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김학범,윤종태 한국정원학회 2002 한국전통조경학회지 Vol.20 No.4
This study is to analyze the meaning and planting pattern of Salix in the Suwon Whasung(Yochunsung). The goal of this study is to investigate the relationship between Salix planting and principles of Korean traditional urbanscape. The methodology of this study is vased on literature review as secondary data research. The literature review explores the publications that were issued in the Li dynasty such as the government official documents, books and painting(including Chosun dynasty chronicles, Whasung Jeondo, Whasung Sungyok Uique, etc.). Throughout the literature review, the following results are found. 1. From the analysis of the old maps, Salix was a main species of street trees in the Suwon Whasung. Especially, the planting from Whahongmun to Whasanruing showned a pattern of a linear function in urbanscape. 2. Salix trees were planted along rivers, streams, creeks and lakes in the Suwon Whasung. These planting patterns explain the relationship between Salix and the urban hydrology system. From this study, we have found are remarkable results which explain a principle of urbanscape formation in the Yi dynasty. The results of this study would contribute to finding the original forms and preserving Suwon Whasung as one of the World Cultural Heritages.
김학범,임광빈 한경대학교 2005 論文集 Vol.37 No.-
This study analyzed the scenery formation method through doors and windows of traditional landscape structures. For the purpose of understanding the visual effect that was seen from the outside scenery through doors and windows, this was deduced by research into various frames of the designer's plan at that time. For this study, the scenery formation method and character through doors and windows were researched on the gardens of Suzhou in China and traditional Korean landscape structures. Doors and windows became frames that define our sight. This frames are the same as finders in the camera and compared with Chinese drawing papers of oriental painter. Accordingly, doors and windows made sceneries and view factors were arranged moderately in them. This things made special scenes like photos or paintings. In other words, a actual scenery seems like a framed picture on the sensitized paper or drawing paper so a beauty of nature became a beauty of art. The scenery formation method by frames of doors and windows was very similar to drawing, calligraphy and seal engraving. So to speak, the scenery formatioin method contains principal and subordinate, compactness, truth and falsehood in the oriental art of drawing.