Review of Research Trends in Publications from Korean Journal of Sport Biomechanics using Topic Modeling Analysis

김예림,이효근 한국운동역학회 2025 한국운동역학회지 Vol.35 No.1

Objective: Biomechanics is a research field focused on human movement, with broad applications in sports science and physical health. This study aims to synthesize previous publications in the field using a text-mining approach to identify key research trends. Method: Dirichlet Multinomial Regression topic modeling was applied to 1,233 research papers published in the Korean Journal of Sport Biomechanics between 1994 and 2024. To enhance the model's accuracy, we excluded the top three most frequent terms and trained the model over 2,000 iterations. Publication year data was also used to analyze temporal trends across topics. Results: Topic modeling identified 15 key research topics in biomechanics, covering both experimental and review studies across various sports and health-related fields. The analysis revealed growth in research on 'Functional Movement' and 'Clinical Biomechanics', while 'Sports Biomechanics' showed a decline. Other topics displayed mixed trends, with some maintaining steady interest over time. Conclusion: This study provides a comprehensive overview of historical research trends in biomechanics within Korea. By identifying key topics such as motion, movement, and sports, it offers valuable insights into the evolution of the field and suggests future research directions.

에이젠슈테인의 표현역학 영화연기, 충격과 매혹

김종국 한국연기예술학회 2021 연기예술연구 Vol.21 No.1

이 연구는 에이젠슈테인의 영화연기에 관한 논의 가운데 표현역학이 고안된 과정을 추적하면서, 충격 과 매혹이라는 배우 연기의 의미를 고찰하였다. 이 주제를 선택한 이유와 목적은 대중영화의 강력한 표 현성이 배우의 연기에서 비롯된다는 전제를 메이예르홀트의 생체역학과 에이젠슈테인의 표현역학에서 찾아보고자 함이다. 첫째, 새로운 형식의 연극 실험을 위한 배우훈련체계로 고안한 메이예르홀트의 생체 역학을 살펴보았다. 배우훈련법으로서 생체역학은 당대의 새로운 형식의 연극에 적합한 리드미컬한 움 직임, 제스처, 자세를 구성하기 위해 메이예르홀트가 제안한 연기의 양식화된 미학적 원리이다. 둘째, 메 이예르홀트의 생체역학에서 표현역학을 정립한 에이젠슈테인의 논의 및 실제의 적용과정을 추적하였다. 메이예르홀트의 워크숍에서 연구조교로 수학한 에이젠슈테인의 퍼포먼스 실험은 생체역학을 과학적으로 이론화하고 실연하는 것이었다. 셋째, 배우의 유형 분류로 설명할 수 있는 전형화, 일종의 단절된 연기로 이해할 수 있는 컷-액팅을 양식화한 표현역학의 목적 및 효과를 살펴보았다. 넷째, 표현역학의 이념이라 할 수 있는 충격과 매혹의 어트랙션을 제시하였다. 영화에서 에이젠슈테인의 표현역학은 메이예르홀트 의 생체역학의 원리를 회화의 입체적인 단축법으로 표현한 것이며, 배우의 단축법적 움직임은 관객의 감 정을 환기시키는 강력한 어트랙션이다. 근육의 기계적 훈련을 강조한 유기적 연기훈련으로서의 생체역 학과 총체적 표현성을 극대화한 표현역학의 대표적인 사례로 찰리 채플린이 언급된다. 메이예르홀트와 에이젠슈테인의 문헌들에서 인용되는 채플린 연기의 강력한 표현성이 충격과 매혹의 어트랙션이며, 채 플린의 영화적 매력이 생성되는 방식이 지금의 대중문화에도 유효하다. 일례로, 무술 스턴트의 퍼포먼스 에서 유기체적 생체역학을, 영화배우 마동석은 근육의 표현성을 극대화한 표현역학을 확인할 수 있다. 이 연구는 영화의 역동적 표현성을 구축하는 몽타주의 체계화 이전에, 메이예르홀트의 생체역학을 응용 한 에이젠슈테인의 표현역학을 연구하는데 그 목적이 있다. 더불어 에이젠슈테인에 관한 기존의 논의가 대부분 몽타주의 원리에 할애된다면, 이 연구가 보다 근원적으로 배우의 연기에서 영화의 총체적 표현성 을 확인할 수 있다는 점에서 의의가 있다. This article traced the process of the expressive movement in Eisenstein’s discussions on film acting. The reason for choosing this theme is that Meyerhold’s biomechanics and Eisenstein’s expressive movement have a great influence on the premise that the powerful expressiveness of popular films comes from the actor’s acting. First, the biomechanics of Meyerhold as an actor training system, which was designed as an experiment for a new form of theatre, was examined. Meyerhold’s actor training, biomechanics, is an aesthetic principle of stylized acting to construct rhythmic movements, gestures and postures suitable for new forms of play. Second, the discussion of Eisenstein, who established the expressive movement in Meyerhold’s biomechanics, and the actual application process were followed. Eisenstein’s performance experiment, who studied as a research assistant at Meyerhold’s workshop, was to scientifically theorize and demonstrate biomechanics. Third, the purpose and effect of the expressive movement stylized in the typage that can be explained by the classification of the actor’s type and the cut-acting that can be understood as a kind of disconnected acting is were examined. Fourth, he presented an attraction of shock and fascination, which can be said to be the ideology of the expressive movement. In the film, Eisenstein’s expressive movement expresses the principle of Meyerhold’s biomechanics as a three-dimensional raccourci in fine arts, and the actor’s foreshortening movement is a powerful attraction that evokes the emotions of the audience. This study aims to study Eisenstein's expression dynamics, which applied Meyerholt's biomechanics, prior to the montage systematization of building the dynamic expressiveness of the film. In addition, if most of the existing discussions on Eisenstein are devoted to the principles of montage, this study is meaningful in that it can more fundamentally confirm the overall expressiveness of the film in the actor's performance.

웹기반 운동역학 수업 모형 개발

이기광 ( Ki Kwang Lee ) 한국운동역학회 2002 한국운동역학회지 Vol.12 No.2

To provide a guideline for the development of a web-based sport biomechanics class in undergraduate program, thirty web sites, searched via search engines in May 2002, were analyzed intensively. In terms of requirement of log-in, only one site of 30 sites required user name and password. Seventeen(57%) sites provided the lecture note, which had various file formats such as 59% if PDF, 29% of HTML, and 12% of PPT. Fourteen(47%) sites provided the assignment and grade information on web. Eleven(37%) sites provided various resource and links which were related in sports biomechanics. Only four(13%) sites provided discussion or online digitizing or kinematic analysis program. Based on above results, a guideline for the development of a virtual classroom for college level sport biomechanics. A web-based sport biomechanics class should be developed with consideration of several functions as follows; homepage design, lecture note, measurement of class attendance, collaborative research system, and web-based data collection and analysis software for biomechanics laboratory.

몸의 예술적 주권: 생체역학의 문화예술적 맥락

백승무 한국슬라브․유라시아학회 2023 슬라브학보 Vol.38 No.1

The turn of the century in Russia at the end of the 19th century and the beginning of the 20th century was a period of intense upheaval dominated by change and innovation. During this period, Nietzsche's ideas had a great influence on Russian philosophy, literature and art. In particular, his doctrine that the body is the origin of existence, the subject of cognition, and human identity leads the formation of dance culture in the early 20th century. Duncan's free dance, dedicated to expressing the Dionysian ecstasy mentioned by Nietzsche, is a symbol of resistance against the oppressive culture and has become a metaphor for freedom and liberation. Thanks to Dalcroze's Eurydmix, which aims to foster flexible and expressive human beings through musical rhythm education, Russian dance culture expands into a daily phenomenon that anyone can easily perform. Meyerhold’s project, “Theatricalization of Physical Culture,” is an attempt to bring the energy of dance culture into theatrical art. Although it ended in misfire, the “Theatricalization of Physical Culture,” strengthened the scalability and collectiveness of the play and contributed to the establishment of biomechanics. From the mid-1920s, when the state-led body control began in earnest, the dance culture rapidly declined, and dances according to textbooks prevailed. Through this, we can understand the cultural and artistic context in which biomechanics was formed, and find out that biomechanics and dance culture are strongly involved in the cultural and artistic context at the beginning of the century. 19세기 말과 20세기 초 러시아의 세기전환기는 변화와 혁신이 지배하는 격렬한 요동의 시기였다. 이 시기에 니체의 사상은 러시아의 철학과 문학, 예술에 큰 영향을 미쳤다. 특히 몸이 존재의 시원이며 인식의 주체이자 인간의 정체성이라는 그의 교리는 20세기 초 춤 문화의 형성을 주도한다. 니체가 말한 디오니소스적 황홀경을 표출하는 데 헌신한 던컨의 자유댄스는 억압적 문화에 대한 저항의 상징이며, 자유와 해방의 메타포가 되었다. 음악적 리듬 교육을 통해 유연하고 표현력이 풍부한 인간을 양성하고자 한 달크로즈의 유리드믹스 덕분에 러시아의 춤 문화는 누구나 쉽게 수행할 수 있는 일상적 현상으로 확장된다. 메이예르홀트가 구상한 ‘체육의 연극화’ 프로젝트는 이런 춤 문화의 에너지를 연극예술로 끌어들이려는 시도이다. 비록 불발로 끝났지만 ‘체육의 연극화’는 연극의 확장성과 집단성을 강화시켰으며 생체역학의 정립에도 기여한다. 1920년대 중엽부터 국가 주도의 신체 통제가 본격화되자 춤 문화는 급격히 쇠퇴하고, 교본에 따른 춤, 체육화된 춤이 득세하게 된다. 이를 통해 우리는 생체역학이 형성된 그 문화예술적 맥락을 이해할 수 있게 되고, 생체역학과 춤 문화가 세기 초 문화예술적 맥락에 강하게 연루되어 있음을 알게 된다.

족부의 생체역학

성일훈 한양대학교 의과대학 2000 한양의대 학술지 Vol.20 No.1

In the biomechanical studies of the foot, normal and pathologic functions of the components of the foot have been evaluated and investigated. The various roles of the foot during standing and locomotion, such as supporting body weight and providing push-off power, shock absorption, balance and adaptation to uneven surfaces, should be considered when analysing the data. Those complex functions of the foot are achieved through the interrelationships of the various parts of the foot. The changes of the normal interrelations, even partly, may disrupt the functional and anatomical integrity of the foot, resulting in painful conditions, instability and deformity. It has been reported that the etiology and pathomechanism of many lesions of the foot ate related with the altered biomechanics. Understanding the fundamental biomechanics of the foot, therefore, is the key to the clinical ability to diagnose and manage the pathologic conditions of the foot.

Effect of intervertebral disc degeneration on biomechanical behaviors of a lumbar motion segment under physiological loading conditions

박원만,Yoon Hyuk Kim,이상호 대한기계학회 2013 JOURNAL OF MECHANICAL SCIENCE AND TECHNOLOGY Vol.27 No.2

The consideration of biomechanical alterations due to intervertebral disc (IVD) degeneration is crucial for the accurate analysis of spine biomechanics. In this study, finite element (FE) models of the L4-L5 motion segment with full coverage of the degeneration grades from healthy IVD to severe degeneration were developed. The effects of IVD degeneration on spine biomechanics were analyzed under physiological loading conditions using compressive forces and bending moments. The FE models of all degeneration grades were consistent with published data in terms of the ranges of motion. Severe IVD degeneration showed lower inter-segmental rotations in flexion-extension and lateral bending, lower intradiscal pressure in all motions, higher facet joint forces in lateral bending and axial rotation, and higher von-Mises stress in annulus ground substance in all motions versus the healthy IVD. These findings could provide fundamental information for understanding the characteristics of the biomechanical behaviors of degenerated lumbar motion segments.

The Effect of Lower Eyelid Blepharoplasty on Corneal Biomechanical Parameters

Seyed Mohsen Rafizadeh,Hesam Hashemian,Masoud Khorrami-Nejad,Ali Hadi,Ghazal Ghochani 대한안과학회 2025 Korean Journal of Ophthalmology Vol.39 No.1

Purpose: To determine the effect of lower eyelid blepharoplasty (LEB) surgery on corneal biomechanical parameters before and 4 months after the procedure. Methods: In this prospective longitudinal study, corneal biomechanical parameters measured by Corneal Visualization Scheimpflug Technology device were evaluated before and 4 months after LEB surgery. Results: The study included 19 eyelids of the right eyes of 19 patients who underwent LEB, with a mean age of 49.0 ± 10.1 years (range, 37–72 years). Four months after the procedure, significant increases were observed in the first applanation time (p = 0.007), second applanation time (p < 0.001), highest concavity time (p = 0.004), intraocular pressure (p = 0.009), and biomechanical-compensated intraocular pressure (p = 0.007). In addition, the absolute value of highest concavity delta arc length and stress-strain index showed a significant decrease after the LEB (p = 0.021 and p = 0.037, respectively). Other corneal biomechanical parameters did not show significant differences following the LEB procedure (p < 0.05). Conclusions: The resection and repositioning of the fat pockets in LEB lead to biomechanical changes of the cornea in the direction of increasing corneal stiffness.

행위와 윤리

백승무(Paik, Seung Moo) 한국노어노문학회 2015 노어노문학 Vol.27 No.4

본 논문은 메이예르홀트의 생체역학 속에 내장된 윤리학적 인간관과 그 미학적 지향을 검토하고 있다. 메이예르홀트는 젊은 시절부터 연극의 세계개조 가능성과 그에 걸맞은 배우의 품성론에 대해서 지속적인 관심을 가졌다. 그의 배우교육의 핵심은 자연인으로서 배우를 미학적 행위의 담지자로서 개조하는 것이자, 새로운 배우-인간으로 재탄생시키는 것이다. 스타니슬랍스키가 내면적 진실을 어떻게 표현할 것인가 하는 문제에 중점을 뒀다면, 메이예르홀트는 배우가 관객에게 어떻게 보여지는가를 중시했고, 새로운 배우-인간에 대한 덕목 또한 이를 바탕으로 구성되었다. 건강한 인간, 조형적 인간, 표현 능력이 강한 인간, 음악적 인간 등은 생체역학이 천명하는 새로운 미학적 인간의 표상이었다. 생체역학은 자유로운 인간 주체를 위한 일종의 윤리지침서이며, 그 본질적 의미는 정신적, 육체적 해방이라고 볼 수 있다. This paper proposes an analysis of ethical viewpoint on human and aesthetic orientation in Meyerhold"s Biomechanics. Meyerhold had an ongoing interest in world and human renovation possibilities of theater. The core of his actor training is adapted to make the actor as a natural person the bearer of aesthetic action, and to reborn as the new actor-human. While Stanislavsky focused on the problem of how to express inner truth, Meyerhold was more concerned with the way that the audience sees the actor, and the virtues of a new actor-human were also based on this configuration. Healthy human, formative human, human of high expressiveness, musical human was the new aesthetic human representation that Biomechanics oriented. Biomechanics was a kind of ethical guidelines for liberal human subjects, and it"s essential meaning could be considered as mental and physical liberation.

스포츠공학 연구 동향 탐색을 통한 운동역학 분야 확장 방향 모색

손지훈 ( Sohn Jee-hoon ),양종현 ( Yang Jong-hyun ) 한국융합과학회 2022 한국융합과학회지 Vol.11 No.8

Purpose The purpose of this studyﾠis to explore the recent research trends in the field of sports engineering by analyzing thesis data of the most prominent academic journal in this field. Methods Out of 62 papers published in the last three years (2020-2022) in the Sport Engineering Journal published by ISEA, 56 were analyzed. Result The main field of research of sports engineering was equipment development and verification; however, experimental research accounted for the highest proportion. Although papers related to engineering were predominant, the ratio decreased every year; and the field of sports biomechanics gained popularity. Conclusion Sports engineering is a promising field of research led by the engineering. In Korea, it is necessary to accept the flow of global sports engineering and start related research in the field of physical education, especially related to sport biomechanics.

후방 십자인대 손상 기전과 생체역학

임비오,최인애 대한운동사협회 2009 아시아 운동학 학술지 Vol.11 No.1

The objective of the study was to investigate posterior cruciate ligament injury mechanism and biomechanics. The reported incidence of PCL damage is between 3 and 44% of acute knee injuries. Motor vehicle accidents (45%) and athletic injuries (40%) are reported as the most common causes. Trauma records primarily from motor vehicle accidents indicate that 46% of PCL injuries are combined with ACL tears, 41% with posterolateral structure (PLS) damage while only 3% are isolated. In contrast athletic injuries normally involve low loading rates resulting in isolated mid substance tears. Results were inconsistent for rotational stability but deficiency increases joint contact pressure and may result in articular damage. A loss of proprioception occurs but the effect on strength and kinetics is inconclusive. There is a lack of evidence for compensatory muscle activity. Return to activity is possible for the majority of non-operatively treated grade I and II isolated injuries. Further research is required to establish the compensatory mechanisms stabilizing the posterior cruciate ligament deficient knee and to investigate the outcomes for non-operatively treated patients. 본 연구의 목적은 후방 십자인대 손상 기전 및 생체 역학적 특성을 규명하는 것이다. 후방 십자인대 손상 비율은 급성 무릎 손상의 3~44%이며, 손상 기전은 교통사고가 45%, 운동손상이 40%이다. 교통사고의 46%는 전방 십자인대 파열과 동반되며, 41%는 후외측 조직과 동반되며, 3%만이 단독 손상이다. 운동손상은 비교적 낮은 부하로 인해 단독 손상의 비율이 교통사고 보다 더 높다. 후방 십자인대 손상 환자들은 경골의 후방 이동이 증가하는데, 무릎이 90°로 굴곡 되었을 때 최대가 된다. 후방 십자인대 손상이 회전 안정성에 미치는 영향은 불일치하지만, 관절 접촉 압력을 증가시켜 관절에 손상을 일으킨다. 고유수용성 감각의 손실이 일어나지만 근력과 운동역학적 효과는 불일치하다. 또한 근육의 보상 활동의 증거는 아직 불충분하다. 후방 십자인대 1등급과 2등급 단독 손상은 수술하지 않고 치료만으로 활동으로의 복귀가 가능하다. 후방 십자인대가 손상된 무릎을 안정화시키는 보상기전과 수술하지 않고 치료하는 환자들의 결과를 규명하는 후속연구가 필요하다.