http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
강훈,조상현,김의한,강훈 대한알레르기학회 1999 천식 및 알레르기 Vol.19 No.3
Solar urticaria is a rare disorder in which immediate erythema and wheals are induced by ultraviolet or visible irradiation. This condition usually occurs in the third and fifth decades of life and is very rare in childhood. A 3-year-old girl presented with a history of an erythematous rash which had occurred on the face and neck, immediately after exposure to sunlight for one month. A diagnosis of solar urtiacria was made on the clinical reviews and phototest. Other photosensitive disorders could be excluded by the clinical and laboratory findings. She was treated with ketotifen and sun protection showing good early results.
한국 고대사찰에 있어서 영지의 상징적 의미와 수경적 가치
강훈,심우경 한국정원학회 1988 한국전통조경학회지 Vol.2 No.7
Buddhism has deeply influenced on the Korean culture, and then this study carried out to find Buddhism influences on the Korean traditional gardens. Especially, Yong-ji(reflecting pond) in the Buddhist Temples was studied for its unique symbolic meaning and landscaping purposes. The results were summarized as follows; First, Yong-ji was executed for reflecting the Statue of Buddha, Stupa and the Sacred mountain which are treated as worshipful objects among the Buddhists, and it was supposed that Yorig-ji was constructed since Scilla Dynasty (57B.C.-935A.D.) even it was not uncertain. Second, the location of Yong-ji situated near the Iljoomoon (one-poled main gate to the Buddhist Temple) that it seemed to indicate symbolically the approach from the Profane to the Sacred, and the water of Yong-ji was treated as symbolic ablution for regeneration from the mundane life. Yong-ji is called as Nam-ji (southern pond) because of its location at the southern entrance of the temples. Third, the shape of Yong-ji was egg-formed, and it seemed to indicate symbolically the hatch from the dark and chaos to the bright world, that is, enlightenment. Fourth, Yong-ji was framed with stones and size of Yong-ji was not large, approximately 200㎡, because it was only used for symbolic purpose. There were no water plant and fish, and only calm water surface, because it was used only for reflecting the sacred features. Water-supply was through under-ground for keeping the water surface tranquil. Fifth, uses of Yong-ji for landscaping was that far scenery (statue of Buddha, Stupa or the Sacred mountain) was pulled to Yong-ji surface. It was different from Chinese or Japanese "Borrowed Scenery" technique. I would like to call it "Inkyung (Pulled Scenery)", and it was supposed one of the unique Korean Traditional landscaping techniques. In short, Yong-ji was executed metaphysically and philosophically that it should be carefully protected and restored with high-grade attitude.
고강도-경량콘크리트의 배합설계 방안 및 역학적 특성에 관한 연구
강훈,Gang, Hun 한국레미콘공업협회 2002 레미콘 Vol.7 No.-
The purpose of this study is to investigarte the mix design method and the mechanical properties of High stength Lightweight Concrete (HSLC). In the experment, concrete mixing was conducted to select the optimum mix design for HSLC in laboratory. Also, concrete mixing in ready mix design. As a result, it is possible to establish the mix design of HSLC according to the using these experimental results ;the estimate equation for unit weight of HSLC. the relationship between W/C and compressive strength of HSLC and the fluidity of HSLC in the view of workability
18세기 천재담론으로 본 건축적 주체의 미학적 고찰 : 분열된 주체를 넘어 창조적 상상력으로서의 주체
강훈,강윤식 대한건축학회지회연합회 2014 대한건축학회연합논문집 Vol.16 No.1
본 논문은 우리 ‘건축’의 ‘대상a’로서 서구 현대건축(예술)의 ‘근대적 주체’의 형성과 탈-주체의 과정, 그리고 ‘새로운 주체’ 개념의 필요성에 주목한다. 이런 차원에서 18세기를 전후 유럽을 배경으로 다양하게 펼쳐진 ‘천재담론’의 전개와 논지는 ‘예술적 주체’의 문제에 적지 않은 시사점을 던져 준다. ‘근대적 주체’에 종속된 도구적 관점의 건축이 아닌, 나아가 포스트모더니즘의 허무주의를 넘을 수 있는 ‘건축-주체’의 새로운 가능성을 볼 수 있다. 우리의 ‘건축’에게 서구의 ‘아키텍처’가 ‘실재의 구멍을 채우는 환상으로서 대상 a(object little a)’라면, 그래서 우리의 ‘건축’이 그 붙잡을 수 없는 대상에 대한 ‘끊임없는 욕망’으로 정의된다면, 이제 남은 것은 그것을 어떻게 ‘허무주의’가 아닌 ‘생의 의욕’으로 재정의할 것인가의 문제이다. 결국, 근대 계몽주의적 과도한 이성주의와 현대 포스트 모던적 탈주체화의 과정에서 ‘분열된’ 건축적 주체와 독창성의 회복은 근대기획(modernity project)의 본질로서 ‘자유’로서 주체의 ‘비판성’을 회복하는 것으로부터 출발하며, 창조적 상상력과 예술로서의 ‘문화’에 바탕 한 새로운 ‘공동체’의 자치를 재조명하고 실천하는 것으로 나아가야 할 것이다. 이 와중에서 우리 ‘건축’의 분열된 주체는 ‘건축-주체’의 새로운 통합으로 재정의될 수 있을 것이다.
강훈이 외 전남대학교 수산과학연구소 1994 수산과학연구소논문집 Vol.3 No.-
The proc않sing condit‘ons for fennented shrimp of favorable quality were investigated. A fennented shrirnp was prepared with various contents of sa1t and additives such as 5% of ethyl alcohol and 5% of sorbitol as preservatives and flavor e떠lllncers, and fennented at 4 0C 때d 15 0C for 120 days. Additions of 25% of salt or more and 5% of ethyl alcohol, 5% of sorbitol were effectively suppressed discoloration 없떠 putrefactive odor of fennented shrirnp. The more addition of salt, ratio of protein hydrolysis was low during fi하mentation of shrirnp, and that during fennentation 야riod at 4 0C was decreased by 10.7-1 1.6% compared with the fennentation at 15 0C. The viable cell count in the fennented shrirnp with 5% of ethyl alcohol and 5% of sorbitol showed lower than control during fennentation pe디 od and the represion of microbial growth was caused by adding ethyl a1coh이 and S야bitol. Judging from th얹e results, the 앓lt level in production of fennented shrimp could be reduced to 25% of salt by additions of 5% of ethyl alcohol and 5% of sorbitol.
강훈종,조동식 한국정보통신학회 2021 한국정보통신학회논문지 Vol.25 No.4
Recently, 3D reconstruction of real objects with multi-cameras has been widely used for many services such as VR/AR, motion capture, and plenoptic video generation. For accurate 3D reconstruction, geometry and color matching between multiple cameras will be needed. However, previous calibration and correction methods for geometry (internal and external parameters) and color (intensity) correction is difficult for non-majors to perform manually. In this paper, we propose a toolkit with procedural geometry calibration and color correction among cameras with different positions and types. Our toolkit consists of an easy user interface and turned out to be effective in setting up multi-cameras for reconstruction.