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RISS 인기검색어
- 검색키워드
- 저자 : 박정근 ( Jeong Keun Park ) (검색결과 65 건)
- 무료
- 기관 내 무료
- 유료
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박정근 ( Jeong Keun Park ) 한민족문화학회 2013 한민족문화연구 Vol.42 No.-
Park YoungKeun as a labourer Poet had fought intensively against economical extremities of Neo-liberalism and exploitation of capital from labourers until he died. However, he came to fall into ideological despair by losing his destination after the breakdown of Soviet Union. The Labourers, liberal intellectuals as well as labourer poets, dreaming about the world where labourers can live subjectively, resulted in losing their dynamics by the fact that all of the social classes were swept by the high waves of Neo-liberalism but to show extreme secularization. Park diagnoses that the cause of the failure exists in snobbism by which the position of labourers can be found in the upper parts of the social structure, and that love and value of labour cannot be attained in the Political conflicts. He thinks that the true images of labourers exist in the pity that they fall like dust for their consolidation to become one, rather than in fighting for their realistic pie. Thus, he departs desolate cities and inhuman factories and tries to find the fountain of lyricism by returning to his hometown where his family are sweating in the farm. The poet can sing with his poems feeling the thirst for lyricism because he is feeling deep despair. Park`s despairs can be classified into ideological despair, economical one, and existential one. These despairs are not so much divided as mutually connected and affiliated into deeper one. THe female labourers are fascinated to watch the images of manikins in the street and liable to be Polluted willingly for their secular illusions. Now, the labour poems of 80s cannot maintain their ideological values further and are degenerated into hypocritical slogans. The poet tries to maintain moderated lyricism by gazing his Past calmly when he feels his fear that he would cry out at his long and meaningless way of ideological strifes. The Poet would like to accept his Poor ordinary life positively, not Painfully though he is suffering from realistic difficulties caused by economical Poverty. When labourers cannot accept Poverty as their own, they come to lose their identities and become in-existential beings. He thinks that the Poor can enjoy their own lyricism and let the flowers of their esthetics bloom even in the environment of slums. And he dares to prove the lyrical esthetics of the Poverty by entering into the despairs of the poverty and playing their hearts as musical instruments, not by telling the cause of it in the battlefield of ideological strifes. Lastly, the objects on which he would like to depend for overcoming his despairs are his poems. However, he comes to fall into existential despair when he faces the huge universe and nature. He realizes that even his poems are powerless and meaningless in front of tremendous nature like the wide Plain of Mongol. He departs the way of wandering in his existential despair as mad Hamlet resists against corrupted world. His wandering can be that of finding the truth of existential life, as well it can be the existential situation of the poet who is expelled by the conspiracy of power and capital. He achieves his awakening that he can reach the level of ecological and lyrical esthetics with the principle of life and regeneration through his integration with existential elements of the universe and nature an well as through the rottenness of human-beings` secularities.
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박영근의 『김미순전』에 나타난 들뢰즈적 “정동”의 연극성
박정근 ( Jeong Keun Park ) 영주어문학회 2012 영주어문 Vol.24 No.-
Park Young-Keun has been evaluated as the first rate labour poet in Korea. He published Kim MiSoon Jeon which had unique elements such as epic poetry, Pansori, and Kim Jiha`s Damsi. In this long poem, the poet represents a female labourer who is innocent because of her lack of identity. She has strong desire for fashion, money and sex which are superficial elements of capitalistic society. She comes to be the victim of power that would cooperate with capital. Kwon Doga seduces her to play the role of fraktsiya. She dares to approach the leader of labor union, Walsun. She pretends to sacrifice for the union, by which she gets the trust of Walsun. Then, she steals the information of the union, which lets Walsun be prisoned. The poet tries to describe the situation objectively by using multi-viewpoints of Pansori. With this literary technique, he overcomes the literal weakness of dichotomy which has usually appeared in Labor poems. Park Young-Keun represents the characters of power, capital and laborers objectively by keeping distance, so that he can criticize even the members of labor union lacking in their own identities and strong will for reformation of society. However, the poet shows the reversal of MiSoon by having Deleuze`s good meeting which permits her spiritual transformation. She, in her fantasy or dream, meets her mother and Walsun, which leads her into repentance for her previous role as fraktsiya. From this motive, she rejects Kwondoga`s offer to play the immoral role. By discovering her transcendent change, the agent of power decides to kill her who knows too much about the conspiracy of power and capital. Experiencing the painful suffering given by the power, she would not surrender to it. Rather, she can get the complete freedom as a real labourer which can be evaluated as complete ``JeongDong`` of Deleuze.
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박정근 ( Jeong Keun Park ) 한민족문화학회 2011 한민족문화연구 Vol.38 No.-
The poet who settled the existential poems in Korean literature, is Kim Soo-Young. He ever suggested that the poet should revolt positively against ugly reality and criticize it. The poet reveal the absurdity of dictatorship, feudal innocence, and petit-bourgeois secularism by posturing existential attitude, rather than conform to them. In this respect, the ugly reality plays the role that leads the poet to keep the relation of tension with it and makes him or her to have critical viewpoint toward life. Park YoungKeun have regarded Kim Soo-Young`s existential attitude as his direction of his versification. Whereas Kim headed toward existential poems of modernism against Lee SeugMan`s dictatorship, Park became the starting-point if labor poems that revolted against military regime and development dictatorship. As Kim criticized ordinary conformity of petit-bourgeois, Park detested secularism of capitalism and rejected the reception of civilized comfort and convenience. Park initiated the practice of existentialism through labor movement and made desperate efforts to harmonize his literary life with existentialism thoroughly, rather than to make literature a kind of political tool. Not only Park fought against capital and regime politically, also walked his lonely way to keep his identity as poor poet by not making a compromise with materialistic secularism inside. That way resulted in driving him into the complete situation of existentialism. His materialistic poverty made his humble home as rest space strange place in which anybody did not welcome him. His life itself was like traveling sickness and left him in the middle of crisis just like standing on the edge of knife. He as a labor poet showed the transformation from thorough fighter to existentialist approaching calmly toward ultimate death. The works that he completed his existential poetic world are those about Mongol grass lands in his posthumous manuscript. The grand Mongol grass lands made him feel the meaninglessness of human civilization and ideological values just like a man standing in front of death. By discovering that ideology, aesthetics and literature that he had valued until then, became meaningless in front of grand nature. In this situation, he developed his poems into mature ones condensed with existentialism.
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