여성시각에서 본 로렌스 : The Fox 를 중심으로

김정매 한국로렌스학회 1991 D.H. 로렌스 연구 Vol.1 No.-

해방의 텍스트: 『프랑스 장교의 정부(情婦)』

김정매 (주)문학동네 1995 문학동네 Vol.2 No.4

해방의 텍스트 : 존 파울즈의 『 프랑스 장교의 정부 』

김정매 한국영어영문학회 1995 영어 영문학 Vol.41 No.2

韓國의 地方債制度 改善方案에 관한 硏究

金正梅 조선대학교 지역사회발전연구원 2001 地域發展硏究 Vol.6 No.2

소설의 아이러니 수법 : 콘래드의 「밀정」(The Secret Agent)

김정매 동국대학교 영어영문학과 1984 Dongguk review Vol.- No.12-13

콘래드는 「밀정」을 본래 단편소설로 시작했다. 그러나 집필하는 도중에 점점 불어나서 이 이야기는 1906년 10월부터 미국의 주간지인 Ridgways: A Militant Weekly for God and Country에 연재되기 시작했다. 콘래드는 이 연재를 다 끝내기도전에, 이 이야기를 단행본으로 출간하려면 많은 부분을 보충하면서 길이도 늘려야 겠다는 사실을 깨달았다. 콘래드는 그해 겨울부터 이야기를 보완하는 작업에 들어갔고, 1907년 9월에는 드디어 The Secret Agent가 한권의 소설로 출판되었다.

James Joyce의 Dubliners 고찰 : "The Dead"를 중심으로

金正梅 동국대학교 영어영문학과 1990 Dongguk review Vol.- No.18-19

James Joyce는 1904년 22살의 나이로 조국 Ireland를 스스로 등지고 영영․몇번의 짧은 기간을 방문을 제외하고는 떠나기 전에 “The Holy Office"란 시를 집필했다. 그중 한 stanza는 다음과 같다. So distantly I turn to view The shamblings of that motley crew, Those souls that hate the strength that mime has Steeled in the school of old Aquinas Where they have crouched and crawled and prayed I stand, the self-doomed, unafraid, Unfellowed, friendless and alone, Indifferent as the herring bone Firm as the mountain ridges where I flash my antlers on the air (Burgess.224)

방한관광객의 만족도에 대한 인구통계적 차이 연구 -일본, 중국, 대만 관광객을 중심으로-

김정매,홍미영 한국호텔리조트학회 2012 호텔리조트연구 Vol.11 No.3

This study is researched from 2010 June to 2010 November at the Incheon International airport which has the heaviest tourist traffic, and the research is filled by Japanese, Chinese, and Taiwanese tourists. Total of 1000 research papers were used and 932 papers were collected. Research papers without confidence (139) were excluded among the 932 papers. In the end, total of 793 papers (Japanese 319, Chinese 280, and Taiwanese 194) were selected as final sample and used on actual analysis. First, to recognize the general characteristic of sample, frequency analysis was done. Second, to analysis reliability and credibility of tourist satisfaction, factorial analysis and reliability analysis were done. Third, to find out general difference between Japanese, Chinese, and Taiwanese tourist, T- test and ANOVA verification were done. As a result of analysis, first non tourism activity satisfaction based on nationality is Japanese tourist has the most satisfaction and Chinese tourist is next. Second, non tourism activity satisfaction based on sexuality is that male has more satisfactory than female. Third, non tourism activity satisfaction based on the method of traveling scored high satisfaction on all method which are private traveling, group tour,and AIR-TEL. There was no difference by posteriori test, and private traveling has the highest satisfaction among the other method of traveling.

『젊은 예술가의 초상』과 『아들과 연인』의 비교 : 스티븐과 폴의 비전을 중심으로 Focussing on the Visions of the Heroes

김정매 동국대학교 영어영문학과 1996 Dongguk review Vol.- No.24-25

This paper aims to examine James Joyce's A Portrait of the Artist as a Young Man and D.H. Lawrence's Sons and Lovers from a comparative point of view, paying special attention to the scenes of visions of the respective main figures, Stephen Dedalus and Paul Morel. The two novels belong to the genre of Bildungsroman in that they both depict the process of the heroes growing from their early infantile period up to the time when they can stand alone, ready to start an independent life. They also can be regarded as belonging to the genre of Ku‥nstlerroman because both of the heroes are artists: Stephen, a poet and Paul a painter, although the latter is rather vaguely represented as a painter when compared with the former. The two youths share a common ground in that they undergo the moments of revelation through the contact with female figures, either with a girl or a woman. The female figures play a vital role in their lives until they become mature men, offering them an unusual insight into life and the universe. Ironically in order that they may be liberated from the shackles of various oppressions, they have to leave the women who have enriched them to mature. In Paul's case, his possessive mother of Oedipal love, Miriam of spiritual love and Clara of physical love are the persons who provide him with insight and visions of the world, but ironically he considers them to be elements of oppression from which he should be liberated. In the case of Stephen, not only the intimate relationship with his parents and friends but also the Catholic Church and his own country, Ireland, emerge as the elements he should deny in order to stand alone true to his vision.

다시 읽는 『더버빌가의 테스』 : 테스의 정체성을 중심으로 Focusing on the Identity of Tess

김정매 東國大學校 1995 東國論叢 Vol.34 No.-

This paper aims to re-read Thomas hardy's Tess of the d'Urbervills focusing on the nature of Tess's identity as a woman. Until quite recently most of the received criticism, predominantly of male critics, has regarded Tess as an impotent, passive victim of Fate, having no control over her conducts. Certainly she shows, to a certain extent, passivity, ready to follow patriarchal value system, and to sacrifice herself for her family. Yet even these traits are connected with other aspects that are in conflict with the common image of "a passive victim." When we read the text more objectively, it provides us with a new perspective to deepen our understanding of the true nature of her identity. Her physical voluptuousness is nothing but an aspect of her female sexuality which also harbors an independent critical mind, a noble spirit that can sympathize with others' suffering. In short her female sexuality is the very source of perseverance, deep sympathy as well as violence when driven to the extreme. She is also a person who is capable of being in harmony with nature in full cosmic consciousness as well as a complex human being conscious of contradicting elements in her self and concretely reiterating the full vibrant rhythm of life.

D.H. 로렌스의 Women in Love 연구

김정매 동국대학교 1986 論文集 Vol.25 No.-

This paper purports to investigate the world of Women in Love on a rather extensive scale, first by comparing it with the Raindow to which it servers as a sort of sequal, then by closely examining its main characters and the relationships between them, extracting in the process their world views, and by considering the psychological milieu of the author and finally by trying to place the novel in the whold opus of Lawrence's fiction. It approaches the novel in thematical as well as technical aspects where it is worth noting them. Although Lawrence once insisted the The Rainbow and Women in Love constitute a complete whole, the latter being a sequal to the former, there appear conspicuous differences between them, which enable us to read them as separate works. Ursula Brangwen who appears in the later part of The Rainbow as a main figure continues to appear with her sister Gudrun in Women in Love and plays a principal role. But her personality has too remarkably changed to be regarded as the same person. She has changed from the brave, adventurous and outgoing to the mild, receptive and "feminine" figure. The world of The Rainbow is diachronic while that of the latter is shychronic. Whereas the former deals with the various patterns of man-woman relationships over three generations of the Brangwen family, the latter deals with the relationships of two pairs of lovers over a comparatively short period. The basic rhythm of the former is that of the natural world and church calendar, stable and cyclic while that of the latter is artifical and spasmodic. Ursula of Women in Love is far removed from the pastoral rural world of her anscestors and placed in the modern urban world, thus facing problems more relevant to modern readers: how to live in this mechanized society and what should one do in order to save oneself in this deadening, disintegrating world. Women in Love shows us two pairs of lovers: one, Ursula-Birking, representing a dance of life and the other, Gudrun-Gerald, a dance of death. Unlike a proper love story full of tender and warm feelings, there pervades frightening mood coloured with frustration, anger, hatred, will-power, corrosive and destructive elements, The dominating tome is apocalyptic, yet it is not totally despairing. It shows us an outlet by which we can find "a world beyond" the bullying masses: the genuine loverapport between man and woman, the "star-equilibrium" state. There appears, however, a critical flaw due to authorial intervention: the plot doesn't develop as the book insists. Although birkin, the mouthpiece of the author, insists that he keep the star-equilibrium relation with Ursula, actually he dominates the way with Ursula submissively following him. Yet this flaw is sufficiently made up for by the objective portrayal of Birkin as well as other minor characters. The composition of Women in Love with strong apocalyptic overtones and misanthropic utterances can be regarded as a therapeutic act on the part of the author when we consider the biographical elements. While writing and revising it, Lawrence underwent a series of "nightmarish" incidents as well shown in the "Nightmare" chapter of Kangaroo. In the The Rainbow Lawrence employed the so-called "allotropic" approach to the characters, and in Women in Love the stepped further into "allotropic symbolism," thus making both of the novels the culmination of his art. Yet unlike The Rainbow which concentrates upon the male-female relationships, Women in Love introduces another theme: that of male brotherhood. Birkin, although satisfied with the relationship with Ursula, yearns for a sort of "blood-brotherhood," thus foreshadowing the near-approach of the leadership novels.