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한경민(Han Kyeng Min) 한국중동부유럽학회 2004 동유럽발칸학 Vol.6 No.1
A literature of Folklore contains the very characteristics of a nation. It is needless to say the literature of Folklore is a treasure house of a culture. So to study the Hungarian folklore is a royal road to understand the Hungarian nation and the special feature of their own thoroughly. In this context, this article examined and analyzed the Hungarian Folklore, especially concentrating on the structure of the oral tales. First of all, the fairy tales were the most important part of the Hungarian oral tradition. Maybe about 50% of the oral tradition can be classified as a category of fairy tales. And then there were animal stories, didactic literature (or morality story) and some jokes. In the second chapter of the article, I introduced the varieties of the hungarian folklore and analyzed some representative stories of the genres. In the next chapter were the analyses of the structural characteristics of the folklore. Then I found out the very features only relevant to the Hungarian folklore. There were the points of the 4th chapter. Hungarian Nation were suspected to be come from Asian regions for a long time ago. The reason why was they had raised the livestocks and they needed a new meadowland to feed them. They had moved toward west. So they were originally from Asia but now they were in the middle of Europe. For about 1,000 years, they have lived in the heart of Europe as a nation of Asia. They accepted the Christianity as a state religion. So we can say Hungary is a really special nation who have European history and culture as well as a culture peculiar to Asian way of life. A folklore and oral tradition is said to be a crystal to show us the nations' view of life and world. It is so natural to find out the longest and the most special contents in the Hungarian folklore and oral traditions. It can provide us the very Hungarian view of life and world. Adding this, the article was proposed to rediscover the way of life and the people's attitudes inborn in the minds of the Hungarian people. The article also tried to show the background of the time related to the folklore and oral tradition. This approach to detect and look for a common folklore and oral tradition as well as special ones, is to help us to understand the very desirable nature of the Hungarian culture in a well-balanced and whole approach.
김헌선 한국구비문학회 2004 口碑文學硏究 Vol.0 No.19
Folklore literature and Music share speech. So, There are relation between Folklore literature and Music. The base measuring of the Folklore literature is the same. But the realization is differ from many Folklore literatures separately. Folklore literature and Music provided by the character of the community. Although there are various sounds, Folk song weighty the whole community. Community take shaped by sharing of the linguistic base feature. A Children's Song combined the statute partition and the linguistic partition, musical partition. Especially musical partition combined which make the difference of the local community arbitrarily. these facts can't make clear the difference of the local community But Shaman song can make clear the local difference clearly. Because Shaman song performed by expert who religious service, These difference was happened. In spite of the same kind of Folklore literature, The performing subject can change the detail genre of the Folklore literatures. 구비문학과 음악은 말이라는 기본 자질을 공유한다. 그래서 구비문학과 음악은 깊은 관련성을 갖는다. 기저 자질이 일치하나 이러한 기저 자질의 실현 양상은 구비문학의 갈래에 따라서 전혀 다르게 나타난다. 구비문학과 음악은 공동체의 상정 여하에 따라서 다양하게 구성되는 특징이 있음이 증명되었다. 소리가 다양하나 민요의 경우에는 공동체 전체가 문제되며, 언어적 기저 자질을 공유하는 것에 따라서 공동체가 상정된다. 동요의 경우에 언어적 분절과 율격적 분절, 음악적 분절이 결합되며, 특히 지역적 차이를 형성하고 있는 음악적 분절이 자의적으로 결합되고 이를 근간으로 해서 지역공동체의 차이를 해명할 수 없다고 본다. 그러나 무가의 경우에는 선명하게 지역적 차이를 해명할 수 있다. 민요와 다르게 무가는 전문적인 사제자 집단이 공동체로 작용하기 때문에 이러한 차이가 부각된다. 동일한 구비문학인 데도 공동체가 어느 집단이 되고 어떠한 갈래인가의 여하에 따라서 차별성을 증명할 수 있으리라고 본다.