‘publicness’ is emphasized more rather than the art itself. While a new genre art of the Western is focusing more on the human rights of minorities including homosexual community or AIDS patients and drug-control. However, in domestic situation, ‘community art’ is paying more attention to the local community. This activity can be divided into two; community's activities called temporarily through the experts’ initiatives and spontaneously generated cooperative work oriented in sedentary work. In this study, as representative examples, ‘An-Chang-Go Project’ in Busan, ‘Sam-Duk-Dong’ in Daegu, and ‘Vanziha’ in Incheon were examined based on their properties of community art activities. Even though having limited history, community art in our domestic society initiated with the purpose of regenerating small neglected local space and is gradually spreading out to nation-wide activity. As seen with the context, this community art is providing a proof of feasibility of new locality as ‘social activity based on a placeness’ going against ‘panoptic power’. 공공성의 문제와 함께 대두된 공공미술은 ‘공공’이라는 사회적 가치와 ‘미술’이라는 개인적 가치라는 서로 모순된 개념이 조합된 용어이다. 그렇지만 ‘공공’과 ‘미술’의 성격은 시대적, 장소적 상황이 변화함에 따라 다양한 전개와 논쟁을 거쳐 최근에는 ‘공동체’에 주목하고 ‘공공성의 실현’을 목적으로 하여 완성되는 ‘미술적 가치의 실현’이라는 방향으로 나아가고 있다. 수잔 레이시가 말한 ‘뉴 장르 공공미술’이 이에 해당하는데 공공미술을 ‘공공의 미술’로 보고, 예술 자체보다는 ‘공공성’에 무게중심을 둔다. 그러나 서구의 뉴장르 미술이 주로 동성애자나 에이즈 환자 등 소수자의 인권문제나 마약퇴치 등을 주제로 활동하는데 반하여, 우리나라는 로컬의 커뮤니티에 더 중점을 두는 ‘커뮤니티 아트’ 유형이라고 볼 수 있다. 이 유형은 전문작가가 주도하면서 작품을 통해 일시적으로 소집된 공동체의 활동과 정주형(定住形) 중심의 자연발생적 협업 공동체의 활동으로 나뉜다. 본 논문에서는 대표할 만한 사례로 부산의 ‘안창고 프로젝트’, 대구의 ‘삼덕동’, 인천의 ‘반지하’의 커뮤니티 아트 활동의 특징들을 살펴보았다. 종합적으로 볼 때 아직은 공공미술의 역사가 길지 않은 국내에서도 커뮤니티 아트는 소규모의 소외된 로컬공간의 재생을 목적으로 시작하여, 점차 전국적 규모의 운동으로 확산되어 가고 있었다. 그런 맥락에서 볼 때 이러한 커뮤니티 아트는 ‘장소 없는 흐름의 권력’에 대항하는 ‘장소성에 근거를 둔 사회운동’으로서 새로운 로컬화의 모색가능성을 보여주는 것이라 할 수 있겠다.

도시의 인공열 산정에 관한 연구 ( Study on Estimation of Urban Anthropogenic Heat Generation )

손은하,김유근,홍정혜 한국대기환경학회 2000 한국대기환경학회지 Vol.16 No.1

교차상관방법을 이용한 대기운동벡터 자동 산출에 관한 연구

손은하,안명환 한국기상학회 2005 한국기상학회 학술대회 논문집 Vol.2005 No.-

다문화사회에서 이주민의 타자화: 재현된 영상물을 중심으로

손은하 성결대학교 다문화평화연구소 2013 다문화와 평화 Vol.7 No.1

We tried to look into characters which are projected to images and to discuss about multiculturalism as we were facing the entry of extended multicultural society by increasing immigrant workers and international marriage. The Film “Bandhobi” gazes at the encounters and experiences of Karim, a male worker from Bangladesh and Minseo, a female suffering from double alienation - as a minor and a female in a man-ruled society. The violence, exclusion, social ostracism and indifference of Korean society towards the foreigners may touch the minds and hearts of many Korean viewers who perhaps never looked at their country in such a way. The main hero has to experience forceful assimilation at the hands of governmental institutions, and his suggestion to the alternative approach are not being heard. <Persepolis>looked around the life of Marjane who experienced the life of both minority and the stranger in a multicultural society as an example of another country. My argument incorporates philosophy studies of ``the Other`` and ``Otherness`` as suggested by such thinkers as Emmanuel Levinas, Georg Simmel who look at these issues with Strangers. For instance Levinas and Derrida in their studies gave attention to “hospitality”, which possibility I here also explore. Hereof, Richard Kearney is saying that it is necessary to compensate the deconstruction of absolute hospitality. Finally, locality discourses were suggested for drawing change of frame in views to accept and respond to others. As a resistance against imperial view, this is a discourse to overthrow the logic of modern centralization and to re-organize others. In the era of multi-cultural society of migrant workers and married migrant women, this study sheds new light on parts which were excluded and alienated from logic of capital letter, and tries to give attention on newly formed locality.

이질성과 표상 그리고 다문화와의 관계

손은하(孫銀河) 동북아시아문화학회 2014 동북아 문화연구 Vol.1 No.39

Korean society has entered into a multicultural society since rapid progressed influx of immigrants. Because We Korean have stuck to ethnically homogeneous nationalism, the encounter with those peoples brings a ‘fear’ of heterogeneity. furthermore, we requires the separation of space from them. This article discuss the Georg Simmel"s definition of stranger and their bright side with viewpoint of hybridity, mobility and objectivity. Homi K. Bhabha"s complicated issues; immigration, asylum and cultural deportation are also discussed in aspect of ‘the uncanny’. He refers the relationship of self & others is ‘uncanny’. Julia Kristeva gives counsel to us “yourself is also uncanny one to you.” These postcolonizing and postmodernizing narrative discourses also discussed in relationship of locality. In conclusion, I appeal the necessity of new paradigm of stranger in viewpoint of ‘The humanities of locality’ as a Others-oriented narrative.

지역서사의 변곡점(變曲點) - 부산 감천문화마을을 중심으로

손은하 전남대학교 인문학연구소 2022 용봉인문논총 Vol.- No.61

This thesis examines the change process of urban regeneration project targeting Gamcheon Culture Village located in Saha-gu, Busan. I looked at the reasons why the name culture was chosen, from the definition of the cultural village to examples by referring to the records in the literature. The narrative of Gamcheon Culture Village was investigated and the differences were compared with the cultural village creation project. Finally, in the current crisis situation, necessary parts were suggested in consideration of the situation and conditions of the village. About 10 years have passed since the project started for villages, and the problems of the urban regeneration project were analyzed and the limitations of the newly started 'Cultural City Creation' project were pointed out. Although the village became known as a tourist destination, except for the topographical factors of the village, various events and projects performed had similar outputs and noises that can be seen anywhere. Moreover, most businesses have been reduced or temporarily suspended due to the pandemic at a time when a new perception must be changed. Although it is a time when the necessary education and systems are needed in the non-face-to-face era, it is a difficult environment considering the population distribution, age, and social situation of the village. A system that can cope with a pandemic by analyzing the unique characteristics of this place needs to be built, and it is necessary to think in the humanities to create the locality of this place. 이 논문은 부산 사하구에 위치한 감천문화마을을 대상으로 하여 도시재생사업의 변화과정을 살펴본 것이다. 문화라는 이름이 선정된 이유를 문헌의 기록들을 참고해서 문화마을에 관한 정의부터 사례들까지 살펴보았다. 감천문화마을의 서사를 조사하고, 문화마을 만들기 사업과의 차이점을 비교해 보았고, 마지막으로 펜데믹 시기와 맞물린 지금의 위기 상황에서 마을의 상황과 여건들을 고려해 필요한 부분들을 제언하였다. 마을을 대상으로 사업이 시작된 지 10여 년이 지난 현재, 도시 재생 사업의 문제점을 분석하였고, 새롭게 시작된 문화도시만들기 사업의 한계점을 지적하였다. 마을이 관광지로서 이름을 알리게 되었지만, 그 마을이 지니고 있는 지형적인 요소 외에, 시행되는 다양한 행사와 사업들은 어느 곳에서나 볼 수 있는 아웃풋과 다르지 않았고, 잡음 또한 비슷하게 나타났다. 더욱이 새롭게 인식을 전환해야 할 시기에 코로나 펜데믹으로 인해 대부분의 사업들이 축소되거나, 잠정 중단되었다. 비록 비대면 시대에 필요한 교육과 시스템이 필요한 때이긴 하나, 마을의 인구분포와 연령, 사회적 상황을 고려했을 때 쉽지 않은 환경이다. 이곳만의 특성을 분석하여 펜데믹 시 대처할 수 있는 시스템이 구축되어야 하며, 로컬리티를 만들어 갈 수 있는 인문학적인 사고가 필요하다.