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The Paradox of Kellis (Western Egyptian Desert)
Victoria Beatrix Fendel 한국서양고전학회 2019 西洋古典學硏究 Vol.58 No.3
Kellis is a small village in the Dakhlah Oasis in the Western Egyptian desert. From the perspective of spatiality, Kellis seems to epitomise isolation and remoteness, whereas from the perspective of language usage, Kellis seems to exemplify integration and mixture. The article aims to explain this paradox. In the context of Britain’s concept of spatiality, it investigates the linguistic landscape of Kellis therein focusing on three structures in semi-formulaic and formulaic contexts, that is the Greek wish for the addressee’s wellbeing, the Coptic Internal Address, and the Greek polite request, in addition to the Coptic variety of Kellis, that is dialect L*. The article traces non-idiolectal contact phenomena in formulaic contexts in order to zoom in on sociolectal variation, that is on markers rather than indicators in Labovian terms. Formulaic and semi-formulaic context are evidently approached differently from free contexts in speech production and comprehension. Based on the evidence discussed, the article concludes that the inhabitants of Kellis seem to represent a close-knit social network with a certain desire to demarcate themselves. With regard to their language(s), their spatial remoteness however prevented neither innovations nor the spread of aerial features.
Victoria Protsenko(빅토리아 프로첸코) 동국대학교 영상미디어센터 2018 씨네포럼 Vol.0 No.30
본 논문은 왕가위 감독의 작품을 비평적 텍스트로 접근하고 있다. 왕가위 영화는 홍콩에서 크게 흥행하지는 않았지만, 세계 여러 관객들에게 그의 영화는 다문화적 소재, 장르적 관습, 그리고 다양한 마케팅 전략으로 깊은 많은 관심을 받고 있다. 세계 유수 국제영화제에서의 상영과 비평적 호평을 통해서 왕가위 감독은 그의 아방가드적인 명성과는 반대로 컬트적 성격을 얻게 하는데 많은 도움이 되었다. 이러한 작품적 경향을 가진 왕가위 감독은 기존 관객을 기반으로 중국 본토와 전통적인 주류 관객에게 점점 더 많은 관심을 갖기 시작했다. 이러한 측면에서 본 논문은 서구에서 왕가위 감독의 비평적 인식을 분석하고 있으며, 또한 그의 주요 10개의 작품을 제작, 배급이라는 산업적인 측면에서 살펴보고 있다. The article examines Wong Kar-wai’s oeuvre in the context of film criticism. Given that his films have rarely been successful in Hong Kong, the director has traditionally catered to international audiences, and in doing so, exploited multi-cultural sources, generic conventions and various marketing strategies. Screenings at influential film festivals and critical appraisal have helped Wong Kar-wai gain a cult following, but, contrary to his avant-garde reputation, Wong is more interested in the expanding mainland market and transnational mainstream public. We propose to analyse the critical reception of Wong Kar-wai in the West and its impact on the production, distribution and popularisation of his ten feature films.
Victoria S. Dalton,Katerina Zavitsanou 대한정신약물학회 2011 CLINICAL PSYCHOPHARMACOLOGY AND NEUROSCIENCE Vol.9 No.2
Objective: In humans, a single exposure to phencyclidine (PCP) can induce a schizophrenia-like psychosis which can persist for up to two weeks. In rats, an acute dose of PCP increases dopaminergic activity and causes changes in dopamine related behaviours some of which are sexually dimorphic. To better understand the effects of PCP on dopamine receptor adaptations in the short term we examined dopamine D1-like receptors (D1R) and D2-like receptors (D2R) in the mesolimbic and nigrostriatal dopamine pathways, 4 hours after exposure to PCP in female rats. Methods: Animals received a single dose of 40 mg/kg PCP and were sacrificed 4 hours later. In vitro autoradiography was carried out using [^3H] SCH 23390 and [^3H] raclopride that target D1R and D2R respectively, in cryostat brain sections. Results: Two way analysis of variance (ANOVA), revealed an overall effect of PCP treatment (F [1,63]=9.065; p=0.004) on D1R binding with an 18% decrease (p<0.01) in binding in the medial caudate putamen. PCP treatment also had an overall effect on D2R binding (F [1,47]=5.450; p=0.024) and a trend for an increase in D2R binding across all the brain regions examined. Conclusion: These results suggest opposing D1R and D2R adaptations in striatal subregions of female rats following acute exposure to PCP that may occur through indirect mechanisms.
( Victoria Lang ),( Sang Gu Lee ) 한국수학교육학회 2014 수학교육 학술지 Vol.2014 No.2
The notion of the reanimated dead (i.e. “zombies”) has a strong historical basis that has fascinated the general public for centuries. The zombie still remains a popular figure in entertainment media; specifically, in video games. The SIR model labels these three compartments S = number susceptible, I =number infectious, and R =number recovered (immune). This is a good and simple model for many infectious diseases including measles, mumps and rubella. Expanding upon the well-known SIR epidemiological model, we first examine basic models for zombie infection first introduced by Munz, Hudea, Imad & Smith? (2009). Specifically, we modify these models to be visualized online via Sage, an open-source mathematics software based in the Python programming language, that allows for direct user interaction. We then focus on viewing mathematically “realistic” population trajectories for the different classes of zombies from Left 4 Dead <http://www.l4d.com/blog/>, Valve Corporation`s immensely popular video game series that revolves around human players surviving a pandemic of zombie infection. The respective strengths, weaknesses, and dynamics of each zombie class are mathematically established, and all outcomes are numerically realized with online Sage tools. These models are available for viewing, manipulation, and use in a mobile environment at <http://matrix.skku.ac.kr/2014-Zombie-Model> and, thus, can serve as an effective and exciting academic tool for the interested student of any college-level Ordinary Differential Equations course.