당 전기 <李娃傳>에 나타난 여성의식 小考

김낙철 한국중국소설학회 2021 中國小說論叢 Vol.65 No.-

Chuanqi Novel(傳奇小說) Liwazhuan(李娃傳) is a short story by Bai Xing jian(白行簡) in the Tang dynasty. The story involves a tribute student Mousheng(某生), trying to get the affections of Li Wa, a female prostitute in Chang'an. Mousheng spends his money on Li Wa and neglects his studying for the imperial examinations. He lives with Li Wa and spends all of his money, which is ultimately exhausted. After Mousheng can no longer pay the prostitution costs, Li Wa and her madam abandon him. Mousheng begins working at a funeral parlor as a dirge singer and at one point is the winner of a singing competition. His father discovers him while visiting Chang'an and severely beats him, and leaves him for dead. Later Li Wa encounters this young man, who is now a beggar. She helps him recover health, and study for the examinations. Mousheng passed the state examinations over and over. He and his father restore a father-son relationship. Mousheng remains devoted to Li Wa and the two marry. Liwazhuan weaves together the various strands of Li Wa’s life. Feminism is relatively difficult to define, However, if one looks closely enough, Li Wa has an outstanding career as a prostitute, she is enormously rich in prostitution. Most of all, she's got Mousheng in her back pocket and under her thumb. Obviously she has corrupted him, but she coached Mousheng for the state examination, carried him to a successful conclusion. Woman takes the leadership of man, this novel claims to support female consciousness in many respects. So, This paper considered true meaning and values of female consciousness factors in Tang Chuanqi Liwazhuan. 백행간(白行簡)의 <이와전(李娃傳)>은 현시대 여성의식의 총체적 적용이 가능할 정도의 여성상이 묘사되어 있다는 점에서 남존여비 사상에 물든 다른 작품들과 매우 차별화된 가치를 지녔다고 할 수 있다. 본고는 <이와전>이 남성 작가가 지은 소설임에도 불구하고 여성의 존재감이 돌출되는 이야기가 탄생하게 된 작가의 이율배반적인 창작 심리를 분석한 후, 여성의 성 해방, 여성의 직업관, 여성의 남성 지도력, 여성의 자아실현 등 4가지 모티프로 서사구조를 구분하여 작품에 구현된 여성의식의 유형과 의미를 규명하고자 하였다.

花柳小說 『花月痕』의 再評價

김낙철 한국중국소설학회 1998 中國小說論叢 Vol.8 No.-

淸末魏子安的 『花月痕』小說, 是描述兩對才子妓女間悲歡離合的愛情故事。 作家寫男女戀愛的喜悲情節, 藉以抒發自己的牢騷, 對飛黃騰達的嚮往與窮愁료倒的鬱怨。 因此不能純粹以男女私情來了解타的內涵。 一般人或者因爲此書主要女主角的身빈都是妓女, 就把타歸入於花柳小說類, 而與 『品花寶鑑』·『靑樓夢』·『海上花列傳』竝列。 但是此書所寫的雖是靑樓情愛, 각全不涉淫邪, 絶無淫詞穢語。 在內容·結構上不流於一般花柳小說的庸俗, 所表現的藝術性十分濃厚, 足구成位花柳小說中的傑作。 就타的思想而言, 타不像當時的一些才子佳人小說那樣從人物到故事·情節全都踏襲故作, 僅국促於男女愛情問題, 而是從文人理想出發包含了旣深且廣的現實局面, 竝且體現淸末混亂時代的寫照。 本論文的硏究目的就在探討 『花月痕』的文學成就, 竝進一步試圖呈顯타在花柳小說類上所占的特性與地位。

唐 傳奇의 偶然性 硏究

김낙철 한국중국소설학회 1995 中國小說論叢 Vol.4 No.-

唐 傳奇와 神話構造의 대비분석

김낙철 한국중국소설학회 1996 中國小說論叢 Vol.5 No.-

당(唐)전기(傳奇)애정소설에 나타난 비극성

김낙철 한국중문학회 1996 中國文學硏究 Vol.14 No.1

Prevalence of Gait Features in Healthy Adolescents and Adults

김낙철,문승준,박문석,이경민,최국진,최우영,성기혁 대한법의학회 2021 대한법의학회지 Vol.45 No.1

Forensic gait analysis is the identification of individuals by their gait style and walking characteristics. This study aimed to examine the prevalence of gait patterns in healthy adolescents and adults. Five hundred healthy participants (mean age, 36.9 years) were enrolled and divided into four age groups: 13-20, 21-35, 36-50, and ≥51 years. The gait of the participants was recorded in a gait analysis laboratory. Five specialists experienced in gait analysis selected several gait features. The prevalence of out-toe, in-toe, planovalgus, and turtleneck was 25.0%, 1.6%, 6.8%, and 4.2%, respectively. The prevalence of genu varum (10.4%) was higher than that of genu valgum (5.6%). Genu valgum and hindfoot valgus were more common in younger than in older subjects (P=0.018 and P=0.029, respectively). Genu varum was more prevalent in older subjects (P<0.001). The prevalence of out-toe was higher in males (P<0.001), whereas the in-toe and genu valgum were more common in females than in males (P=0.027 and P=0.038, respectively). We have documented the prevalence of several gait features in healthy adolescents and adults. These gait features can be used to enhance evidentiary competence in forensic gait analysis and thereby help improve the arrest rate of offenders.

전화가입자 번호안내 사업의 경쟁 도입 및 서비스 개선 방안

김낙철,임종식,이기태 한국통신학회 2000 韓國通信學會論文誌 Vol.25 No.6

As being various user telephone number after entry of new telecommunication enterprise, management of systematic Directory Assistance Service is required. Also through providing competition of Directory Assistances Service, enhancement of Service quality and development of new Service are induced. In this study, there is researched the overall view of present Directory Assistance Service in priority Korean Telecom and the oversea's Directory Assistance Service for U.S.A, England, Australia, Japan. As result of study, we want to suggest the appointment of unified Directory Database Management Company and outsourcing of Directory Assistance Service to that company but in reality, there may be other idea also with regard to various circumstances.

당전기와 성경에 나타난 ‘용(龍)’의 의미 고찰―《유의전(柳毅傳)》과 《욥기》를 중심으로

김낙철 한국중국소설학회 2014 中國小說論叢 Vol.43 No.-

From Wikipedia, Chinese dragons traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, hurricane, and floods. The dragon is also a symbol of power, strength, and good luck for people who are worthy of it. With this, the Emperor of China usually used the dragon as a symbol of his imperial power and strength. The feature and meaning of the dragon in Chinese literature Tang Chuanqi 《Liuyizhuan(柳毅傳)》 is consistent throughout the Chinese cultures. On the other side, what is the meaning of the dragon in the Bible? There are a number of passages in the Old Testament about the dragon called Leviathan. The major passage is found in Job. Satan is called a dragon in the book of Revelation. He is described in Revelation tells us the dragon is the devil(snake) or Satan. The dragon appears to symbolize power and again God conquers with power. So, what is the main difference between Tang chuanqi 《Liuyizhuan(柳毅傳)》 and the Bible 《Job》, This paper deals with features of Dragons as well as peculiar meanings about two cultural phenomenon.

唐傳奇에 나타난 여걸 고찰

김낙철 중국어문연구회 2018 中國語文論叢 Vol.0 No.85

In Chinese literature, Tang Chuanqi(唐傳奇) was a form of short story in the classical language which developed in the Tang dynasty. A hero is a main character of a literary work who, in the face of danger, combats adversity through feats of ingenuity, bravery or strength, often sacrificing their own personal concerns for a greater good. No one can deny the recognition of respect for men and discrimination against women contained in the Tang dynasty. Women were often not individualized, but praised as a group for heroic deeds. People say that women can not do this job, of course there are some exceptions. Anyway, the cultural repertoire of heroic stories requires different qualities for each gender. Tang Chuanqi’s writers took to finding their own problems, naturally leading to a connection with modified subject. They shall be called ‘Heroine Novels’. Heroine novels of Tang Chuanqi can be categorized according to the female features of realizing heroines into the four types. Liwazhuan(李娃傳)⋅Xiexiao’ezhuan(謝小娥傳)⋅Shangqingzhuan(上淸傳) and Hongxianzhuan(紅線傳)⋅Sheyinnang(聶隱娘) literally succeeded the tradition of women’s superiority like so called active women to the next generation. This paper considered true meaning and values of heroine novels in Tang Chuanqi.

중국 신화와 성경 창세기 간의 관계성 小考 - ‘여왜, 여호와, 노아’를 중심으로 -

김낙철 동북아시아문화학회 2012 동북아 문화연구 Vol.1 No.30

A Study on Chinese myth and Genesis--focus on 'Nüwa, Yehehua, Noah' Kim, Nak-Cheol In Chinese myth, Nüwa(女媧) is the creation deity and the heaven-repairing heroine. It was said that there was no creature in the world at the beginning of the genesis. Pangu(盤古) created the world. Soon after that, there was collapse of the northwest sky followed by gales, heavy rain, snow and hail, and the world was suffering from flood. Seeing this, Nüwa began to repair the sky with stones of five colors and then adjusted the four sky poles in places. and then she made humans with clay. In the Bible, God, seeing the wickedness of man, is grieved by his creation and resolves to send a great flood. He sees that Noah is a man 'righteous in his generation', and gives him detailed instructions for the Ark. When the animals are safe on board God sends the Flood, which rises until all the mountains are covered and all life is destroyed. At the height of the flood the Ark rests on the mountains, the waters abate, and the dry land reappears, Noah, his family, and the animals leave the Ark, and the God vows to never again send a flood to destroy the Earth. Thus, The flood myths are also popular in the world. So some people say that Nüwa is Yehehua(Jehovah), Yehehua is Noah. Further more, they assist that Bible is an echo of myths. So, this article intends to prove the origin of ‘Nüwa, Yehehua, Noah'.