우리시대의 여행소설

이미림 숙명여자대학교 한국어문화연구소 2006 한국어문화연구소 총서 Vol.1 No.-

기도확보가 어려운 상황에서 Miller blade와 Macintosh blade를 이용한 기관내삽관의 비교 : 숙련되지 않은 인턴을 대상으로 한 마네킨 연구

이미림,김철태,이효철 사단법인 한국응급구조학회 2018 한국응급구조학회지 Vol.22 No.3

Purpose: The purpose of this study was to compare laryngoscopic views and ease of use and success of intubation, via the percentage of glottic opening (POGO) scale when using the Miller blade and Macintosh blade in paraglossal approach. Methods: Forty intern doctors were randomized for laryngoscopy to be performed in a crossover manner. They performed endotracheal intubation with Miller blade and Macintosh blade in two airway scenarios: normal airway and difficult airway with edema. We observed the rate of successful intubation, time required for visualizing the glottis, time to complete endotracheal intubation, ease of intubation, and the POGO scale. Results: In the normal airway, there was no difference in intubation between the two endoscopes. In the difficult airway, the time for visualizing the glottis (7.80 versus 10.24 sec; p=.006), the time to tube passage (19.38 versus 23.03 sec; p=.038) and the time to complete endotracheal intubation (21.84 versus 28.54 sec; p=.022) with Miller blade was shorter than with Macintosh blade. The POGO scale(%) of the Miller blade was higher than that of the Macintosh blade’s (62.25 versus 56.32; p=.030). Conclusion: Compared to the Macintosh blade, Miller blade provided better visualization of the glottis and POGO scale, and faster time to completion of endotracheal intubation.

최명익 소설의 '기차' 공간과 '여성'을 통한 자아탐색 : 「무성격자」, 「심문」 을 중심으로

이미림 한국국어교육연구회 2001 국어교육 Vol.- No.105

The purpose of this thesis is to study the meaning of train space and search for self-identity from a woman. The 1930's Korean colonial society become modernization abnormally. A hero of Choi Myung-ik novel is an incompetent, spiritless, unemployed person, he studied abroad and took up teaching but at now, wondering as colony lumpen intelligentsiya. Jeong(「No character」) gives rise to complications in a strange land symbolizing wandering, enjoyable theory and his home living peacefully, real theory. His retrospection and meditation is made up in train going his home, he shows it is very difficult for man to make harmony between the desire in reality and artistic, scholarly spirit in novels. Myungil(「mind figure」)leads a dissipated life, so recollect the past days in train going to Harbin. The space of train symbolizes colonialized mother country. The hero examines himself by way of identifying the intellect with a working woman in cafe. The intellect is awake to a barmaid as self of another person, So he starts his life all over by way of her suiciding or death. They are a self-portrait of a colonial intellectual. The late 1930's Japanese suppressed freedom of Korean people. A hero in novel offers resistance to imperialist Japan as death and liberation of sex. The Choi Myung-ik novel describes suffering of an intellectual, he discerns self-identify as a floating train and woman.

이기영의 '여성해방' 소설 연구

이미림 한국여성문학학회 2001 여성문학연구 Vol.6 No.-

농민문학, 프로문학뿐만 아니라 민족문학의 범주로서도 자리매김하고 있는 이기영은 사회주의 여성해방론을 지녔음에도 불구하고 가부장제 유교 이념의 봉건가정에서 성장하여 작품 속에 혼효되는 양상을 보이고 있다. 첫 번째 남성중심적 시각으로 묘사된 여성상에서는 11살의 모친 사별과 14살의 조혼경험의 결정적 인상에 기인하는 투사적 계급형 인물이 이상화되거나 관념적으로 묘사되고 있어 작가가 고통받는 여성의 현실을 제대로 이해하지 못하고 이데올로기만 주입하고 있음을 알 수 있다. 또한 아내들은 구여성이든 신여성이든 이기적이고 위선적인 속물주의자, 처세주의자, 성욕 물질욕이 강한 현실주의자로 관찰되며 여성의 용모는 아름답고 신비화된 성적 대상으로 그려진다. 각성의 계기로 본 남녀 성차에서는 여성의 주체획득 과정이 남성과 차이를 보이고 있음을 주시한 부분이다. 문제적 개인이 남성인 경우 자발적인 향상심이나 내적 고뇌가 계기가 되지만 여성들은 대부분 남성과의 실연 이후에 나타나며 의식화 과정에서도 남성 지식인이 개입되어 있고 남성이 귀농, 귀향 후의 활약이 돋보이는 비해 여성들은 고향으로 가지 않고 있어 공사이분법의 경계를 탈피하지 못하고 정절 이데올로기를 극복하지 못하고 있다. 마지막으로 젠더, 민족, 계급의 삼중 억압 속에 식민지 한국여성들의 열악한 위치가 매매혼, 심청 모티프에서 단적으로 드러난다. 그럼에도 불구하고 이기영의 ‘여성해방’ 소설에서 꾸준히 천착해온 여성문제는 유의미하며 이러한 난제들이 현재 남성작가에게서도 여전히 재현되고 있다는 점에서 오늘날의 문제로 남아있다. This article has analyzed literature of Giyeong I, one of the renowned writers in the colonial period in view of feminism. The writer who had literary view of Marxism and women's liberation revealed confused aspects due to his growth in a feudalistic family of patriarchal confucianism. First, seeing the idealized aspect of woman described in male oriented view, it is as a result of early separation by death of his mother and heart broken experience from early marriage in his childhood. The classified characters described such as warrior and fighter is the result that the writer has just infused ideology without proper understanding on the reality of women in agony. Also, all the wives in his works described as selfish or hypocritical and completely materialistic person, opportunist, and realist with strong sexual and material desire while the women in his novels are referred to as beautiful and mystified sexual objects. In the sexual difference of man and woman with the view of awakening, it is noticeable part that there is difference in the process of recovering subjectivity for a woman from that for a man. A woman became to undergo the world of man in order to achieve self-awakening and if a man's personal process of problem is to say as a result of aspiration for self-improvement or internal suffering, most of women appeared to have self-awakening after suffering from broken heart with a man and even a man intellectual is related in the process of self-consciousness. Also the hero became to run away from home to be an individual of trouble and return home and to the farm after a few years. Then he solve difficulties in his hometown. But on the other hand, most of heroines do not return to their home and break from the border of the dichotomy of public and private. Such factors indicate that still woman is the object dependent and to be trained and enlightened by man and it is because the writer sticks the man initiative view not getting out of fidelity ideology. Finally, the inferior position of Korean women in colonial period is frankly revealed in the motive of purchase marriage and Simcheong under the triple suppression of gender, people and class. It displays the reality that woman does not establish identity of herself due to failure to acquire decision making authority on sexuality, be under control by the head of family such as father or husband and shared as property of man. Though the writer had the literary view of Marxism and women's liberation with the attitude of anti-feudalism and anti-imperialism under the rule of Japanese imperialism, he left contradictory world of his works with the limit of Marxist feminism focused on liberation of the class without awareness on characteristics of gender. Because his growth process under the feudalistic patriarchal family contended tightly with his literary view and his works. However, the issue on woman continuously pursued in his literature has considerable meaning and it is left as the matter of today in the fact that his weak point still reappears in the works of male writers today.

유동하는 시대의 여행과 이주 양상 - 정도상의 연작소설집 『찔레꽃』을 중심으로

이미림 한국언어문학교육학회 2015 한어문교육 Vol.32 No.-

One of the trends that emerged in South Korean literature after the travel liberalization policy in the 1990s was travel novels in the travelsettlement- travel structure, which indicates that the global community has entered the era of fluidity both in name and reality along with the creation of diaspora literature in the 2000s. In such travel novels, the travelers encounter or meet migrants of the Korean race from multicultural novels, realizing that the country has not yet escaped from the colonial situation and reality of division, which are wounds and agonies in the Korean history. North Korean defectors have a unique other-identity as Korean descent migrants along with the second- and third-generation migrant Goryeoins, ethnic Koreans living in China, and Zainichi people. They are treated as a minority in the countries where they are living and as a marginal or second class in South Korea, going through a difficult and brutal life of separation. Women of North Korean defector diaspora have dual otherness and are especially subjected to body, sex, and capital extortion, crime, fraud, and violence. This study examined The Wild Rose by Jeong Do-sang to figure out the foreigner awareness and other-identity of travelers and migrants. Previous studies on the novel conducted analysis with a focus on Chungshim(Mina, Soso, and Meina), a woman that defected North Korea. The novel, however, tells a story of "I," who is a traveler wandering around China after losing her son, meets diaspora women wandering along the streets-ethnic Koreans living in China, Han race, and North Korean defectors-, and shares grief and pain with them in a healing process. Meeting Mina, who has a hell-like mind and lives her life for survival after suffering unendurable despair and physical damage, and listening to her story about how she defected North Korea, "I" joins her in efforts to heal each other's wounds and moves from the issue of lost ego to that of national identity. Entering the multicultural age beyond borders, East Asia has faced a bunch of ethical issues raised by the sexual assault, separation hardship, and infringement on human rights of East Asian women and the mass production of Homo Sacer man. A lot of strangers receive unethical and inhumane treatments and are excluded from the community along the border boundaries among North Korea, South Korea, and China. The multicultural situations of the 21st century especially put female North Korean defectors, who have multiple otherness including "migration," "teenage girl," "East Asia," and "defection from North Korea," under harsh and excluding conditions. The migration process of Mina, who was subjected to treatments as an animal or object the moment she crossed the border, and her encounter with I, who lost a child, tell that we are currently living in the age of Homo Nomad full of travelers and migrants.

중암 김평묵의 심설과 현실인식

이미림 화서학회 2022 화서학회 학술대회 Vol.2022 No.10

김유정 · 이효석 문학 비교 연구

이미림 한중인문학회 2019 한중인문학연구 Vol.65 No.-

Kim Yu-jeong and Lee Hyo-seok share many common features including creative activities in the 1930s, hometown in the Yeongseo region of Gangwon, influences of Marxism and Western literature, membership of Guinhoi, and prolific works during a short period of time. Despite their common features, however, they are different in literary viewpoints and worlds. The two writers wrote original and distinctive novels that transcended the boundary between realism and modernism, between KAPF and Guinhoi, and between aesthetic and realistic consciousness, thus enriching literature in the 1930s. Criticizing art for art and new psychological literature, Kim was oriented toward literature about love that could contribute to the entire mankind. He believed that technical skills and artistic techniques were not enough to deliver the content right and could not be the core of literature. He criticized individualism represented by Nietzsche and Malthus and sought after a love community based on Kropotkin's mutual aid theory and Marx's capital theory. Based on this literary viewpoints, he chose a novel composition method that developed around events and characters' actions and depicted the extreme aspects of life among the lower class that moaned and suffered in the modern colonial capitalist society including farmers and peddlers with bottled liquor. Singing Yukjabaegi and putting on the Joseon clothes all the time, he used folksy Pansori-style sentences in his novels. He also published Hong Gil-Dong Stories and Dupo Stories, putting an emphasis on the mutual aid and love of the national community. Lee Hyo-seok, on the other hand, sought after romantic realism based on the art-for-art principle and aestheticism. His literature based on his aesthetic consciousness advocated the middle between romance and reality and placed importance on artistry, technical skills, techniques, inner psychology and spatial description. In his novels suggesting signs and subplots with beautiful night landscapes and refined synaesthetic poetic expressions, he revealed his thematic consciousness by putting life and reality in the background and depicting the scenery of a village and nature under the influence of Mansfield and Chekhov for their background descriptions and Dostoevsky and Maupassant for their inner psychology. The literary worlds of the two authors are revealed clearly in their positive or negative assessment of James Joyce. Changing his daily life habits into Western culture in pursuit of modern Western literature, Lee wrote novels mainly dealing with the desire and psychology of elite intellectuals including the upper class that climbed the status ladder during the transitional time, newspaper reporters, writers, carriers of culture, doctors, and heads of film studios. His literature that is Western, urban, and modern made Korean literature in the 1930s colorful and refined by pursuing art for art. 김유정과 이효석은 1930년대 창작활동, 강원 영서지역 출신, 마르크시즘과 서구문학의 영향, 구인회 소속, 짧은 시기에 많은 작품을 발표한 작가라는 공통점에도 불구하고 문학관과 문학세계의 차이를 보였다. 두 작가는 리얼리즘과 모더니즘, 카프와 구인회, 미의식과 현실인식의 경계를 넘어서는 독창적이고 특색있는 소설을 남겼다. 예술을 위한 예술, 신심리주의문학을 비판한 김유정은 전인류에게 이바지할 수 있는 사랑을 바탕으로 한 내용 중심의 문학을 지향하였다. 따라서 기교나 예술적 기법은 내용전달에 미치지 못하며, 문학의 핵심이 될 수 없다고 보았다. 그는 니체, 마르사스로 표상되는 개인주의를 비판하고 크로포트킨의 상호부조론과 맑스의 자본론에 기초한 사랑공동체를 추구했다. 이러한 문학관을 바탕으로 사건과 인물 행동 위주로 전개되는 소설구성방식을 취한 김유정은 식민지근대 자본주의사회에서 신음하고 고통 받는 농군, 들병이 등 하층민의 핍진한 생활상을 그렸다. 육자배기를 부르고 조선옷을 늘상 입는 김유정은 토속적인 판소리체 문장을 구사하며 <홍길동전>, <두포전>을 발표하는 등 민중공동체의 상호부조와 사랑을 강조한다. 이에 비해 이효석은 예술지상주의, 유미주의를 바탕으로 하는 낭만적 리얼리즘을 추구했다. 미의식에 기반한 그의 문학은 낭만과 리얼의 중간을 주창했으며 예술성과 기교, 내면심리, 공간묘사를 중시했다. 서정적인 배경묘사와 세련된 공감각적·시적 표현으로 전조와 복선을 내포하는 그의 소설은 맨스필드, 체홉의 배경묘사와 도스또예프스키, 모파상의 내면심리의 영향하에 생활과 현실을 전경화하고 마을풍경이나 자연묘사를 통해 주제의식을 형상화했다. 두 작가의 문학관은 제임스 조이스 문학 평가에서 극명하게 드러났다. 서구근대문학을 위해 생활양식을 서구문화로 바꾼 이효석 소설은 시대적 전환기에 신분상승을 한 상류층이나 신문기자, 작가, 문화전달자, 의사, 영화사사장 등 엘리트 지식인의 욕망과 심리를 주로 다룬다. 서구적이고 도시적이며 모던한 그의 문학은 예술을 위한 예술을 추구했다는 점에서 30년대 우리 문학을 다채롭고 풍성하게 했다. 두 작가는 동시대에 활동하여 마르크시즘과 모더니즘에 노출되었음에도 불구하고 상반된 문학관과 전혀 다른 문학세계를 남겼다.

1930년대 후반기 장편소설 일고찰 : 1937년도 발표작을 중심으로

이미림 淑明女子大學校 1995 韓國學硏究 Vol.5 No.-

다문화경계인으로서의 코리안 디아스포라 연구 - 박찬순 소설을 중심으로 -

이미림 한중인문학회 2013 한중인문학연구 Vol.41 No.-

최근 거주국에서는 소수민족으로, 고국에서는 주변부로 위치 지어진 코리안 디아스포라에대한 관심이 우리 문학에 반영되고 있다. 이들을 재현한 소설에서 한민족이주자는 피해자, 희생자, 소수자적 측면만이 부각되면서 반복 재생산되는 양상을 보였는데 박찬순 소설에서는 이주생활 속의 차별과 배제뿐만 아니라 문화 자체를 통한 경계인의 가능성과 역할을 묘사함으로써 한계를 극복하고 있다. <발해풍의 정원>의 고려인 3세 알료나는 온돌체험방 아이디어를 제안하여 한국보일러의 홍보·전파·수출을 도우며, <가리봉 양꼬치>의 조선족 3세 임파는중국음식 양뀀의 양고기 노린내를 제거하는 레시피를 개발하여 한국사회에 소개하고, <지질시대를 헤엄치는 물고기>의 탈북여성 해란은 두만강 물고기 자그사니에 대한 지식으로 수족관에 근무한다. 두 나라의 주거·음식·생태문화를 중개, 접속, 변형, 창출하는 경계인이자 이방인으로서의 코리안 디아스포라는 차별과 배제의 대상이 아니라 트랜스내셔널한 글로벌 인재로 다문화사회에 기여하는 역할을 하는 자들이다. 이들은 민족적 정체성과 노마드적 정체성사이에서 폭력의 희생양으로 인식되지만 짐멜이 말하는 긍정적 이방인상으로서의 가능성을보여준다. 끊임없이 문제를 제기하고 의문을 품는 이방인은 물려받은 구들유전자를 바탕으로온돌방 체험 아이디어나 양념레시피를 창안하며 두만강에서 이주한 물고기의 생태를 관찰하는 일을 할 수 있기 때문이다. 그러나 타자의 은유이자 타자의 표상으로 재현되며 민족적·젠더적·계급적 타자인 이주여성은 신비하고 정체를 알 수 없는 이미지로 서구화된 한국남성주체의 오리엔탈리즘적 시선에 포획되어 대상화되고 타자화된다. 무책임과 의심, 목소리와 존재감을 드러내지 않는 서발턴은 사라지거나 범죄에 노출되며 스스로 범죄자가 되기도 한다. 이슬람 문화권에서 성장한 알료나는 이국적인 얼굴과 한복이 어울리는 체형, 러시아 의상이 혼효된 신비스럽고 혼돈스러운 모습으로, 탈국경한 이주여성에 덧씌어진 몸의 훼손을 의심받는조선족 출신 분희와 탈북여성 해란도 성적으로 타락하거나 부정적인 이미지를 갖고 있다. 작품 속의 실종과 부재는 이주자/여성의 타자성과 비극적 삶을 대변해 준다. 또한 작가는 ‘발해풍의 정원’이라는 유토피아를 상정하여 한민족 정체성을 복원하고자 한다. 전통의상인 한복을입은 공동체구성원이 함께 농사를 짓고 춤추고 노래하는 태평성대한 발해문화야말로 우리 사회가 잃어버린 것에 대한 복원과 한민족 디아스포라가 꿈꾸고 지향해야할 삶의 형태임을 기억해 낸다. 이러한 지향점은 다문화적 글로벌시대에 걸림돌이 될 수 있고 계급적 층위를 고착한다는 점에서 재고되어야 하지만 문화전수와 한민족전통에 대한 의미를 되새긴다는 점에서가치를 지닌다. 박찬순 문학은 코리안 디아스포라의 가능성과 역할을 보여주는 동시에 비참하고 고통스러운 현실상황도 함께 재현한다는 점에서 코리안 디아스포라의 복합적이고 다층적인 삶을 그리고 있다. Situated as a minority race in countries where they are living and as a marginal group in their motherland, Korean diaspora has recently made appearance in Korean literature. Having the consciousness of marginal people between two cultures, the migrants of the Korean race only have their aspects as victims and minority group highlighted. Park Chan-sun's novels, however,deserve some attention in that they have overcome the limitations of the old fixated multicultural and diaspora novels and proposed directionality for them by newly interpreting them as culture itself and revealing their possibilities and values. In The Balhae-Style Garden, Alena, a third-generation descendent of Goryeo, incorporates the Ondol culture into the boiler and spreads it across Russia. In The Lamb Skewers of Garibong, Im Pa, a third-generation Korean-Chinese, creates a recipe to eliminate the foul smell of mutton in lamb skewers, a Chinese dish, at the restaurant in Garibong-dong. In A Fish Swimming through the Geographical Age, Hae -ran, a female North Korean defector, gets a job at an aquarium thanks to her knowledge about Mesogobio tumensis, a fish in the Duman River. Korean diaspora, who is marginal people and aliens that mediate, connect, transform and reinvent the housing, food,and ecology cultures of two countries, plays valuable roles in a multicultural society as transnational and global talents rather than the objects of discrimination and exclusion. They can fall victim to discrimination and violence between their identity of their race and that of nomads, but they can also be a positive image of aliens mentioned by Simmel because aliens that constantly raise questions and try to quench their curiosity may come up with an idea of Ondolbang experiences based on their Gudeul gene, create a sauce recipe, or get a job of observing the ecology of a fish from the Duman River. In reality, however, migrant women are reproduced as the metaphor and representation of others. They are others in terms of race, gender, and social class. They are captured by the Oriental view of male Korean subjects for their mysterious image that conceal their identity, thus being sexually objectified. They either disappear or exist no more, revealing no irresponsibility, doubt,voice, and presence. Having grown up in an Islam culture, Alena is described as mysterious and confusing for the mixture of exotic face, the figure fit for Hanbok, and Russian costume. Bun-hee, who is a Korean-Chinese being suspected for the body damage common among migrant women that crossed a border, also has an image of sexually corrupted woman or a negative image along with Hae-ran, a female North Korean defector. In those works, missing and absence represent the otherness and tragic life of women/migrants. The author set a Utopia called “Balhae-style garden” and tried to restore the identity of the Korean race. It is reminded that the hanging scrolls and the reproductions in the folk village, which depict the members of the peaceful Korean community in the traditional Hanbok working on the farm together,dancing, and singing, are the restorations of what has been lost in Korean society and the life that the Korean diaspora should dream of and be oriented toward. Even though such an orientation should be reconsidered in that it can become an obstacle in the multicultural global age and fixate the hierarchy of social classes, it is worthwhile in that it ruminates the significance of cultural transference and Korean heritage. Park Chan- sun's literature overcomes the old multicultural and diaspora novels in a stalemate in that it reveals the possibilities and roles of Korean diaspora and also reproduces its limitations and realistic situations.

아미노코트, 병풀 및 실크펩타이드의 젤네일 시술에 따른 손상손톱 보강효과

이미림,이정희 대한미용학회 2020 대한미용학회지 Vol.16 No.2

The purpose of this study was to investigate the effect of amino coat, Centella asiatika and silk peptide on the recovery of nails injured by jel treatments. Amino coat, C. asiatika and silk peptide are considered as effective substances in the recovery of injured nails. The study period was 4 months from June to September, 2017. Amino coat was classified according to grade 1 of the nail damage grade. It was found that the floating of the nail between the layers of the nail was remarkably smaller and the white band due to the dryness recovered rapidly. It was also found that the nail surface cracks disappeared remarkably and the resilience was very good. C. asiatica was graded as 2~3 according to the degree of nail damage grade, and the white band became thinner due to drying and delamination between the improved layer., However, the surface cracks did not recover greatly after 3 or 6 weeks. The silk peptide was between 1 and 2 grades according to the degree of nail damage grade. After 3 weeks, the silk peptides showed surface delamination but dryness was found to recover. And after 6 weeks, fewer surface cracks and less dryness was observed. These results suggested that amino coat, C. asiatica, and silk peptide are effective ingredients in the development of new adjuvant because they have a beneficial effect on the recovery of damaged nails.