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      • 노인의 생활체육 참여가 생활 만족에 미치는 영향

        김유영 강원대학교 2008 국내석사

        RANK : 247647

        본 연구의 목적은 노인들의 생활체육 참여가 생활만족에 미치는 영향을 심리적ㆍ신체적ㆍ사회적으로 분석하여 노인들의 생활체육 참여의 중요성과 가치를 고취시켜 보다 나은 삶을 영위할 수 있는 기초자료를 제공하려는데 있다. 본 연구를 위해 강원도 영동지방의 생활체육에 참여하는 노인 300명을 대상으로 설문조사를 실시하였으며, 이를 토대로 빈도와 백분율을 산출하였고, 배경변인에 따른 진단 간의 차에 대한 검증은 t-test와 ANOVA를 통하여 실시하였으며, 그 결과는 다음과 같다. 첫째, 노인들의 사회 인구학적 특성에 따른 생활 만족도에서는 차이를 보이지 않아 성, 연령, 학력 등은 생활만족도에 영향을 미치지 않고 있음을 알 수 있다. 둘째, 건강상태에 따른 생활만족도에서는 건강상태가 좋을수록 생활 만족도가 높으며, 생활체육 참여정도가 높아질수록 건강해진다고 생각하는 것으로 나타났다. 셋째, 생활체육 참여정도가 높을수록 생활 만족도가 높게 나타나 생활체육에 정기적으로 참여하는 것이 생활만족도에 영향을 미치고 있음을 알 수 있다. The purpose of this study was to provide basic material for the elderly to be helped to enjoy better life by making them being imbued with the value and importance of participation in sport of all (general sports) through analyzing the psychological, physical and social effect of participation in sport of all on their life satisfaction. The researcher conducted a questionnaire survey of 300 old people in the Yeong-dong area of Gangwon province who had been involved in sport of all and based on results from it, percentages were calculated, and tests of the difference among diagnoses according to background variables were carried out through t-test and ANOVA, resulting in the following conclusions. First, in life satisfaction according to social and demographical characteristics, there was no significance difference by the elderly's sex, age and educational achievement. Second, in life satisfaction according to their health status, the better health status they were in, the higher life satisfaction they showed significantly, and it was revealed that they thought that the more they participate in general sports, the more they would become healthy. Third, degrees of life satisfaction according to their participation in general sports showed significantly higher in the elderly who had participated in general sports on a regular basis and had been participated in them for less then four years and it was revealed that they preferred more than 4 hours of exercise. Fourth, degrees of the elderly's life satisfaction according to sport of all programs did not vary depending on kinds of sports and it was indicated significantly that the more they were heathy, the more they participated in sport of all.

      • 아버지로서 하나님 관점으로 본 요한복음 내러티브 읽기

        김유영 서울신학대학교 2010 국내박사

        RANK : 247631

        The intention of this dissertation is to investigate God the Father in the Fourth Gospel especially centering around the person of the F a t h e r i n a t e x t - s e q u e n t i a l ma n n e r . Th e p e r s o n o f t h e F a t h e r characterized by how he acts in a narrative, how he is acted upon, or how he relates to other chacacters in the narrative The introductory chapter designed to give the reader the rationale and defense for the ensuing study of God the Father in the Fourth Gospel as well as offer an exhaustive list and brief critique of approaches to the topic over the past one hundred and twenty years. What is observed by a survey of these works is the noticeable lacuna in the area of God the Father. Compared to the overall number of NT studies on various themes, those devoted to God the Father in the Gospel of John are few. Following this section, the methodology of the present dissertation will be outlined. Interaction and borrowing from earlier methodological attempts leads to the conclusion that (source-)historical and systematic approaches are lacking in that by their very nature they are unable to trace the flow of the author’s movement sequentially through the text. Therefore, a text-sequential approach is adopted whereby the statements about God the Father are allowed to emerge onto and ebb from the pages of the text dictates. Th e p rima ry i n te res t o f ch a p ter two p ro v i ded a p r el imi n ar y examination of the typical contexts in which path,rand Qeo,j are found, along with any grammatical or text critical issues that emerge with their use. Chapter two provided a background from which to examine the Gospel in a more detailed fashion. Chapter three proceeded by clarifying key aspects of God the Father's person and actions as they arise in the text. When a paticular trait arose, it traced through the length of the Gospel to its conclusion. In this way, attributes and actions of The Father summerized while still utilizing the strengths of the text-sequential approach. Chapter four comprised the heart of the dissertation in their close, text sequential study of God the Father in the Fourth Gospel. The fifth chapter reviewed and summarized the major features of God he Father as he is presented in the Fourth Gospel. This chapter intended not only draw out the “facts" about the Father(e.g. his attributes, actions and how he is acted upon), but also seeks to clarify how and when these various facts arise on the pages of the Gospel. In this way, both the information concerning the Father as well as the shape of how that infomation is presented on the pages of the story of the Fourth Gospel will be revealed. This final Chapter made conclusions of this dissertation. The notion of God as Father is not a common one in the Hebrew Scriptures. On the whole, “Father” tends to be applied to Israel as a nation rather than to individual Jews. The situation is very different i n J o hn ’s Go spel where Fath er-So n i s the domi n ant, co ntro lli n g metaphor used for Jesus’ relationship with God. The two persons of God the Father and the Son are thoroughly and inextricably intertwined. Jesus derives his mission from the Father and is fully dependent on him in carrying it out. Of the 136 instances of path,r in John’s Gospel, 120 have God as a referent. The references to God as path,r are pervasive, but not evenly spread. Major clusters are found in the “festival cycle”(chapters 5, 6, 8, and 10)and the Farewell Discourse (chapters 14–16). Virtually all references are found in discourse material. This strongly suggests that John’s “Father” language is rooted in the terminology of Jesus himself. The emphasis on the Father as the as one who sent Jesus and who witnesses to him portrays him as the Authorizer and Authenticator of Jesus. Emphatically, it is Jesus himself who refers to God as "the" Father and in close to twenty instances even as “his” Father.“ The Father” is Jesus’ natural almost unselfconscious—way of referring to God. The prologue refers to Jesus as the monogenh.j or “one-of-a-kind Son” from the Father (1:14) and stresses his unique relationship with h im( 1 : 1 8 ) . At th e templ e cl ear i ng , J esu s c al ls th e sa nct uary h i s “Father’s house”(2:16; cf. Luke 2:49). In 3:35, the evangelist speaks of the Father’s love for the Son, which led him to entrust all things to him. This passage, together with 1:14 and 18, suggests that “Father and Son” is the evangelist’s preferred way of conveying the nature of Jesus’ relationship with God. John 4:21–23 shows Jesus on a mission recruiting true worshipers for God. References to God as Father abound in 5:17–47, the “Sabbath controversy” between Jesus and the Jewish leaders. In 5:17, Jesus asserts that his Father is at work until the present, and so Jesus is at work as well, by virtue of his unique relationship with God (5:18). In the face of mounting opposition, Jesus elaborates on the Father-Son relationship. As in the case of human fathers, where sons customarily followed in their fathers’ footsteps by learning their trade, Jesus claims to take his cue from his Father(5:20, echoing 3:35; see also 1:18). Both the Father’s giving of life and all judgment are said to be reproduced in and delegated to the Son (5:21–22). Thus whoever fails to honor the Son fails to honor the Father(5:23). In 5:36 Jesus’ works are cited as evidence that the Father sent him (cf. 5:19–20), and in 5:43 Jesus states plainly that he came in his Father’s name. Jesus’ mission in relation to the Father is further elaborated in the aftermath of the feeding of the multitude. Most pronounced are references to the Father as “giving” people to Jesus or as “drawing” them to h im. A l l t h o se wh om t h e Fa t h e r h a s g i v en t o J e s us wi l l c ome to him(6:37). It is the Fa

      • 고리형 지방족 싸이올 단분자막의 구조에 대한 작용기 효과

        김유영 한양대학교 대학원 2011 국내석사

        RANK : 247631

        Surface structures, adsorption conditions, and electrochemical behaviors of self-assembled monolayers (SAMs) formed by the adsorption of cyclohexanethiol (CHT), 4-hydroxylcyclohexanethiol (HCHT), 4-methylcyclo-hexanethiol (MCHT), adamantanethiol (AMT), and cyclohexyldiselenide (DCDSe), on Au(111) were characterized by means of scanning tunneling microscopy (STM), X-ray photoelectron spectroscopy (XPS), thermal desorption spectroscopy (TDS), contact angle (CA), and cyclic voltammetry (CV) measuraments.

      • 토양세균군집의 다양성과 유사성분석

        김유영 漢陽大學校 大學院 1998 국내석사

        RANK : 247631

        토양으로부터 추출한 DNA로 분석되는 amplified ribosomal DNA restriction analysis(ARDRA)와 DNA:DNA hybridization 기법의 병행을 통해서 고전적 분석 방법의 편향된 군집 분석의 한계를 극복함과 동시에 서로 다른 토양 환경간 군집 수준의 유전형적 유사성과 상대적 종 다양성을 비교하였다. 시료는 나지, 초지, 경작지 그리고 소나무, 신갈나무 식생 토양을 대상으로 하였으며, 이들 각각으로부터 DNA를 직접 추출하고 동시에 각 토양 시료의 LB 배양액으로부터 DNA를 추출하였다. Universal primer로 증폭시킨 결과 모든 시료로 부터 약 1.3 kb의 PCR 증폭산물을 얻었다. 제한효소 지문 분석을 위해 PalI 등의 제한효소를 처리하여 서로 다른 토양의 독특한 ARDRA절편양상을 확인한 결과 토양에서 직접 DNA를 추출한 시료와 토양배양시료의 경우에 서로 상이한 양상을 나타내었다. 토양에서 직접 DNA를 추출한 동일시료로 각각 probe와 target으로 cross-hybridization을 행하여 유사지수로 얻은 유전적 유사도 행렬로 시료간의 상대적 다양성을 분석하였다. 그 결과 소나무삼림이 다른 시료에 비해 가장 다양성이 높은 것으로 밝혀졌으며, 경작지, 나지, 초지, 신갈삼림 순으로 다양성 정도를 나타내었다. 이는 삼림토양이 비삼림토양이나 비식생토양에 비해 다양성정도가 높은 것이 아니라 토양의 형태나 토질에 따라서 달라진다는 것을 시사하고 있다.

      • 동사섭 소집단훈련의 스트레스 감소 효과 및 자기노출과 공감반응 변화분석

        김유영 동아대학교 대학원 1995 국내석사

        RANK : 247631

        The purpose of this study is to find out stress reduction effect by Dong Sa Sup small guoup training based on humanity of Zen-Buddhism and to look into self-disclosure and changing aspects of empathy response as factors of process of training. For this, some research questions were established as follows : First, will dong Sa Sup Small Group Training be effective for reducing the stress? Second, what kind of changes in self-disclosure reaction will occur at each session of the Dong Sa Sup Small Group Training? Third, what kind of changes in empathy effect will occur at each session? Subjects were consisted of 28 volunteers, which were divided into two groups-experimental group of 14 and control group of 14. Experimental group were trained Dong Sa Sup Small Group Training for total 25 sessions, 90 minutes per session during 5 nights and 6 days, but the control group had no treatment. To measures the training effect, Stress Self-Evaluation Test have been conducted as each a pre-test, post-test and follow up-test in the experimental group and control group and verified the difference between post-test and pre-test and between follow up-test and pre-test. To see the process factors, we record all process of training of experimental group on the tape and dictate them as a verbatim and evaluate change of Empathy effect and Self-disclosure and put them into MANOVA and use post-verify procedure of DUNCAN to see a point of difference each block The result of this study are as follows; 1. Dong Sa Sup Small Group Training is effective for reducing the stress of training participator and the effect has been continued until the 6 weeks. 2. The self-disclosure effect has showed more frequency in the 1 and 3 block than 2 block in the Dong Sa Sup Small Group Training. 3. The empathy effect has showed as each empathy reaction levels change to increase according the trend of session.

      • 원전 민요 선율과의 비교를 통해 본 Aaron Copland의 <Old American songs 1>

        김유영 성신여자대학교 2010 국내석사

        RANK : 247631

        미국이 낳은 가장 미국적인 작곡가인 아론 코플란드(Aaron Copland, 1900-1990)는 그의 전 생애에 걸쳐서 다양한 작곡기법을 구사하였다. 유럽으로의 유학 후 미국으로 돌아온 시기인 창작활동의 초기에는 신고전주의 음악가인 이고르 스트라빈스키(Igor Stravinsky, 1881-1971)에게서 영향을 받았고, 그 외에도 재즈, 민속음악, 그리고 후기에는 12음 기법에 이르기까지 매우 광범위한 음악 어법을 사용하였음을 알 수 있다. 본 논문의 연구 대상인 <Old American SongsⅠ, 1950>는 코플란드가 민요적이고 국민적인 소재를 사용하여 많은 작품을 작곡하는 1930년대부터 1954년까지의 민속 음악시기에 작곡된 것으로써, 이 시기에는 청중들이 친밀하게 받아들일 수 있는 소재 즉, 카우보이 노래들, 찬송가, 남미의 리듬과 라틴 아메리카의 민요 선율, 미국 고유리듬, 재즈 리듬 등이 많이 쓰였다. <Old American Songs>는 원래 존재하던 민요 선율에 코플란드가 반주부만 따로 작곡하여 붙여 넣은 것으로서, 모두 다섯 곡으로 이루어진 이 작품의 민요 선율의 출처는 각기 다르다. 민스트럴 노래, 캠페인 노래, 흑인 영가, 찬송가, 동요 등의 다양한 출처의 곡을 그의 작곡 특징인 느린 화성 전개와 재즈 리듬과 불협화음의 사용, 프랑스 음악의 선호 등을 통하여 작곡하였다. 본 연구에서는 각 노래의 원래 선율과 출처를 밝힌 후 코플란드 버전과 비교하여 어떻게 변화되었는지를 화성적·문헌적인 접근을 통하여 알아보도록 하였다. 코플란드의 일반적인 음악적 특징 이외에도 그의 관중과의 친화적이고 대중적인 음악적 시도는 쉽고 단조로운 선율을 성악가들이 독창회에서 부를 수 있는 예술가곡 수준의 곡으로 승화시켰음을 또한 알 수 있었다.

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